| $15.29
new to stock as of
november 25th, 2008
threads:
modern-psych
guitar-themed
concert-recordings
doom
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| | | victo (canada) #victo 060 cd fushitsusha “withdrawe, this sable disclosure ere devot'd” compact disc - this is (8:12)
- pathetique (8:41)
- hazama (5:39)
- precipitate (5:39)
- small laugh (6:49)
- vertigo (17:05)
- just a piece of (4:13)
- w 1/7 (8:32)
| | blessed recording of fushitsusha’s 1997 fimav performance, featuring material from hisou/pathetique & some truly terrifying vocal howls & beyond-reverb on nearly everything ... |
| | victo cd060
fushitsusha
«withdrawe, this sable disclosure ere devot’d»
keiji haino : guitare, voix
yasushi ozawa : basse
ikuro takahashi : batterie
toutes les compositions sont de keiji haino
enregistré «live» au 14ième festival international de musique actuelle de victoriaville
le 16 mai 1997 par pour l’émission le navire night
“also performing was mr. haino, who sings in a ghostly choirboy voice with his deafeningly loud japanese improvising rock trio, fushitsusha. the mysterious mr. haino, who never appears without sunglasses, an all-black getup and a wooden walking staff (to direct the band through noh-like dramatic routines), is another perfect example of “actuelle” logic. he is a musician in his late 40’s whose influences are, in no-particular order, iannis xenakis’s electro-acoustic music, gregorian chant, the sludgy proto-heavy-metal band blue cheer and the japanese improvised-rock scene of the late 1960’s. “but if someone calls me a blues musician,” he mused very late friday night in his hotel room, sunglasses still affixed, “i am very happy.”
- ben ratliff, new york times
“the japanese guitar monster threw a cloak of black noise over late night show goers who go awed by his trio of power electric bass, sleep heavy drums and his own guitar attack, which he set aside briefly to conduct his rhythm section with a fancy walking stick. later, i saw him part a crowd with it, moses style. no one questioned his authority, either on stage or in the streets.”
- spyke taylor, exclaim magazine |
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