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back in stock as of
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threads:
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
electro-acoustic-composition
musique-concrète
psych-prog
modern-composition
minimalism-drones
harsh-noise
sound-art
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| | | sub rosa (belgium) #sr 250 cd “an anthology of noise & electronic music / fourth a-chronology” double compact disc set - halim el-dabh - wire recorder piece (2:01)
- györgy ligeti - pièce électronique #3 (2:15)
- jean-claude risset - mutations (10:32)
- beatriz ferreyra - demeures aquatiques (7:20)
- maja s. k. ratkje - vox (13:23)
- laurie spiegel - sediment (9:16)
- steve reich - pendulum music (7:27)
- stephen vitiello - marfa mix (4:15)
- erikm - ressac (4:41)
- wang changcun - sea-food (4:49)
- chlorgeschlecht - unyoga (2:40)
- gottfried michael koenig - funktion grau (10:15)
- milan knizak - broken music composition (3:28)
- les rallizes denudes - fucked up and naked (8:33)
- vibracathedral orchestra - weaving the magic (4:45)
- andy hawkins - river blindness (10:11)
- alvin lucier - still and moving lines of silence in families of hyperbolas: voice (11:39)
- the loop orchestra - circa 1901 (8:00)
- john watermann - still warm (3:00)
- françois bayle + robert wyatt + kevin ayers - it (3:40)
- william s. burroughs - present time excersises (2:23)
- james whitehead - air attack over kabul airfield (4:14)
- vivenza - simultanéité aérienne (8:52)
- olivier messiaen - oraison (7:42)
| | sub rosa press release... |
| an anthology of noise and electronic music vol.4 - a fourth a-chronology 1937-2005
gyorgy ligeti, alvin lucier, jean-claude risset, beatriz ferreyra, maja ratkje, olivier messiaen, steve reich, vibracathedral orchestra, françois bayle + robert wyatt + kevin ayers, james whitehead, the loop orchestra, halim el-dabh, laurie spiegel, stephen vitiello, erik m, wang changcun, chlorgeschlecht, gottfried michael koenig, milan knizak, les rallizes denudes, andy hawkins, john watermann, william burroughs, jean-marc vivenza
digipack 2 cd + 40 pages booklet
sr250
we keep goin' on our adventure with this fourth volume of our anthology. this installment is the pivoting axis of a seven-piece set. we developpe here some other tendancies includings new creations from china, brazil, norway,hongria and of course some classics and (un)published material from main composers (ligeti, lucier…). some very rare documents too as robert wyatt + françois bayle. more than 3/4 of the tracks are unpublished.
in the previous three anthologies, we mentioned the historical axes at the heart of the advent of concrete and electronic music: pierre schaeffer's workshop studio (in vol. 1), the wdr studio in cologne (vol. 3) and the princeton electronic music center in columbia, new york (vol. 2). quickly though, the development and creation of electronic studios became a priority, with new facilities popping up around the world: throughout europe and america, but also in brazil, mexico and japan, countries where there was a will to create music that was radically new. as important as it was, the technological wave was not big enough, as tod dockstader's case testifies: because of his technician's background in sound editing, he was prevented from pursuing his art in the studios, which remained the musicians' turf. |
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