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previous artist: ruth white		there are 18 titles featuring keith fullerton whitman in stock. they are listed below.		next artist: who cares how long you sink

$10.51

back in stock as of
may 24th, 2005

first in stock on
february 21st, 2005

file under:
reckank-related
break-core
contemporary-electronic
site-specific
lap-top
lo-fi
sound-research

entschuldigen (usa) #ent mich cd

hrvatski “irrevocably overdriven break freakout megamix” compact disc

irrevocably overdriven break freakout megamix (40:39) (91 tracks) including: concert reel intro • ink • une drole de journee • rhetoric (revamped) • epoxy (demo) • heavy.mallow (vocal version) • uncivilibertarian (reworked) • our turn (revised) • routine exercise (recontexualized) • marbles/hekla’s steeze (rewoven) • eintrag raum • kochen raum (dub version) • glamp • pale.overture • 2nd zero fidelity mandible investigation • une drole de journee (reprise) • whalesplosion

click the play button to hear an excerpt of "eintrag raum • kochen raum (dub version) • glamp"

the second pressing of this all-time mms best seller arrived just this afternoon. while i’m still in the process of cutting up all the new custom paper and putting them all together i wanted to let you know a few things about the repress:

1). the pressing plant fixed the error which resulted in the new hrvatski logo being printed in halftone black over the white flood/base coat, instead of “knocking-out” of the white flood/base coat to the silver cd face, and as such, the new hrvatski logo now “knocks-out” of the white flood/base coat to the silver cd face. so... yes, the 2nd-press copies look much nicer and i don’t cringe when i see the disc art

2). as the acquisition of the first batch of custom/handmade papers was something of an experiment, and as i learned much from said experiment, the 2nd pressing features an evenmoresodareisay amazing selection of weird nepalese blockprints and very cool metallic textured/embossed patterns (see the updated cover-scan to your left.)

3). i wasn’t really going to repress this thing until a few of my distributors sent in restock orders, mentioning that they really enjoyed the disc! this was a real boost and as i want to turn the label into something a bit more regular, i ordered the repress to meet demand. with every copy sold that’s one step closer to the next entschuldigen edition (of which there are currently three planned.)

4). i hate finite-editions of anything that people will want down the road... but then again i don’t want to have another 1100 discs sitting in my room waiting to bought (there’s already enough in here!) so i’ll be assembling these in small batches throughout the summer, possibly into the fall. after that it’ll be time to move on to the next hrvatski-project and all latent copies of this will be sold off...

<--- original description --->

here it is... after a short wait... the mysterious “hrvatski bootleg” i’ve been prattling on about. a very nice looking thing featuring a two-color metallic sticker and a booklet cut from one of twenty different kinds of custom metallic cardstock on my kitchen table with a rodahle guillotine, then stuffed into a cool variopac “trigger-action” booklet box in the reckankomplex living room over the last few weeks by myself (with help from andy solomon and petra-pixm).

entschuldigen press release...

“entschuldigen is pleased to release irrevocably overdriven break freakout megamix, a disc which has the honor of being both the first ever live release from hrvatski as well as the debut release on the entschuldigen label.

hrvatski is widely known throughout sentient populations for his ruthlessly eclectic music, as released over the past six years on scores of tastemaking labels. he has collaborated with and/or remixed a who’s who of contemporary music and sound production. his last two simultaneously released albums were voted to the top of many year-end lists, including those published in the wire and pitchfork.

recorded live at san francisco’s rx gallery (as part of the jiffy scuttler series curated by blevin blectum, j. lesser, lance grabmiller, and sean rooney), irrevocably contains a wide selection of material from hrvatski’s vast repertoire, including a majority of otherwise unreleased tracks and reworkings of some of his classic anthems.

rather than neatly beat-match each piece into a dancefloor-ready whole, hrvatski herein opts to tear his oeuvre apart in a truly depraved manner, eviscerating familiar themes and passages into a distorted uptempo mess which is then coated with layers of previously recorded instrumental passages, found sounds, realtime digital bleeps, and loads of added beats and breaks (hence the title).

one could say that irrevocably is hrvatski’s tribute to such amped-up, overdriven live albums as high rise live and the ventures live in japan ‘65. one wouldn’t be too far off...”

there’s never been a hrvatski live disc (or any weird hrvatski special projects other than 7” singles) as those tend to get relegated to the kfw-aegis) which is odd for myriad reasons (but we’ll only outline a few here):

(1) of all of the “laptop r0x0rz” out there essentially pushing play on a pre-recorded/pre-looped/pre-defined mix of recent 2-track stereo masters, keith-hrvatski has always yielded some strange (and frankly unreliable) computer music performance-solutions, most variants on his “h-mod” modular digital-audio max-msp patch, itself a behemoth of mammoth proportions (incorporating the guts of an analogue modular synth simulator, several pitch-tracking and attack-sensing random-event distributors, many tempo-synced filtering algorithms, 10 kinds of realtime granular grunkage, etc...)

(2) keith-hrvatski’s never played the same set twice. never. he’s fond of busting out unreleased tracks and/or weird alternate versions of his many classic break-damage anthems.

(3) the hrvatski live experience (depending on factors of mood and/or enebriation) is often a full-on sensory assault of high-volume anti-dancefloor aktion, often intentionally pushing his signal WAY beyond comprehension (just ask anyone who lives in ghent). the hrvatski oeuvre would benefit from a live disc in the same way the high rise oeuvre did from “high rise live” or the ventures from “live in japan ‘65”.

so, bearing all that in mind, here’s what will most likely be hrvatski’s swan song (barring that the cd reissue program a few folks have offered to help out with never gets off the ground), a gloriously frazzled transcription of his set at the jiffy.scuttler event at the rx gallery in san francisco’s tenderloin from july of 2004. more merzbow than mezz mezzrow, “irrevocably” sees a stove-boat of hrvatski-klassiks run through the gain-blender, butted up against some seriously zonked bleep, sound-system fx, death metal guitar growl, etc... all so far into the red that it’s hard to even hear the beat at times. keith-hrvatski wouldn’t have it any other way.

one-time pressing of 32,701 copies (actually, closer to 700), sure to go the way of the eagle shortly after release...

$9.24

back in stock as of
march 6th, 2009

first in stock on
april 4th, 2006

threads:
minimalism-drones
concert-recordings
software-systems
analogue-synth
digital-musics
guitar-themed
electro-acoustic-improvisation

kranky (usa) #krank 092 cd

keith fullerton whitman “recorded in lisbon” compact disc

recorded in lisbon (41:41)

click the play button to hear an excerpt of "recorded in lisbon"

... a 40-minute continuous piece for guitar, circuit-bent electronics, reel-to-reel tape, and computer, recorded on stage at lisbon’s brilliant galeria ze dos bois during october of 2005 ...

i chose this set from lisbon as my first proper solo live release as it just works on a few different levels ... what starts out as a nice & serene playthroughs-bit (which almost comes across as a solo guitar/electronic take on “in a silent way”) slowly morphs into an incredibly loud & claustrophobic blast of “rising sound” courtesy of a self-evolving serge modular/eventide clockworks harmonizer patch and some particularly gnarly rectified electric guitar (thank you truly beautiful disaster) ... this gives way to a long section of musique concrète involving the moving walkways in london’s heathrow airport, metal handrails in the 8-story stairwell of a belgian hotel, and an ad-hoc performance of la monte young’s poem for chairs, tables, benches, etc. - these sounds were fed into the aforementioned serge, their timbral and volume envelopes converted into control voltages used to “play” a different patch. slowly a wave of “frozen” guitar chords creeps in, which is followed by a massive swell of squared-off playthroughs guitar, which was then bounced around the zdb space, recaptured in the system, then rebroadcast again in something of a feedback loop owing much to alvin lucier’s classic “i am sitting in a room. the piece slowly fades out after this abruptly cuts to a frail band-pass-filtered version of the same ...

more than anything else i’ve done, you really need to be listening to this one through good speakers at at a fairly decent clip (i.e. “play it loud.”) computer speakers and/or headphones just won’t do it (unless you’ve got a pair of grados) ; there’s much extremely low-end information that will bounce around your comfortable listening spaces quite nicely if you only give it the chance ...

kranky press release...

artist: keith fullerton whitman
title: (recorded in) lisbon
catalog #: krank092
formats available: cd
release date: march 2006

a message from mr. whitman: "in october of 2005 i found myself wandering the streets of lisbon, entirely deaf in one ear, 75% the other (an artifact of witnessing first-hand the fine air-pressure regulation on four separate aer lingus flights), belly full of swordfish, just in awe of the city and its inhabitants. for the first since i could remember everything just clicked.

"those of you who have been lucky enough to get a copy of the recent 22 minutes for electric guitar tour-only mini-cd on entschuldigen may have an idea of just where my head's been at over the past year or so regarding the evolution of the "playthroughs" system of live/real-time guitar/computer synthesis; the piece i often play in concert has gradually been getting much darker, more dynamic, and in general; monolithic. i’ve started to embrace traditional "loud guitar" concepts (via a collection of bizarre, home-made/boutique guitar pedals) along with the sine-tone throb and "slow aerosol dispersion" of the classic playthroughs material. more recently, i've augmented the pure-guitar sound(s) with a collection of small, battery-powered sound-devices and several tapes of "automatic synthesizer compositions" (recorded this past summer on the same serge modular protoype and buchla music box 100 systems used on multiples) and field recordings from all over god's green earth. finally, on top of all that i've re-kindled my love of alvin lucier-lineage process music by placing microphones and small speakers / fm receivers / speakers around the space, capturing the sounds as they occur at various points in the room, feeding them back through the central artery that is the max-msp-based playthroughs patch, then out again to any number of locations...

"this recording, captured to hard disk on stage at galeria zé dos bois on october 4th 2005, is in my mind the perfect encapsulation of all of these elements into a single lilting piece of static sine-tone harmonics, squared-off electric guitar haze, clangorous room-tone eruptions, and high-end synth freakouts...

"note: in something of a sea-change to my modus over the last 10-odd years i've decided to relax, not sweat the details, let mistakes be mistakes and just let the music breathe without my normally prescribed 3-year gestation cycle of incessant editing, re-mastering, tinkering, etc... making this the shortest amount of time for any one of my musical ideas to go from conception to execution to release (all things going to plan; just five months from the concert itself to the disc on shelves...). the recordings are released in a cardboard pack adorned with high-contrast photos taken by yours truly during the lisbon trip, priced as a cd ep..."

$12.61

back in stock as of
march 6th, 2009

first in stock on
may 16th, 2005

threads:
minimalism-drones
analogue-synth
electro-acoustic-composition
modern-composition

kranky (usa) #krank 081 cd

keith fullerton whitman “multiples” compact disc

stereo music for hi-hat (2:49)
stereo music for serge modular prototype - part one (3:36)
stereo music for serge modular prototype - part two (5:39)
stereo music for serge modular prototype - part three (1:54)
stereo music for yamaha disklavier prototype, electric guitar and computer (10:08)
stereo music for farfisa compact duo deluxe, drum kit (6:47)
stereo music for acoustic guitar, buchla music box 100, hewlett packard model 236 oscillator, electric guitar and computer - part one (5:29)
stereo music for acoustic guitar, buchla music box 100, hewlett packard model 236 oscillator, electric guitar and computer - part two (10:32)

click the play button to hear an excerpt of "stereo music for acoustic guitar ..."

i’m penultimately thrilled to present to you my second “proper” album under my christian given, multiples.

this recording is the result of a massive, sprawling project to which i lent most of my free time over the last few years... one that took me from the basement of the reckankomplex to the harvard university studio for electro-acoustic composition to a hotel room in rome, back to the mit media lab, back to my bedroom here (otherwise known as “the mms offices™”) and finally, now, to home stereo speakers worldwide.

people have been saying that this is my “academic” record, although despite the fact that i did compose the majority of it in academic institutions, i like to think of the music as much less cold and formic than that title would imply (personally, i think the music is very human!)

kranky press release...

artist: keith fullerton whitman
title: multiples
catalog #: krank081
formats available: cd
release date: may 16, 2005

multiples was recorded at the harvard university studios, where a stash of vintage synthesizers and electronics was made available to keith fullerton whitman during his time as a lecturer there. the eight tracks on multiples flow through hit hat shimmer to skull-scraping electronic tones to interlocking clusters of repetition. this is whitman's most inclusive and developed album yet. the limited edition antithesis and schöner flußengel lps released in 2004 showed the range of whitman's interests, multiples integrates them into a complete work.

keith fullerton whitman has described himself as being enamored of "hyper-programmed rhythms & concrète sounds, bleeding freakout guitar, beach-boys style sweet harmony, eastern euro-prog, vintage synth burbles, classic-era minimalism, early mainframe computer music, fluxus-lineage borderline nonsense, complete and utter chaos, doomy chamber pop, and quiet melancholy." his solo work for kranky has expanded from the processed guitar drones of playthroughs to the tribal psych ritual of "schnee" on the antithesis lp and on to the ominous miasma of schöner flußengel. multiples is a fusing of these strains of interest and ability into an effective whole.

$12.61

back in stock as of
march 6th, 2009

first in stock on
january 1st, 2003

threads:
software-systems
minimalism-drones
digital-musics
electro-acoustic-improvisation
guitar-themed

kranky (usa) #krank 055 cd

keith fullerton whitman “playthroughs” compact disc

track 3a (2waynice) (5:30)
feedback zwei (10:01)
fib01a (8:01)
acgtr svp (9:05)
modena (17:02)

click the play button to hear an excerpt of "modena"

...my debut album under my “real” name, reflecting 10 years of computer-guitar sound research. having nothing to do aesthetically with the hrvatski output (hence the use of my xian given..). this is more the logical progression of the experiments witnessed on the 21:30 for acoustic guitar ep on apartment b.

not exclusively comprised of pitch-tracking guitar pieces however (for example: feedback zwei is composed of 34 channels of electric guitar feedback, acgtr svp is all strummed acoustic guitar chords).

i’m quite happy with the way this record turned out, and it’s by far the least jarring of my recorded output... let these pristine digital undulations lull you into an alpha-state.

kranky press release...

artist: keith fullerton whitman
title: playthroughs
catalog #: krank055
formats available: cd
release date: october 21, 2002

the source material for every piece on playthroughs is guitar: acoustic, electric or otherwise. from sept. 2001 to april 2002, keith fullerton whitman transformed raw guitar tones via laptop computer into the tracks on playthroughs.

whitman has used ring modulators, granular re-synthesis algorithms, banks of delays and special effects in a process that owes much to terry riley's time lag accumulator setup and steve reich's phase pieces.

technology and whitman's careful selection of notes combine to create shimmering drones and deep waves of sound. though the source material was improvised guitar and the procesing involved computer technology, playthroughs reflects whitman's mastery of composition.

$13.61

back in stock as of
february 20th, 2007

first in stock on
march 11th, 2003

threads:
field-recordings
minimalism-drones

locust (usa) #locust 19 cd
met life (united states) #met life 1 cd

keith fullerton whitman “dartmouth street underpass (met life 1 / location sound series 1:1)” compact disc

dartmouth street underpass - 3pm - july 12th 2002 (18:21)
dartmouth street underpass - reply piece - 3pm - august 4th 2002 (17:53)

2003 release containing a raw field recording of a glass-walled tunnel (track 1), then a “composed” reply piece...

quite excited about this release, finally out (a little behind schedule) but otherwise perfect. many of you know i’m an avid field recordist (the volume of my personal field recordings archive might scare more than a few people). i’ve called boston my home for the last 10 years or so but have given little back (other than working a constant ministry to the boston ‘scene’ during my travels).

i discovered the dartmouth street underpass almost by mistake when i was in college, and vowed to someday return with proper documenting equipment to capture to mood and sound-space in digital. my approach was to camp out exactly hafway through the tunnel, armed only with a minidisc and soundman okm headphone mics, waiting for that special moment. and it came, 3 hours into the session, when a group of tough city kids, upon discovering the space, started clapping their hands and singing jefferson airplane’s ‘somebody to love’. strange enough in itself, resounding throughout the cave-like tunnel, very odd. when this was followed with a brief announcement echoing into a 15 minute buzz from the faulty wiring of the station’s pa system, i knew this was what i was waiting for...

and here it is, digitally transferred from minidisc to uncompressed 16bit-44.1k, slightly remastered here in the mathlab. the reply piece takes only the electronic buzz as its source, adding birdcalls from the reckankomplex porch live into the mix as i ‘performed’ it in the laptop one balmy august afternoon. a proper documentation from a time & place quite dear. enjoy...

locust press release...

with the release of dartmouth street underpass, keith fullerton whitman inaugurates our met life series. for his efforts, whitman sat in on the acoustic world of the tunnel that connects boston's back bay station to copley plaza under dartmouth street. the sounds are a combination of pumped in muzak, children's voices bouncing off the glass walls, the sudden rush of commuters, and the glorious, rumbling low end buzz and rattle of the train ushering in and out of the station. whitman electronically processed elements of the field recording on his porch and devised a brilliantly conceived thing of beauty that slowly and effortlessly unravels into an entrancing long form drone .dartmouth street underpass has been celebrated as "a work of beautiful transparency" (ken hollings, the wire), "an evocative, stand-alone work that gains resonance with repeated listens" (matt pierce, splendid e-zine),and "as monolithic and complex as a phil niblock piece." (bill meyer, magnet) (met life 1/ locust no.19)

$15.95

back in stock as of
november 14th, 2009

first in stock on
september 30th, 2009

threads:
analogue-synth
minimalism-drones
concert-recordings
machine-music
live-electronic

no fun productions (usa) #nfp 52 lp

carlos giffoni / keith fullerton whitman “techno b/w 070207” long playing record

carlos giffoni - techno
keith fullerton whitman - 070207 (15:51)

click the play button to hear an excerpt of "070207"

september 2009 release ; split lp release debuting both carlos’ new “acid” direction and the first bit of my own music performed solely on an analogue modular synthesizer back on july 2nd, 2007 ...

rather than write about this again, i’ll just copy y’all on the post i already put on the internet ::

... thanks for repping the no fun lp ; mms received its copies on friday. it turned out great !!! i love how maya's art channels both the acid-era design sensibility & the early-mid-70s "dark era" (see: the andromeda strain soundtrack, etc ...) ; carlos' side is incredible, a sort of drum-less 4-part cycling minimalism borne of mutating sawtooth waves - definitely the first release of his "new thing" (well, aside from the track on the lopatin comp) ; we blasted it at full volume here in the office & it sounded incredible, although i don't know how well it will work on headphones (you kind of need to have the waves coming out of two speakers, then meeting up the air for it to "work") ...

my side is a straight room recording of the first solo synth concert i gave back in 2007 (opening for major stars & donna parker @ pa's lounge, no less) ; this was the first time i'd played a gig w/o using a laptop in prob. 10 years !!! the idea for those first few concerts was to stay as far away from synthesizer-music "cliches" as possible ; i.e. no straight filter-sweeps, arpeggiations, etc ... it's extremely minimal, lots of space between the "notes", with a somewhat convoluted cv patch "playing" a pair of oscillators while the inverted version of the same "plays" the delay-time of a bucket-brigade echo ... it builds up into a nice dense array of overlaid parts that's probably more in tune w/ the no fun aesthetic, but other than the ending gambit it's largely very pointillist / iterative - i'm actually pretty psyched that carlos picked this one out of all those early sets as it's by far the most challenging ...

the idea i had for these solo synth-concert recordings was to let folks that run labels release them as sides on split-lps with whomever they want (ala melt banana's 7" wave back in the 90’s) ; i have a few other takers besides carlos in the works, but if any of you guys are interested, get in touch w/ me via email - i'm on sales@mimaroglumusicsales.com ... -k

no fun productions press release...

52 carlos giffoni / keith fullerton whitman ‘techno b/w 070207’

two very active modern electronic musicians who enjoy 20th century analog equipment deliver a document of mind expanding electronics with very different approaches. giffoni's track 'techno' is full of layered and perfectly synched synthetic rhythms matched with some very adhesive evolving sounds; creating something that somehow ends up being a homage to both early techno and harsh japanese electronics. whitman's track is a beautiful exploration of synthetic tonality and space, like a sudden massage to several areas of the brain one by one but also all at once with a little spice of musique concrete . both of these recordings share an expansive and psychedelic nature, as well as a nod to the past while moving into the future.

artwork by maya miller. limited to 400.

$11.76

new to stock as of
december 11th, 2009

threads:
concert-recordings
analogue-synth
modern-psych
minimalism-drones
beat-research
live-electronic
machine-music

protracted view (canada) #pv 003 cs

prehistoric blackout / no fun acid / keith fullerton whitman / oneohtrix point never “synth night” c39 cassette and c56 cassette boxed set

prehistoric blackout (17:38)
no fun acid (19:09)
keith fullerton whitman (21:58)
oneohtrix point never (27:44)

click the play button to hear an excerpt of "prehistoric blackout"

december 2009 release ; third offering from this shadowy canadian imprint, which appears to be a near-complete (oddly, the excellent northampton wools set is missing - i guess bill nace & thurston moore aren’t “synth” enough) transcription of a concert that took place only a few weeks back (november 13th ; i calculate only 20 business days from the gig to the tape-boxes arriving here @ mms ; this is as fresh as it gets folks) at the glasslands gallery in brooklyn ...

one piece / set / side each from taylor richardson (gorgeous, drifting pulse-shapes played on an akai ax-60 with added taped/looped materials - listen to the sound-sample), carlos giffoni (the first real bit of his recent dalliance with straight acid techno - performed on an x0x-heavy setup also incorporating his serge modular), myself (twin eurorack suitcases, outboard spring reverb, c64 emulator on iphone), and dan lopatin (his juno-60, but also tons of pedals & processors) ...

this was a fantastic gig, glad to have this memento/keepsake for the ages, esp. as, due to glasslands’ lines being stocked with a fresh keg of sierra nevada anniversary ale, i don’t really remember that much about the music (or the ... odd exchange that i had w/ a few of the concert-goers after my set, apparently including pv’s jont smithee ... embarrassingly documented at the end of my “side”) ...

double bubble pack with a double-sided vellum “cover”, swish professionally-duplicated cobalt (+4db boost !!! even if this did turn everything into mush ...) tapes with imprinted shell-art, double-sided off-register / low-toner alert vellum insert ; plus cheap ...

limited stock, mass appeal ...

protracted view press release...

$6.72

back in stock as of
january 19th, 2010

first in stock on
november 28th, 2009

threads:
analogue-synth
digital-musics
machine-music
harsh-noise
experimental-instruments
lo-fi

rare youth (usa) #ry-30 cs

hallicrafters, inc. “10 poke 54272+int(rnd(1)*25),int(rnd(1)*256) : goto 10” c36 cassette

hallicrafters, inc. (18:00)
10 poke 54272+int(rnd(1)*25),int(rnd(1)*256) : goto 10 (18:00)

click the play button to hear an excerpt of "hallicrafters, inc."

november 2009 release ; geoff, the thoughtful soul that he is, finally coerced me into compiling a tape of my “automatic electronic music” pieces from the past few months ...

the first side offers a piece entirely comprised of three takes (panned hard left, soft center, and hard right) of a particularly woolly modular synth patch that converts the incoming attacks, volume curves, ground hum, and audio signals emanating from this prime bit of 1961 audio tech ::

... into a control & audio voltages that “play” a series of panning, analogue delay, resonant band-pass filter, telephone modulator/demodulator, gating, and spring reverb circuits ... the result is not unlike my beloved dub taylor, costin miereanu, and luis de pablo lps in approach, only much louder (arguably the most “noise” thing i’ve ever done ... well until the kfw/gm 2lp drops in 2010) & nowhere near as “good” ...

the second piece is a bit of computer music nostalgia, harkening back to my first experiments with the commodore vic20 back in 1982 or so ... utilizing the titular code (thanks to noah “shifty” vawter) plugged into a c64 emulator (running on an iphone no less ::

... had to earn enough “nerd cred” to warrant the title somehow !!!) ; the resultant peeks & pokes were then fed into a similar modular patch that “drove” an 8-bit loop-recorder circuit fed into an emulation of the russian “polivoks” filter & further analogue echo / band-pass configurations, building & decreasing in density until a melancholy random pulse-wave arpeggio comes in to close out the side ...

the tape comes as a norelco housing one of four different collages by geoff ; the tape itself if a lovely blue pro-duplicated affair with randomly chopped full-color labels, and there’s even a nice pearlized fold-over insert !!!

i tend to go on about the “side-long aleatoric electro-acoustic collage” spec ; here’s my stab at said ... enjoy.

rare youth press release...

hallicrafters, inc. "10 poke 54272+int(rnd(1)*25),int(rnd(1)*256) : goto 10" c36, ry-30

two utterly satisfying pieces of electronic music for automatic processes and modular synthesizer. to me, this just about sums up keith’s uncanny ability to blend technical prowess with an innate musicality - something that i find to be pretty rare in the world of “academic” electronics.

side a features an old shortwave radio (made by hallicrafters, inc.) run through keith’s ever-expanding modular set-up, while side b is fueled by old commodore patches being processed by an iphone and sent to the suitcases...

$10.01

back in stock as of
december 3rd, 2008

first in stock on
may 8th, 2006

threads:
digital-musics
electro-acoustic-composition
minimalism-drones
guitar-themed

room40 (australia) #edrm408 cd

keith fullerton whitman “track4 (twowaysuperimposed)” three inch fan compact disc

track4 (twowaysuperimposed) (21:04)

click the play button to hear an excerpt of "track4 (twowaysuperimposed)"

... stockpiled a few copies of this, the tour-ep from my recent travels down under over in oz & nz so that i could offer it via mms upon my return ... i’ve got a few left ...

room40 press release...

keith fullerton whitmantrack4 (twowaysuperimposed)

over the past few years, keith fullerton whitman has been responsible for producing some of the most engaging electronic music to emerge from the united states. informed by traditional musique concréte as much as contemporary dsp, his work remains provocative without relying on overt actions or grandiose sonic statements. for his upcoming tour of australia, whitman issues this bass heavy journey through processed guitar and electronics – a refined statement of intent from one of the usa's finest. (lawrence english)

"here’s a 10:32 piece from 2002, re-worked, turned into a 21:04 piece in late 2005, released in spring of 2006 to correspond with my second australian tour. much like "track3a (2waynice)" (the first piece on the "playthroughs" album), this piece is entirely bi-directional, meaning that it plays the same forwards as backwards (just try to get your head around that...) by far the most woofer-rattling piece of music i've ever made..." (kfw)

$6.01

new to stock as of
january 1st, 2003

file under:
rock-etc...
lo-fi
reckank-related

sale-hatin (usa) #sh vii cs

el-ron “are dangdut kings” cassette

side one
side two

this was my first attempt at 'mass producing' something. the el-ron lp was originally available as a cassette on my long-running tape label sale hatin' in an edition of 100 copies. the cassette features much extra material, including a warm up 'choon that keith-hrvatski really liked, but was cut from the lp.

sale-hatin press release...

keith: arr-scree-grr-honk-honk.
russ: arr-bang-bang.

craig and el-ron: push studio buttons

$14.04

back in stock as of
september 17th, 2008

first in stock on
october 19th, 2006

threads:
harsh-noise
plunder-phonic
digital-musics
electro-acoustic-composition

utech (usa) #urcd002 cd

lasse marhaug “spaghetti western rainbow” compact disc

spaghetti western rainbow (redux)
i quattro dell’apoclalisse oro hondo
the endless gundown

click the play button to hear an excerpt of "spaghetti western rainbow"

note: this is a proper, replicated cd-edition, re-issuing this now-classic lasse marhaug session with bonus materials (including a piece done in something of a mail-collaboration with... myself... late last year)

here’s the blurb i originally wrote regarding the cd-r edition:

here’s a nice edition of a september 2004 wnur-fm radio set from norway’s leading bringer of doom, lasse marhaug. lasse completists (of which there are many, certainly enough to justify a larger pressing of this than 50) will want to note that this is, as far as i can tell, the first solo live marhaug release (there have been a few jazzkammer live things, notably the one w/merzbow recorded @ a molde a few years back). taking a step back from recent brutal/all-sound ventures, lasse here dips into a collection of found-sounds and fx, mish-mashing them this way and that, rendering what could be considered a “musical” piece (esp. given the context). i haven’t had this fun listening to what is ostensibly a “noise” record since the merzbow/cock esp “music for man with no name” 7” on fusetron (which shares a similar love for leone/morricone-lineage twang). more proof that mr. marhaug is and continues to be one of the most vital voices in contemporary sound ...

utech press release...

artist: lasse marhaug
title: spaghetti western rainbow
format: cd
edition: 1000
length: 55'
trx: 4
catalogue number: urcd002
released: october 21, 2006
recorded:
chicago / boston / bergen / oslo.
final mix > oslo > june 6, 2006.

hailing from the land of the rising snow, lasse marhaug has become one of the most commanding and respected sound artists in norway. as a musician and composer he has contributed to cd, vinyl and cassette releases for labels throughout europe, asia and america. aside from solo work, marhaug contributes to several ensembles including nash kontroll (ideal) and a large jazkamer unit (smalltown supernoise) with black metal legends enslaved. having collaborated with artists from varying fields of musik (sunn o))), aaron dilloway and maja ratkje) marhaug's reach extends into musik for theatre, installations and video.

a salvo to ennio morricone, spaghetti western rainbow stands testament to the italian composer's enduring influence. morricone collaborator sergio leone established the spaghetti western genre in 1964 with a fistful of dollars. the director used morricone again to score the remaining two films in his three-part account of greed and violence (for a few dollars more and the good, the bad and the ugly.) leone's critics were struck by his brutal depiction of an unromantic west, but his singular style, camera angles and extension of time made his work different from any western that had come before. lasse marhaug exacts leone's slow, beautiful power and love for expanse with shades of morricone's subtle witchery to create what will inevitably be considered one of his masterworks. harsh, dry passages blend with drifting soundscapes, bird calls and an asseverate guitar figure that promotes an invigorating context for film musik.

issued on utech records [001] as a micro pressing of 100 cdr copies in the winter of 2004. lasse marhuag first performed this music as an improvised laptop work for chicago radio station wnur. this edition finds the original piece remastered and divided into two tracks that open and close the album. two unreleased pieces recorded in boston, bergen and oslo have been added as bonus tracks. various source material contributed by keith fullerton whitman. artwork inspired by the film "the great silence."

$27.75

back in stock as of
july 9th, 2005

first in stock on
may 15th, 2003

file under:
contemporary-electronic
reckank-related
rock-etc...
sound-research
electro-acoustic
plunder-phonic
guitar-themed
kunst-ton
lap-top
lo-fi
minimal-drones

brainwashed (usa) #brain 004 cd

“brain in the wire” triple compact disc set

3 discs! immense amounts of music!

disc a :

legendary pink dots "old sparky"
v/vm "cha-ha meat skran-r the 15lb. turkey"
greater than one "broadcast"
twilight circus dub soundsystem "slicer dubplate" (version 2)
fridge "harmonics"
ruby falls "the brave ones"
panacea "battle stations" (dub version)
m2 "i-tuo"
jessica bailiff "shadow"
cyclobe "replaced by his constellation"
windy & carl "trembling"
christoph heemann & andreas martin "wires"
little annie "lullaby"
aranos & nurse with wound "mary jane" (marbles remix)
current 93 & pantaleimon "the magical bird in the magical woods" (unused mix from sleep has his house)

disc b :

matmos (featuring lesser & hrvatski) "you can't win"
bedhead "powder (live)"
meat beat manifesto "structures (version)"
stars of the lid "requiem for dying mothers (version i
zamachowski op. 87)"
diamanda galas "birds of death (live in toronto)"
gordon mumma "stressed-space palindromes"
volcano the bear "new seeker"
tino "vice versa dub"
thighpaulsandra "heaven lies about us in our infancy"
cex "ad nauseam"
!!! "hammherhead (tripleshotmonger mix)"

disc x :

coil "mayhem accelerator part 1"
keith fullerton whitman "piano concerto no. 1"
signs of chaos "eurasia"
nurse with wound "the purple ache"
kate mosh "across the universe (version)"
kadane/kadane "harvest"
v/vm "my uncle is michael aspell"
!!! "we were stoned when we thought up the title of this and we didn't want to give it a name that we had to explain as 'oh yeah we were stoned when we thought of it' so we're just calling it improvisational jam 11-02-01"
sybarite "three sided"
ku-ling bros. "the apollo creed"
bowery electric "saved (read/write/error remix by thread)"
kid 606 "pregnant cheerleader theme song"

final, latent copies of this eminently collectable item (the label doesn’t even have them anymore)...

triple cd boxset celebrating the fifth anniversary of brainwashed.com. the set comes in a metal box wrapped in wire, replete with a brainwashed family poster, a keychain, a booklet of photos, an ear-swab, and two cover booklet inserts with the tracklistings for the first two cds (the tracklisting of the third cd was, at the time of this set’s release, available when you insert the cd into a cddb equipped computer; i’ve saved you the trouble by listing it below!). the first two cds were available free of charge with the april 2001 (disc a) and may 2002 (disc b) issues of the wire. the third (disc x) is only available in this box set, and contains, amongst other exclusive pieces from some very collectable artists, an 11+ minute solo piano/laptop improvisation by yours truly which is quite lovely if you're patient enough to let it be so... just about everything herein is unreleased. savor it...

$9.81

new to stock as of
april 23rd, 2007

threads:
minimalism-drones
modern-composition
digital-musics
guitar-themed
electro-acoustic-composition
playback-music
sound-art

idiosyncratics (belgium) #id 001 cd

“idioscapes” compact disc

janek schaefer : scarlett arrives - for scarlett schaefer
keith fullerton whitman : quest appartments, newcastle nsw
critikal : critically fluffy
rapoon : the moment screams
kk null : idioscape / decomposition
charlemagne palestine : la beauté et la bête
steffen bashô-junghans : the blue hour
sébastien roux : d 821
troum : fantauma
eve and the sickness : infected nature
jazkamer : ruido rosa 5 minutos
daniel menche : cadence
idiosyncrasia : filt_h

click the play button to hear an excerpt of "quest appartments, newcastle nsw"

spring 2007 compilation of “idiosyncratic” music curated by yannick franck... includes music by a pretty damn excellent selection of contemporary drone/repetition practitioners ranging from the minimalist swell of charlemagne palestine to the munged roar of lasse marhaug & jon hegre’s jazkamer to steffen basho-junghan’s ringing steel-string figures...

just about everything is exclusive to this reasonably priced and quite lovely set (featuring tatiana klejniak’s scribbled-out paintings...) with a nice blend of darker & lighter tonalities. something for every fan of long-form sound. properly chilled.

idiosyncratics press release...

idcd 001
various artists : idioscapes 2007
digipack / 1000 copies

“the idea was to ask some of our favourite sound artists to take part in a compilation... and, to our surprise, they accepted. the only concept was that they had to provide a specific / particular / idiosyncratic piece. qualified as a “drone paradise” by lasse marhaug (of jazkamer), the result is a fine and coherent whole, full of extended textures, contrasted acoustic surfaces, subtle and strong. idioscapes contains 70 minutes of authentic acoustic researches, with glitches, loops, noises, deep and glittering textures, subliminal frequences and narrative inserts, punctured with sensible musical moments. idiosyncratics is honoured to present these sound masters on idioscapes. infinite thanks to all of them.” y.f.

$5.04

back in stock as of
august 31st, 2009

first in stock on
october 29th, 2004

threads:
modern-psych
minimalism-drones
modern-composition
guitar-themed
electro-acoustic-improvisation
electro-acoustic-composition
digital-musics

kranky (usa) #krank 077 cd

“kompilation” double compact disc set

stars of the lid - even if you're never awake (version) (8:18)
keith fullerton whitman - stereo music for serge modular synthesizer (excerpt) (5:43)
pan•american - what do they dream? (9:09)
autistic daughters - the glasshouse and the gift-horse (6:33)
christina carter - silhouette (7:20)
greg davis - campestral (textured) (5:27)
growing - primitive associations / great mass above (12:36)
dead texan, the - when i see scissors i can't help but think of you (4:06)
tom carter - monument ii (edit) (7:40)
loscil - sickbay (6:11)
charalambides - joy shapes (10:59)
brent gutzeit - piano motor skills #2 (edit) (8:52)
strategy (3) - drumsolo's delight (5:31)
pan•american - inside elevation (5:07)
keith fullerton whitman - schnee (7:12)
clear horizon - for days (7:16)
out hud - dad, there's a little thing called too much information (7:30)
fontanelle - monday morning (7:15)
jessica bailiff - swallowed (4:02)
christmas decorations - build a house (3:30)
stars of the lid - requiem for dying mothers, part 2 (7:38)

click the play button to hear an excerpt of "keith fullerton whitman - schnee"

you’ve come a long way, baby...

2004-2005 roster-spanning double-cd overview from by far the most consistently appealing american record label since vanguard (ok... maybe finnadar)... yes, the price is correct, this is a double disc priced at $4.81. no reason to sleep on this one (at least until after you’ve acquired a copy and are all set for appreciation in your favorite chair/isolation tank).

i’ve got two pieces on here, one is the “psych” song from “antithesis”, the other is a rough version of a piece that will appear in a mildly transfigured state on “multiples”. plus you get an alternate version of one of greg’s “somnia” pieces, a brand-spanking new stars of the lid epic, and a smattering of jams from the last 10-odd kranky releases.

there’s never been a better time for the sort of horizontal-application sound-research that the kranky-label excels in...

kranky press release...

artist: various
title: kompilation
catalog #: krank077
formats available: 2xcd
release date: nov. 1, 2004

we'll provide the context — two compact discs filled with twenty one tracks. over 148 minutes of music. brand new music from pan•american. a preview of forthcoming albums from stars of the lid and keith fullerton whitman. an exclusive mix of an album track by greg davis. all priced cheap at less than the cost of a cd ep.

it's been years since there's been a kranky sampler (and that one came out in europe only) so it's time to show what we've been up to for the last few years. way back when compilations like pillows and prayers and wanna buy a bridge? inspired us to check out tons of bands. hopefully kompilation can perform the same function for today's fans.

$18.48

new to stock as of
august 4th, 2009

threads:
harsh-noise
electro-acoustic-composition
electro-acoustic-improvisation
minimalism-drones
sound-art
experimental-instruments
sound-design
schimpfluch-gruppe
plunder-phonic
playback-music
modern-psych
modern-composition
machine-music
lo-fi
guitar-themed
digital-musics
circuit-bending
analogue-synth
anti-music

rrrecords (usa) #rrr 1000 lp

“rrr-1000 lock groove” long playing record

amk - (50 untitled locked grooves)
aaron dilloway - (50 untitled locked grooves)
thomas dimuzio - (50 untitled locked grooves)
kevin drumm - (50 untitled locked grooves)
carlos giffoni - (50 untitled locked grooves)
incapacitants - (50 untitled locked grooves)
gx jupitter-larsen - (50 untitled locked grooves)
jason lescalleet - (50 untitled locked grooves)
francisco lopez - (50 untitled locked grooves)
lasse marhaug - (50 untitled locked grooves)
the new blockaders - (50 untitled locked grooves)
jerome noetinger - (50 untitled locked grooves)
prurient - (50 untitled locked grooves)
rlw - (50 untitled locked grooves)
damion romero - (50 untitled locked grooves)
runzelstirn & gurgelstock - (50 untitled locked grooves)
sudden infant - (50 untitled locked grooves)
keith fullerton whitman - (50 untitled locked grooves)
c.spencer yeh - (50 untitled locked grooves)
otomo yoshihide - (50 untitled locked grooves)

click the play button to hear an excerpt of "(50 untitled locked grooves)"

august 2009 release ; just wow ...

possibly the penultimate release in a series of locked-groove releases instigated by rrron “emil beaulieau” lessard back in 1993 with the “rrr-100” 7” single record (feat. 50 locks per side by folks like jim o’rourke, idea fire company, borbetomagus, skullflower, chop shop, new blockaders, et.al) then again in 1998 with the “rrr-500” lp (250 on each side by ... one a piece by pretty much a who’s who of late-90s experimental sound) ...

and now, 11 years later, we get the next logical evolutive step ; 1000 locked grooves (500 per side !!!) ; 50 each by 20 artists picked by rrron based on the following algorithm ::

this time i decided to focus on only 20 artists and give them plenty of room to stretch out - really glad i did because this one is much more solid than the other two, noisewise

before i invited the artists, i had devised a simple formula for myself
50/50 = noise/electronic (experimental)
50/50 = new/old school
50/50 = usa/intn'l
50/50 = people i always work with/people i've never worked with

the unsung genius / hero here is undoubtedly aardvark mastering’s paul brekus, who must have spent countless man-hours getting the metal mothers cut just right (i can only imagine the number of time he got halfway through cutting a side before making a single mistake & having to start over from scratch !!!) ... despite the fallout from such a thing a thing (i.e. the deluge of blackened noise tapes & cdr’s i’m going to be handed at gigs over the next year or so comprised of “prurient loops” will undoubtedly be bafffling) the quality & attention to detail put forth by just about everyone is seriously impressive ... easily on the records of the year thusfar & a testament to the staying power & endless, mutating possibilities of the vinyl lp record ...

highest recommendation !!!

rrrecords press release...

here we go again

i got a new lp, just came out today - its a 1000 lock groove lp called...........

rrr-1000 lock groove lp

20 artists - 50 grooves each
amk
aaron dilloway
thomas dimuzio
kevin drumm
carlos giffoni
incapacitants
gx jupitter-larsen
jason lescalleet
francisco lopez
lasse marhaug
the new blockaders
jerome noetinger
prurient
rlw
damion romero
runzelstirn & gurgelstock
sudden infant
keith fullerton whitman
c.spencer yeh
otomo yoshihide

personally, i think this one is twice as good as rrr-500, when i sent out the invitations i specifically asked for harsh and aggressive grooves and guess what? these guys know how to deliver the goods - all covers hand decorated by yours truely in my typical ron style.

thanks for your interest

$16.58

back in stock as of
may 4th, 2009

first in stock on
june 22nd, 2005

threads:
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
electro-acoustic-composition
musique-concrète
digital-musics

sub rosa (belgium) #sr 220 cd

“an anthology of noise & electronic music / third a-chronology 1952-2004” double compact disc set

bernard parmegiani de natura sonorum : matières induites (1975) 3:44
hugh le caine short presentation of the 1948 sackbutthe sackbut blues (1953) followed by a noisome pestilence (1958) 3:25
keith fullerton whitman / hrvatski stereo music for serge modular prototype (2003) 5:30
ilhan mimaroglu the last largo (1989) 9:33
michael j. schumacher room pieces excerpt (2003) 4:41
justin bennett ovipool (2003) 3:25
scott gibbons / lilith stone : reciprocal (1992) 3:30
fred szymanski / modular flume (2003) 6:41
francisco lopez untitled #148 (2003) 10:03
zbigniew karkowski execution of intelligence (2004) 8:20
masami akita / merzbow birds and warhorse (2004) 11:30
michel chion requiem : dies irae (1973) 6:00
erkki kurenniemi sähkösoittimen ääniä #4 + #1 (1971) 5:26
carsten nicolai / alva noto time..dot (3) (2000) 4:26
peter rehberg / pita early work 6 (1984) 3:00
herbert eimert + robert beyer klangstudies ii (1952) 4:43
günther rabl eve (1987) 6:00
asmus tietchens teilmenge 35 c (2004) 4:40
michael rother feuerland (1976) 7:20
faust the faust tapes: untitled #16 + #17 (1973) 2:55
to rococo rot contacte (2004) 4:30
rune lindblad till zakynthos (op. 205) (1988) 13:39
cm von hausswolff + erik pauser / phauss eternal love #3 (1993) 13:07

third volume in this series... as always a great way to learn about the splendour of the early electronic music construction modus while being tipped off to the present-day candle-holders; all while not interrupting too many of the butterflies nestling in your wallet. i’m both psyched and mortified to have a piece on here alongside my idols; parmegiani, mimaroglu, le caine, eimert + beyer, faust, etc... just about everything is unreleased or an alternate version/mix/out-take to the previously available. quality all around...

sub rosa press release...

an anthology of noise & electronic music vol. 3 - third a-chronology 1952-2004
bernard parmegiani - hugh le caine -faust - to rococo rot - keith fullerton whitman aka hrvatski - ilhan mmaroglu - michael j. schumacher - justin bennett - scott gibbons aka lilith - fred szymanski - francisco lopez - zbigniew karkowski - masami akita aka merzbow - michel chion - erkki kurenniemi - carlsten nicolai aka alva noto - peter rehberg aka pita - herbert eimert + robert beyer - gunther rabl - asmus tietchens - michael rother - cm von hausswolff + erik pauser > phauss - rune lindgrad
digipack 2 cd + 40 pages booklet / sr220

this 3th volume continue to show all the aspects of electronic music from the early beginning until now - including 2 pieces of historical concrete music (of the 70's), several piece of american tape music (columbia university) with a special focus on all the electronic music from germany - wdr early works - krautrock - electronic from 90's...

featuring too some recent work of the greatest noise artists + several unsung electronic pioneers ....

$79.97

back in stock as of
april 3rd, 2009

first in stock on
august 8th, 2006

threads:
anti-music
electro-acoustic-composition
electro-acoustic-improvisation
harsh-noise
digital-musics

vinyl-on-demand (germany) #vod 24 lp

“viva negativa! • a tribute to the new blockaders • vol. 1” quadruple long playing record set

asmus tietchens - kranzniederlegung
keith fullerton whitman - sept. 27th 1960
nocturnal emissions - this morphing viod
plethora - last night i dremt of anti-fest this morning i woke up deaf
silvum - discreet charma
srmeixner - the church of the absurd
the haters - mantra to rot
daniel menche - smoldered blockaders
nobuo yamada - prickle / crevice
komafuzz - damage ax
ashtray navigations - new paint for antisilence
zbigniew karkowski - chopped mod
anomali - t.n.b.r.i.p.
john wiese - annul
benzo - nothing controls something
vortex campaign - the black box
evil moisture - new kids on the blockadres
cisfinitum - out
massimo - history of everything
msbr - tnsbrupenus
jason kahn - rille
controlled bleeding - the latest hole in my head
pita - tnb ii53
v/vm - what a way to go shakey
treriksröset - negativt fortroandekapital
grunt - saarto
thurston moore - corion sound for t.n.b.
richard ramirez - cultural blockade
scanner - kohekohe
oren ambarchi - something from nothing
emil beaulieau - anti-vartan
dieter müh - hohl
z'ev - chips for the new block
lockweld - catharsis bomb
kraang - silvers on glass and steel
k.k. null - song x
prurient - majdanek slaughterhouse
freiband - nichts

click the play button to hear an excerpt of "sept. 27th 1960"

vinyl-on-demand press release...

vod 24: new blockaders / various artists viva negativa vol.1 lp-4 (box-set)

a massive project done by richard rupenus. includes tnb material reworked by 75 of the best international avant-garde/industrial/noise artists

oren ambarchi, anomali, ashtray navigations, emil beaulieau, benzo, maurizio bianchi, cisfinitum, controlled bleeding, dieter muh, evil moisture, freiband, grunt, the haters, jason kahn, zbigniew karkowski, komafuzz, kraang, lockweld, massimo, daniel menche, thurston moore, msbr, nocturnal emissions, kk null, pita, plethora, prurient, richard ramirez, scanner, silvum, srmeixner, asmus tietchens, treriksroset, vortex campaign, v/vm, keith fullerton whitman, john wiese, nobuo yamada, z´ev.

$16.49

back in stock as of
december 3rd, 2008

first in stock on
august 10th, 2007

threads:
minimalism-drones
electro-acoustic-composition
digital-musics

vivo (poland) #vivo 2002 005 cd

“black faction reworked” compact disc

grains - john hudak (additional sound design andrew diey)
cartesian - black faction
afghan front mix 3 - black faction
kaftanistanabul 1 - universal delux
odessian - rapoon (additional sound design andrew diey)
caligulan - rapoon (additional sound design andrew diey)
sepia indate - keith fullerton whitman aka hrvatski
oakland concréte - sutekh (additional sound design andrew diey)
modenesa arleasian - valea djinn "the arleasian girl"(additional sound design andrew diey)
danté is afraid of virgils vision - black faction
widow maker - nemezis
älska dig min kärlek - john hudak (additional sound design andrew diey)
into the ether - unknown
anti-freeze -props mix - black moses
caucus burial final - black arc cclay (additional sound design john hudak)
dissidents in exile - foreign terrain / cclay
mina schoen unreleased - black arc (seven sages mix)

2002 polish remix cd of tracks found on black faction's second soleilmoon release "internal dissident" - a bunch of very nice mixes from john hudak as well as one by yours truly ...

vivo press release...

black faction
reworked cd
vivo 2002 005 cd

the original intention of this album was to feature a few remixes from the previous black faction album internal dissident part - 1 released on soleilmoon recordings, however as things developed thru lots of email conversations with other musicians it developed into a full on project spanning a number of artists from various disciplines within the global contemporary music scene.

whilst attempting to stay relevant to the previous recordings in the similar vein, those who enjoyed the internal dissident will enjoy what is being delivered here. black faction have mixed up and reconstructed the works to ebb and flow in the stylistic manner has many times in the past delivered on his previous works. the album has a similar structure, and much like internal dissident it carries the same 'sound magnifique soundmark' that is black faction. the accent into purgatory or not is another matter.. thou it must be said this is very much a continuation of the same imitable style of dieys production, albeit generously helped along by his fellow souls... let the journey continue......

previous artist:
ruth white

...and that's everything in stock featuring keith fullerton whitman.
(why not take a look at the previous and next artists?)

next artist:
who cares how long you sink

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... this page was last updated on monday, february 8th, 2010 @ 5:25 pm