| $18.68
back in stock as of
december 3rd, 2008
first in stock on
october 19th, 2007
threads:
modern-composition
sound-art
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| | | ltm recordings (uk) #ltm 2495 cd nelly (pétro) van doesburg “repertoire de stijl : bauhaus : dada” compact disc - gian francesco malipiero - barlumi (1917)
- jacob van domselaer - proeven van stijlkunst (1913-16)
- francis poulenc - trois mouvements perpétuels (1918)
- josef matthias hauer - tanz op. 10 (1915)
- vittorio rieti - tre marcie per le bestie (1920)
- arnold schoenberg - sechs kleine klavierstücke op. 19 (1911)
- arthur honegger - trois pièces pour piano (1915-19)
- erik satie - ragtime parade (1919)
- daniel ruyneman - hallucinate (1915)
- egon wellesz - eklogen op. 11 (1912)
- nino formoso - ti-ta-to
| | ltm recordings press release... |
| ltmcd 2495
nelly (pétro) van doesburg | repertoire de stijl : bauhaus : dada
overview of the avant-garde piano repertoire of nelly aka pétro van doesburg, performed at various de stijl, dada and bauhaus soirees in europe between 1920 and 1925.
born in holland in 1899, nelly met de stijl movement founder and propagandist theo van doesburg in 1920. over the next decade the couple lived in wiemar (where theo was associated with the influential bauhaus art and architecture school) and then paris. a conservatory-trained pianist, nelly accompanied her husband's lectures with selected modernist piano pieces, and also performed at salon dada soirees organised by theo with kurt schwitters in holland and germany in 1922/23. following theo's death in 1931, nelly established the de stijl archive.
the material on this 76 minute cd, performed by noted dutch pianist peter beijersbergen van henegouwen, includes pieces by erik satie, josef matthias hauer, arnold schoenberg, francis poulenc, arthur honegger and jacob van domselaer, whose austere proeven van stijlkunst (1913-17) offers an application of piet mondriaan's neo-plastic principles to musical composition. the cd also features a deluxe booklet featuring archive images and detailed historical notes. |
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