mimaroglu music sales ☞ artists ☞ hrvatski

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previous artist: adris hoyos		there are 21 titles featuring hrvatski in stock. they are listed below.		next artist: hsdom

$7.13

new to stock as of
april 2nd, 2005

file under:
hip-hop
contemporary-electronic
break-core
reckank-related
rock-etc...
lap-top

anticon (usa) #abr 0049 lp

13 & god “men of station b/w soft atlas” twelve inch single record

men of station
into the trees (remix by why? & alias)
soft atlas
l’atlas flexible / von gradleute (remix by hrvatski)

pre-album teaser ep/single from themselves & the notwist, acting in harmony as “13 & god”. features two 13 & god originals, plus a remix by why? & alias and another by yours truly (taking the form of two separate entities; a slow burner w/guitar, and a skittering 180bpm dancefloor epic). fans of both the weilheim collective’s general-midi post rock and dose, dax, and jel’s beat constructs & motor-rhythm ululation will want to climb aboard poste haste...

anticon press release...

the men of station 12-inch is the world’s first introduction to the musical monument that is the 13 & god album — the auspicious meeting of minds and bodies that emerged from a german september shared by anticon’s themselves and the notwist. 13 & god’s debut single bleeds warmth and love onto riding melancholia. the plain words of markus acher steal the spotlight, curling themselves around the band’s music, while b-side “soft atlas” showcases some of doseone’s finer neuroses. his poetry calls the earth’s axis into question over a track that pulses with punched-out drums, only to be leveled by subtle guitar pluck and vocal harmony.

exclusive to this release are two sweeping remixes. the icy cold atmospherics of 13 & god’s “into the trees” are reimagined in dub by why?, who hijacks dose’s lyrics and completely resings them in his characteristic drawl. the other remix, “l’atlas flexible / von gradleute,” is hrvatski’s skittering six-minute mashup of “soft atlas” and “men of station.” it’s a gorgeous rebirth that only hints at the genre-defying range found on the upcoming full-length.

$14.78

new to stock as of
october 27th, 2003

file under:
hip-hop
contemporary-electronic
rock-etc...
reckank-related
lo-fi

anticon (usa) #abr 0034 cd

themselves “the no music of aiff’s... the no music. remixed” compact disc

terror fabulous-by themselves (the no music of hospitals.)
hat set for butler-demixed by themselves
mouthful-remixed by matth and controler 7 (keyboards bass guitar by jerome opena)
good people check-remixed by hrvatski
poison pit-remixed by why?
livetrap-remixed by hood (the no music of mothers milk and going deaf.)
only child explosion-remixed by alias
dr.moonorgun please-remixed by grapedope
darkskydemo-remixed by fog
you devil you-remixed by odd nosdam
out in the open-remixed by the notwist
hat in the wind-remixed by electric birds

remix sister-album to the ‘no music’ album from dose and jel... remixes from friends and influences. a rather disparate remix record (in the long pantheon of remix records). my remix works the sound as is with some break-chop and dulcimer, acoustic guitar, time-stretches, etc... the hood, electric birds, odd nosdam & why? remixes stand out especially...

$12.61

new to stock as of
january 1st, 2003

file under:
break-core
contemporary-electronic
reckank-related

bliss (usa) #bls 004 cd

electro organic sound system “roots wreck remix” compact disc

carrot
radish
turnip
beet
who are you
magical condition
one sound
percussive wave
percussive wave (tube version)
carrot (hrvatskis night vision)

cd compilation of the roots and roller wreck 12"s with a new piece or two thrown in for measure. eoss is jake trussel, one of the founding fathers of the toneburst organisation, now moonlighting as dj c, and as the bass and electronics manipulator in both tigersaw and cul de sac.

$10.08

back in stock as of
may 24th, 2005

first in stock on
february 21st, 2005

file under:
reckank-related
break-core
contemporary-electronic
site-specific
lap-top
lo-fi
sound-research

best of 2005 !!!

entschuldigen (usa) #ent mich cd

hrvatski “irrevocably overdriven break freakout megamix” compact disc

irrevocably overdriven break freakout megamix (40:39) (91 tracks) including: concert reel intro • ink • une drole de journee • rhetoric (revamped) • epoxy (demo) • heavy.mallow (vocal version) • uncivilibertarian (reworked) • our turn (revised) • routine exercise (recontexualized) • marbles/hekla’s steeze (rewoven) • eintrag raum • kochen raum (dub version) • glamp • pale.overture • 2nd zero fidelity mandible investigation • une drole de journee (reprise) • whalesplosion

the second pressing of this all-time mms best seller arrived just this afternoon. while i’m still in the process of cutting up all the new custom paper and putting them all together i wanted to let you know a few things about the repress:

1). the pressing plant fixed the error which resulted in the new hrvatski logo being printed in halftone black over the white flood/base coat, instead of “knocking-out” of the white flood/base coat to the silver cd face, and as such, the new hrvatski logo now “knocks-out” of the white flood/base coat to the silver cd face. so... yes, the 2nd-press copies look much nicer and i don’t cringe when i see the disc art

2). as the acquisition of the first batch of custom/handmade papers was something of an experiment, and as i learned much from said experiment, the 2nd pressing features an evenmoresodareisay amazing selection of weird nepalese blockprints and very cool metallic textured/embossed patterns (see the updated cover-scan to your left.)

3). i wasn’t really going to repress this thing until a few of my distributors sent in restock orders, mentioning that they really enjoyed the disc! this was a real boost and as i want to turn the label into something a bit more regular, i ordered the repress to meet demand. with every copy sold that’s one step closer to the next entschuldigen edition (of which there are currently three planned.)

4). i hate finite-editions of anything that people will want down the road... but then again i don’t want to have another 1100 discs sitting in my room waiting to bought (there’s already enough in here!) so i’ll be assembling these in small batches throughout the summer, possibly into the fall. after that it’ll be time to move on to the next hrvatski-project and all latent copies of this will be sold off...

<--- original description --->

here it is... after a short wait... the mysterious “hrvatski bootleg” i’ve been prattling on about. a very nice looking thing featuring a two-color metallic sticker and a booklet cut from one of twenty different kinds of custom metallic cardstock on my kitchen table with a rodahle guillotine, then stuffed into a cool variopac “trigger-action” booklet box in the reckankomplex living room over the last few weeks by myself (with help from andy solomon and petra-pixm).

entschuldigen press release...

“entschuldigen is pleased to release irrevocably overdriven break freakout megamix, a disc which has the honor of being both the first ever live release from hrvatski as well as the debut release on the entschuldigen label.

hrvatski is widely known throughout sentient populations for his ruthlessly eclectic music, as released over the past six years on scores of tastemaking labels. he has collaborated with and/or remixed a who’s who of contemporary music and sound production. his last two simultaneously released albums were voted to the top of many year-end lists, including those published in the wire and pitchfork.

recorded live at san francisco’s rx gallery (as part of the jiffy scuttler series curated by blevin blectum, j. lesser, lance grabmiller, and sean rooney), irrevocably contains a wide selection of material from hrvatski’s vast repertoire, including a majority of otherwise unreleased tracks and reworkings of some of his classic anthems.

rather than neatly beat-match each piece into a dancefloor-ready whole, hrvatski herein opts to tear his oeuvre apart in a truly depraved manner, eviscerating familiar themes and passages into a distorted uptempo mess which is then coated with layers of previously recorded instrumental passages, found sounds, realtime digital bleeps, and loads of added beats and breaks (hence the title).

one could say that irrevocably is hrvatski’s tribute to such amped-up, overdriven live albums as high rise live and the ventures live in japan ‘65. one wouldn’t be too far off...”

there’s never been a hrvatski live disc (or any weird hrvatski special projects other than 7” singles) as those tend to get relegated to the kfw-aegis) which is odd for myriad reasons (but we’ll only outline a few here):

(1) of all of the “laptop r0x0rz” out there essentially pushing play on a pre-recorded/pre-looped/pre-defined mix of recent 2-track stereo masters, keith-hrvatski has always yielded some strange (and frankly unreliable) computer music performance-solutions, most variants on his “h-mod” modular digital-audio max-msp patch, itself a behemoth of mammoth proportions (incorporating the guts of an analogue modular synth simulator, several pitch-tracking and attack-sensing random-event distributors, many tempo-synced filtering algorithms, 10 kinds of realtime granular grunkage, etc...)

(2) keith-hrvatski’s never played the same set twice. never. he’s fond of busting out unreleased tracks and/or weird alternate versions of his many classic break-damage anthems.

(3) the hrvatski live experience (depending on factors of mood and/or enebriation) is often a full-on sensory assault of high-volume anti-dancefloor aktion, often intentionally pushing his signal WAY beyond comprehension (just ask anyone who lives in ghent). the hrvatski oeuvre would benefit from a live disc in the same way the high rise oeuvre did from “high rise live” or the ventures from “live in japan ‘65”.

so, bearing all that in mind, here’s what will most likely be hrvatski’s swan song (barring that the cd reissue program a few folks have offered to help out with never gets off the ground), a gloriously frazzled transcription of his set at the jiffy.scuttler event at the rx gallery in san francisco’s tenderloin from july of 2004. more merzbow than mezz mezzrow, “irrevocably” sees a stove-boat of hrvatski-klassiks run through the gain-blender, butted up against some seriously zonked bleep, sound-system fx, death metal guitar growl, etc... all so far into the red that it’s hard to even hear the beat at times. keith-hrvatski wouldn’t have it any other way.

one-time pressing of 32,701 copies (actually, closer to 700), sure to go the way of the eagle shortly after release...

$15.01

new to stock as of
december 20th, 2004

file under:
reckank-related

entschuldigen (usa) #ent extra shirt

hrvatski “extra large” shirt

extra large shirt
brown fabric
yellow lettering
new hrvatski logo

brand-new for 2005 extra large sized hrvatski t-shirt, as manufactured by the entschuldigen corporation. available only from keith-hrvatski directly (at concerts) or via mimaroglu music sales here. high quality gildan chestnut shirts with high-definition screenprinting of the new hrvatski logo in athletic gold. sure to wow ‘em at the next meeting of the max-msp users group...

entschuldigen press release...

das amtliche hrvatski t-shirt, das mit der gelben gotischen beschriftung komplett ist mit zwei bohrungen, zum ihrer arme durch qualitätsaufbau zu setzen braun ist, errichtete zum letzten.

$7.01

new to stock as of
september 22nd, 2005

file under:
hip-hop
reckank-related
rock-etc...
contemporary-electronic

lex (uk) #lex 028 lp

subtle “the long arm of the law” twelve inch single record

the long vein of the law
the long vein of the law (feat. mike patton & alexis anne)
i [heart] l.a. ii (feat. hrvatski)
the long vein of the law (instrumental)

this was rescheduled after the accident; glad to see that it’s finally out and available...

post-album single from oakland’s zuiker-gruppe feat. a self-remix of one of subtle’s many gems with special guitar love from mr. hrvatski, recorded @ the anticon compound in july/august 2004. flip has a track w/mr. mike patton.

lex press release...

subtle's delayed 12" "the long vein of the law" ep was due out on lex in march. the subtle tour bus crashed back february, severely injuring dax pierson and the whole tour was cancelled. several months on - dax is in a rehabilitation centre in texas and subtle are playing sonar and quart festivals this summer and the postponed ep is finally getting a release.

the 12" only ep will be out in europe in mid june and out in america on 12th july.

"the long vein of the law" ep features the title track (taken from subtle's album "a new white") plus a collaboration with mike patton on "long voice of the law " and a new song called "i [heart] la 2" plus "the long vein of the law" instrumental.

there's also a brand new sssr produced and directed video for the lead track. sssr made the video for subtle's last single "f.k.o." too (see the article and link to the quicktime video of "f.k.o." below), that video is in the 2005 one dot zero festival (the video appears in the programme called wavelength 05).

$8.01

back in stock as of
june 14th, 2007

first in stock on
september 18th, 2003

threads:
beat-research
digital-musics

locust (usa) #locust 35 cd

no. 9 “where come from? and where to?” compact disc single

no.9 - where come from? and where to?
hrvatski - “... bottle of claret for you if i’d realised”
bundy k. brown - laws of large numbers

nice little ep single thing here, a precursor to mr. 9’s forthcoming us debut album on locust. had a lot of fun with the remix (esp. as joe and i use the same hardware sampler, taking all of the bite of constructing millions of programs in order to do the remix). bundy’s remix is very, very beautiful. and the original is a fine slice of contemporary electronic digital pop. very cool...

locust press release...

first up, is a new cd ep by no.9 (joe takayuki) featuring a fine cut, “where come from? and where to?” from his fortcoming debut full length, mushi-no-ne. no.9 is an unsung electropop mastermind from tokyo’s invigorating onkyo scene whose knack for melodic pop, jazz grooves and stuttering rhythms recall the cinedelic scores of umiliani, tv spy jazz & the wistful hooks of 60s pop. this ep features two generous remixes by boston’s hrvatski (aka keith fullerton whitman) & chicago’s ken (bundy k.) brown (directions in music, pullman). hrvatski locks “where come from” into a galactic rub a dub mix of typically high quality tom foolery & ken brown cuts the caffeine & checks in with a mellow hypnotic drifter’s soundtrack.

$29.41

back in stock as of
august 3rd, 2011

first in stock on
october 20th, 2010

threads:
electro-acoustic-composition
musique-concrète
analogue-synth
machine-music
live-electronic
beat-research
site-specific
concert-recordings
playback-music
modern-psych
modern-composition
minimalism-drones

best of 2010 !!!

pan (germany) #pan 13 lp

keith fullerton whitman “disingenuity b/w disingenuousness” long playing record

disingenuity (17:14)
disingenuousness (16:22)

september 2010 release ; oof ... what a long, strange trip it’s been getting this one in stock / out into the world ; but you certainly can’t argue with the results !!! essentially my five-years-in-the-making love letter to the intersection of “aleatoric tape music” & “automatic synth music”, commissioned by pan’s bill kouligas back in 2008 but begun as early as the wrap-up of “multiples” in 2005 ...

... scouring craiglistings one day, i came across a fellow unloading a bank of 10 mono nagra tape recorders, used on a local film shoot ; needless to say i jumped at the chance to get one for a reasonable price & began recording hours of banal field recordings in & around my neighborhood (i.e. walking home in the snow, the sounds of airplanes & helicopters flying overhead, children playing in a local playground & in the mms office) ... spurred on by decades of listening to the canonic “aleatoric tape music” sides such as bernard bonnier’s “casse-tête”, luis de pablo’s “we (nosotros)”, costin mieranu’s “luna cinese”, basil kirchin’s two “worlds within worlds” lps, dub taylor’s “lumiere” ... as well as “automatic synth” chestnuts like steve birchall’s “reality gates”, douglas leedy’s “entropical paradise”, michael czajkowski’s “people the sky”, and richard pinhas “rhizosphere” ... i began building a system wherein the aforementioned field recordings would, through the careful patching of the eurorack modular i’ve been ... amassing ... since 2003, “trigger” musical events, thus largely removing the composer from the equation ...

the a-side of this lp, “disingenuity,” features a minimally edited selection of segments generated by affixing contact mic’s to the body of the nagra (one on the speaker, one on the transport, and one on the bulky record / playback switch) ; peaks from the simple act of starting & stopping the machine were converted to triggers, triggers to random voltages, voltages to control information (i.e. filter cutoffs, ring modulator carrier frequencies, analogue delay time, panning, etc ..) ... eventually to the ramshackle aggregate of sounds that make up the piece ...

the b-side dovetails two entirely automatic patches into one continuous piece, starting with a raw pulse wave, then some tape interference, then (largely) a section of runaway sawtooth arpeggiating (recorded in differing configurations at a pair of concerts given at the stone in new york & the music gallery in toronto) that i think does a good job of meeting my love of “berlin school” electronic music & the often beat-less muscle of the whole basic channel / chain reaction “thing” halfway ... this gives way to a nice quantized mono sine-wave patch (controlled by simply walking towards, then away from a single light-sensor) before returning to the pulse ...

after working on this for so long, i’m really glad to see it return to the earth via this eye-popping edition, c/o the hard work (& constant pestering !!! all of which i needed !!!) of pan’s bill kouligas, who i think out-did even himself with the whole look / feel of the final package (also thought having d&m’s rachad becker cut the lacquers was a nice touch given the “theme” of the b-side) ... this is both an aside to, and an integral part of the more real-time electronic music work i’ve been mapping out over the past few years ...

pan press release...

keith fullerton whitman 'disingenuity b/w disingenuousness' (pan 13)

keith fullerton whitman bursts back with his first full length record in four years, "disingenuity b/w disingenuousness", comprising of two pieces of forward thinking electronic music with a deep exploration into the analogue sound. live and studio recordings of the past two years (cambridge-new york-toronto) were used as source material, which were then realized into two longform compositions. using a musique concrète approach of deconstructed sounds (ala pietro grossi, costin miereanu, basil kirchin, dub taylor, etc) "disingenuity b/w disingenuousness" encompasses various reference points from françois bayle, jacques lejeune, richard pinhas & heldon to the minimal textures of basic channel-chain reaction axis...

both tape-collage pieces which derived from an hour-long improvisation based around a setup involving a tape of chance field-recordings (a helicopter, walking on snow, children) bounced to a mono nagra tape machine, which is covered in contact mic's that translate not just the sound coming from the speakers, but the actual mechanical "interface" of the unit into control voltage & triggers that drive a modular synth that's processing said audio using the classic electronic music toolkit (i.e. ring modulation, panning vca's, filters, etc).

keith fullerton whitman is an american electronic musician who has recorded albums influenced by many genres, including ambient music, drone, electronic, drill and bass, musique concrète and krautrock. he records and performs using many aliases, of which the most familiar is hrvatski and has been also member in many 90s bands, including el-ron, the liver sadness, sheket/trabant, the finger lakes and gai/jin. he started recording using his own name in 2001, and most of his work recorded today is under that name. he studied computer music at berklee college of music, where he was exposed to modern electronic music composition and synthesis. his moniker asciii has released music distributed with an academic journal. his studio and live setup usually consists of computer devices and other analogue instruments, such as guitars, ouds and synthesizers. whitman has released albums on labels such as planet mu, kranky, carpark records, no fun productions, root strata as well on his own entschuldigen and (now defunct) reckankreuzungsklankewerkzeuge labels.

the lp is mastered and cut by rashad becker at d&m, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. it is packaged in a pro-press color jacket which itself is housed in a silk screened pvc sleeve with artwork by bill kouligas.

$12.61

back in stock as of
september 26th, 2003

first in stock on
january 1st, 2003

threads:
beat-research
digital-musics
plunder-phonic
electro-acoustic-composition
electro-acoustic-improvisation
field-recordings
modern-psych
guitar-themed
free-improvisation

planet mu (uk) #ziq 026 cd

hrvatski “swarm and dither” compact disc

vatstep dsp (1999)
untitled fields (1999)
paint it black (2000)
2nd zero fidelity mandible investigation (1999)
ewc3 (1999)
re: when was the last time you were violent? (2002)
marbles (2001)
echoes (1999)
ewc4 (1999)
gemini (early) (2001)
anesthetize thineself (2002)
freie zeit (2002)
carrot (hrvatski's night vision) (2000)
tegenborg (2002)

whew. was starting to worry there. i mean my pride & joy here, not even a year old was already out of print (after being entirely unavailable in proper retail channels in the us for the greater part of said year). a little wheel-greasing, managed to get the damn thing repressed, AGAIN, with the caveat being i would absorb a good chunk of the repress stock for the shop here... the hoops one must jump through to keep their art alive & available. better price now though.

(oh, and if you’re working at a shop and are looking to carry this, please get in touch via an email to sales@mimaroglumusicsales.com as this title is available at a *gasp* wholesale price as well).

planet mu press release...

it's been over three years since the release of 'oiseaux 96-98', hrvatski's debut album for his own recankreuzungs klankewerkzeuge recordings limited of cambridge record label. much has changed in those three years. keith-hrvatski has toured the world several times over, collaborated with everyone from can’s malcolm mooney & michael karoli to matmos to peter kowald & daniel carter. he's recorded & released eps and albums as gai/jin, keith fullerton whitman, the finger lakes, morlock stomp, and gqrtgwef, etc... in other words he's lived, expanded his horizons a bit. but in the end he hasn't changed that much.

those expecting a wildly eclectic set that picks up where oiseaux 96-98 left off will be pleased, from the all-too-familiar computer-slengteng of 'vatstep dsp' to his almost somber take on the rolling stones' classic "painted black" to the bombastic gabber-skree of "2nd zero" & "marbles" to the milford-graves-meets-morton-subotnick-meets-squarepusher-in-an-ice-cream-graveyard mulch of "re: when" to the all-rock cover of the träd gräs och stenar chestnut "tegenborg".

guitars, pianos, breakbeats, garage sale organ, rhodes, clarinet, 288 discrete field recordings, tons of digital processing, max-msp zaniness, and *gasp* even some singing here & there. the cream of the crop... it couldn't have turned out any better...

$6.98

new to stock as of
december 5th, 2003

file under:
break-core
contemporary-electronic
reckank-related

theagriculture (usa) #ag 018 lp

nettle “firecamp stories remixes ep2” twelve inch single record

com.a + dj shiro the goodman - firecamp: more fire mix
nettle feat. aziz arradi - firecamp: untitled (canción hiphop arabe)
hrvatski - unciviliz: uncivilibertarian

second in the series of three nettle remix eps. the nettle/aziz arradi track is pretty super awesome, as is the com.a/shiro digi-dub dango. as sort of a conceptual thing... i did my remix without a mixing console... digital recording directly out of the sampler (all mixing was internal). as jace did exactly the same thing with the mix he did for me (on the rkk13cd all those years back). i think it turned out nicely... programmed in all of the north african/middle easter hand-drumming licks i could remember from my classes...

$5.04

new to stock as of
june 30th, 2003

file under:
contemporary-electronic
lap-top
reckank-related
site-specific

zod (usa) #zod 15 lp

soplerfo “ep for dogs” twelve inch single record

pull
why can’t it make sense to you?
i want cookies in my sleep
ch
held on
slow progress
pale over
tame nodes
pale over (hrvatski’s pale.overture)

2003 release ; sam brelsfoard moves up into the big leagues with this single, his debut for zod ... and his second after the self-released “sampler” single (on the crabouiller label, check it) ...

restricting his production-modus to only the basics (pitch shifting, no dsp, slight spacial effects, step-time sequencing) he achieves a zen-like simplicity using locally sourced sounds and objects, working the various stutter methods to sublime effect. a certain affinity for matmos / herbert style household detritus & junkpile instrumentation makes him stick out like a sore thumb from the rest of the zod pack ...

hrvatski remix treats the source material (17 samples of a stringed instrument) in “räume” fashion...

$6.01

new to stock as of
may 26th, 2006

threads:
beat-research
digital-musics
plunder-phonic
circuit-bending

adaadat (uk) #ada 0009 cd

“trade & distribution almanac volume 3” compact disc

germlin 'yeah!!!'
ove naxx '100 man'
cutting pink with knives 'septembre'
miklos 'the accountant' kemecsi 'squirrel staring at a beetle'
doddodo 'heresy country papa'
acrnym 'rhona'
atom truck 'flight of the atom (instrumental)'
romvelope 'think thonk thank'
dj 100000000 'dev remix'
ommm 'feather touch logic control'
dj top gear 'slapper'
wet dreams 'take this'
dj scotch egg + hrvatski 'live at the ica'
ohhh!!! 'square peg round hole'
silverlink 'drunk girls'
yaporigami 'yamato'
duracell + dj scotch egg 'untitled'
yoko oh no! 'steve machine'
horatio pollard 'elton'
extractor fan 'big up high tech'

you certainly can’t fault the adaadat crew for just being fun; every time i end up hanging out w/these guys, playing one of their london-area gigs, or spending a night at bjørn’s spacious hackney estate, i always get a nice warm feeling that i rarely get in the midst of most folks directly involved with contemporary electronic music . these guys are into what they do, and they’re personable, fun guys at that...

this is the third comp on the label, and, much like the first 2, it runs a wide gamut. only in this installment, i’m really getting the feeling that the sort of post-idm/squarepusher type of music that was certainly the focal point when the label began has now been waylaid in favor of a more rampant lo-tech/anti-linear experimental vibe that, frankly, is a hell of a lot more interesting in the here & now.

sure, there are still the campy/puerile titles, but we’ll forgive... it’s a great comp. there’s even a little excerpt from an insanely inebriated free-noise improv duo between myself and shige “dj scotch egg” ishihara that i actually didn’t remember until this disc arrived... and in fact; now that its here i really don’t remember it... i do remember hunting for “fry-duh CHACK’n” in a tesco @ 3am though... good times, good times...

adaadat press release...

in an effort to ease embarrassment, adaadat records present their latest compilation cd; a one stop solution, giving you everything you need to know about experimental electronics, noise rock, breakcore, lo-fi mashups and noise in london.

highlights include the hyperactive gabba/chiptune music of glasgow's germlin, mashuped dancehall from osaka breakcore legend ove naxx. electronic grindcore from london trio cutting pink with knives. electro/powerpop from edinburgh teenager acrnym. lo-fi cutups from osaka sample bitch doddodo. french one man drumming sensation duracell collaborating here with dj scotch egg. filthy garage beats and slick lyrical flows from silverlink & dj top gear. noise breakcore madness from japanese acts dj 100000000 & yaporagami. experimental electronics from glasgow’s yoko oh no! & ohhh!!! live improvised noise from dj scotch egg & hrvatski recorded at the ica. electronic wierdness from londoners horatio pollard & wet dreams. plus new material from adaadat regulars atom truck, romvelope, miklos ‘the accountant’ kemecsi & ommm.

"some of the finer post-squarepusheritage algorithms are being developed right now at the hackney-estates of the adaadat collective..." (keith fullerton whitman aka hrvatski)

$10.08

back in stock as of
may 3rd, 2006

first in stock on
march 12th, 2003

file under:
reckank-related
contemporary-electronic
rock-etc...

angle (italy) #angle sp de01 cd

“the dining experience” compact disc

cinerex - life is silly
pink elln - parallel
damon albarn and malian musicians - spoons
susumu yokota - cherry blossom
dust - little pieces
hrvatsky (sic) - lullaby
praful - one day deep
akufen - little hop of horror
calculus - the swing
sin - sway
naoki kenji - ongaku
cinerex - ciao
the visionauts - any rainy day
funky (sic) porcini - megatones
neangin/jim avingnon - poor living
home life - too fast
tommy hools - les réprouvés
dust - where you gonna be
plaid - eyen
maupassant - angoisse

this one takes a fair of explaining...

“i often get asked to license music for commercials, fashion shows, conferences, etc... 99% of the time my answer is a strict resounding NO. but when i was asked to license ‘lullaby’ to a label representing san pellegrino, who had planned a cd of home listening music to be distributed at some fashion show or conference or something or other, i said YES. mainly as i was hoping to score a year’s supply of green bottles in exchange... (when pellegrino came back and asked to license the same track to them for inclusion in the multimedia portion of their ‘brand identity book’ i had to draw the line though...)

so here’s that cd, replete with gems by plaid, akufen, damon albarn, atom heart, jim avignon, and various members of various bands that record for the compiler’s own label, angle. interesting little cd there...”

$14.78

new to stock as of
october 27th, 2003

file under:
hip-hop
contemporary-electronic
rock-etc...
reckank-related
lo-fi

anticon (usa) #abr 0034 lp

“the no music of aiff’s... the no music. remixed” double long playing record set

terror fabulous-by themselves (the no music of hospitals.)
hat set for butler-demixed by themselves
mouthful-remixed by matth and controler 7 (keyboards bass guitar by jerome opena)
good people check-remixed by hrvatski
poison pit-remixed by why?
livetrap-remixed by hood (the no music of mothers milk and going deaf.)
only child explosion-remixed by alias
dr.moonorgun please-remixed by grapedope
darkskydemo-remixed by fog
you devil you-remixed by odd nosdam
out in the open-remixed by the notwist
hat in the wind-remixed by electric birds

$5.04

new to stock as of
january 1st, 2003

threads:
modern-psych
beat-research

dark beloved cloud (usa) #dbc 239 cd

“cantilever” three inch compact disc

hrvatski remixes god is my co-pilot: we signify
uncle wiggly: cantilever (live at rubulad)
azalia snail remixes spaceheads: joyriding
robert scott revises liz bustamante: giddy clouds
alan smithee covers the in out: my solution
sinistre alters phoaming edison: my man rollo

another nice little teaser-taster from dark beloved cloud, this one's to commemorate dbc's 10 long years of supplying the world with fine music (s).

all tracks are variations on previously released tracks on dbc. i got to remix one of my all time favorite skrunk bands, god is my co-pilot. this cd, much like the last dbc 3"cd is only available through some share-scheme concocted by douglas over at dbc... and here of course.

$6.72

new to stock as of
january 14th, 2003

threads:
digital-musics
beat-research
concert-recordings
electro-acoustic-composition

errorclub (spain) #errorclub 1 cd

“the wrong festival” compact disc

timeblind: live at wrong
nettle: serranito
team caddie's for peace: don'to live at wrong
squinch: hoodwinking the phantom limb
hrvatski: kochen raum live at wrong
once11: caiman darko de oliveira
telco systems: session.gen.14062002.02 (live at wrong)
ryo co: escape from sleepyhead (live at wrong festival)
osso bucco: amica live at wrong
greg davis: wrong md live in koln (edit)
jacob kirkegaard(ixi): live at wrong

a memento-object from the 2002 wrong festival held in barcelona around the time of sonar (but in no way related or in direct competition with it thank you very much). hrvatski cleared out the second night, literally, pretty much playing till the room emptied. now you can relive the moment when the lights came up over and over and over again. this dsp-zonked out version of 'kochen raum' being the last thing you would have heard ...

$6.72

new to stock as of
february 19th, 2003

file under:
reckank-related
contemporary-electronic

gonzo circus (netherlands) #gc 048 cd

“mind the gap 42” compact disc

homelife - fairweather view
denzel & huhn - kinogat
ultra united - arise
besserschaft - track 2
hrvatski - anaesthetise thineself
nautilus - oh how schmee loves dsp
kreidler - l’autre main
sierpinski - scrapbook
au - track 2
benge - logans walk
out hud - dad... there’s a little phrase called too much information
traktor - skariachi

42nd volume in this never-slowing train of compact disc compilations that accompany the dutch gonzo circus magazine. this is my 3rd appearance on one of these things (blitter & hrvatski’s nuclear cats get new home appeared... TWICE in the past...). methinks everything herein is otherwise released... might be wrong though...

$12.96

back in stock as of
november 23rd, 2009

first in stock on
may 22nd, 2003

threads:
harsh-noise
digital-musics
beat-research
electro-acoustic-composition

important (usa) #imprec 016 cd

“ikebana: merzbow’s amlux rebuilt, reused and recycled” double compact disc set

dj spooky - takemitsu (4:37)
dj /rupture - in and out of institutions (4:05)
plug - untitled (3:39)
alec empire - digital hardcore (5:44)
kim hiorthoy* - cow cow (sheep sheep) (5:13)
nau-zee-aun - testosterphone (4:35)
bola - klunk (7:01)
kurt weisman - spicy water (4:06)
atom™ - merzwaltz (5:32)
custom drummer - luxus (2:26)
raub roy - untitled (3:36)
abstinence - freq (5:38)
instavoid - cho nama yo! (2:45)
masami akita - looping jane (8:31)
negativland - an actual attack (4:49)
hrvatski - toru pup (4:16)
mouse on mars - superstar (4:01)
cornelius - untitled (5:41)
jack dangers - available memory (8:21)
freiband - merzmix (3:10)
e.a.r. / sonic boom (2) - takemitsu (7:00)
kk null* - decomposition (3:09)
staalplaat sound system - a golden cow on the bridge (2:38)
kawabata makoto - revolved jane (9:10)
nobukazu takemura - assembler mix (8:48)
lasse marhaug - takemitsu unholy (4:39)
kim cascone - black gun red (2:59)
john wiese - untitled (2:39)
zipperspy - with cb (1:55)

may 2003 double dream date with a good chunk of the more ‘relevant’ akts in contempo-tronica taking on one of mr. akita’s better ‘digital age’ efforts. frighteningly high signal-to-noise-to-signal ratio when pitted against other recent all-star remix efforts. very odd lineup given the source material (bola?) but a substantial work transcending mere remix-compilation status...

important press release...

artists were asked to use merzbow's album amlux (imprec-02) as an instrument in an original composition, rather than to perform the conventional remix. we hoped that this would allow the artist to flourish with greater creative freedom and a less restrictive context. we didn't want to fit this project into any sub-genre of music. we wanted it to simply exist. perhaps the beat oriented tracks, record scratching and vocals will annoy some noise purists, and perhaps the noisy sound collages will irritate others, but hopefully this collection of tracks from some of the best electronic artists working today will enlighten the listener. music is sound and sound is everywhere, regardless of classification.

$15.12

back in stock as of
august 23rd, 2006

first in stock on
january 25th, 2003

threads:
digital-musics
electro-acoustic-composition
minimalism-drones
musique-concrète

lucky kitchen (spain) #lk 008 cd

“find more hits” compact disc

sandra - piano - michigan
alejandra & aeron - near the town
barcelona bells
pimmon - telot
rain and hail - x-mas eve
sachiko m - xs
aerospace soundwise - the soft d of the honey bee supercedes me
to rococo rot - meet the lucky kitchen
guitar & nintendo
roll playing - big & heavy josh
suetsu - is danny singing?. steven marcus taylor - from lk001
aeron plays xylophone
semiconductor - magnes trail
b&h diner nyc (hardboiledegg)
goodiepal & tordis - fem-delt
washing up - e 21st street - nyc
eceltric sheep - from lk001
steve plays this land
i-sound - fool
pena ruido - little natural disaster
jansky noise - plays this land
campfire talk - clarkston mi
nick birmingham - pick up the spoons steve
renaissance flutes
leo (from rio) - spot_24_sys_beep
jeswa - transportative restaurant cubicle
matmos - hot tub remix
hrvatski - la cathedral
pena ruido - quiet l
pena ruido - quiet r
pena ruido - end beep

2000 cd release celebrating lk-001, suetsu & underwood`s find the hits and use them. participants were asked to submit version of the recordings on said cd. this was the last lucky kitchen release to feature input from daniel-suetsu, thus the tracklisting is peppered with exotic but tangible idm figures from the time... has aged remarkably well (i’m still rather proud of my lo-fi minimalism...)

$16.81

new to stock as of
january 1st, 2003

file under:
reckank-related
contemporary-electronic
break-core
sound-research

reckankreuzungsklankewerkzeuge (usa) #rkk 000 lp

“attention: cats” long playing record

anonymous - untitled
hrvatski - owls/souls rotten
dj hekla - gamelan an'on an'on...
dj marzipan - the trappist
mouly/hubley/leroux - scrub
kokoskulur - galinpur
the superlatives - drum corpse
russolo - derail
fullerton - acrid jazz
dj zapruderfilm - paris, france
gai/jin - cold sun '97
mc snudur - launch
sick - steaktippin'
bonusbreakbeat

the debut album on my reckankreuzungsklankewerkzeuge label... 14 2-minute beat/break freakouts & computer/tape/musique concrète experiments by 14 different aliases of myself, pieter christophssen, and jiro hachibana...

i had been experimenting with making concise sample-based etudes in my bedroom (armed with an akai s2800 & a mac performa 6300 running master tracks) for a few years by the time that the finger lakes were asked to open for the third eye foundation at the middle east (this would have been... july 2nd, 1997 - thanks events database!). the gig went well, well enough that matt and i got to chatting after the gig... i handed him a tape, he went so far as to dupe the tape and pass it off to some of his friends, and, as a result, i made a few contacts in the u.k. this led to a few offers to release some of the music as 7” singles on labels such as lo, swarf-finger, and che - alas, nothing came out of it. so... empowered with the knowledge of independent music industry goings-on that only a full-time position in said industry could yield, i decided to:

a: form a record label
b: release an lp with the best 30 odd minutes.
c: distribute it by whatever means necessary.

so, in the spring of 1998, this collection of two minute pieces was released... after an incredibly hellish experience dealing with europadisk it finally appeared into the world in one edition of 1210 copies on sea-green vinyl with different hand-cut and applied sticker sets for each season it remains in print.

$12.61

new to stock as of
january 1st, 2003

file under:
plunder-phonic
contemporary-electronic
lap-top
reckank-related

v/vm (uk) #vvm offal 06 cd

“hate you” compact disc

v/vm - karl cocks
devil chan - music fighter
skkatter - madonna is a filthy slut
remi moses - big ron
alien porno midgets - mosco^^ nights
icon of throat - the bleeding
ray parker snr - ghostbusters
gai/jin - mod theme
the caretaker - reflection
billy ray cyrix - achy breaky hard drive (cracked)
mainpal inv - stomp naffer
v/vm - hate you (full length)

here's yet another v/vm compilation disc full of pranks & unauthorized remixes of folks whose music you don't like much in it's original form, but for some reaosn hearing someone spend a lot of time deconstructing it, separating the little bits and bots, processing them carefully and invidually, turning into some sort of modernized full form production (bascially spending more time working on it then the original producer did in the first place) makes it seem alright. keith-hrvatski and jiroh's track was handed to james-v/vm when he played in the basement of a house on the same street as the reckankomplex way back in november of 1999. when it didn't come out, they put it on their gun court 7". it's a cover of the sir general pidgeon tune covered multiple times by v/vm on one of his 'aural offal waffle' cds. a rousing romp turned into some sort of harmolodic interweaving guitar/organ mess. some of keith-hrvatski's favorite break programming. too bad he was partially deaf from the gai/jin sessions when he mixed it down...

previous artist:
adris hoyos

...and that's everything in stock featuring hrvatski.
(why not take a look at the previous and next artists?)

next artist:
hsdom