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back in stock as of
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first in stock on
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threads:
modern-composition

new world (usa) #nw 80696 cd

gordon mumma “music for solo piano (1960-2001)” double compact disc set

  • jardin, for michelle fillion (13:57) 1958–97
  • 9 songs without words (25:58) 1990s
  • suite for piano (4:45) 1960
  • graftings, for daan vandewalle (7:41) 1990–96
  • four pack ponies, for the taylor cousins (10:10) 1996
  • basket of strays (9:46) 1970-2001

  • 19 from the sushibox: 5 sushiverticals (8:38) 1996
  • 3 perspectives, in memoriam jacqueline leuzinger (4:09) 1966–96
  • 11 sushihorizontals (16:06) 1986–96
  • sixpac sonatas (15:41) 1985–97
  • threesome (9:50) 1996
  • eleven note pieces & decimal passacaglia (5:39) 1978
  • large size mograph (8:02) 1962
december 2008 release ; double-disc set covering gordon mumma’s writing for solo piano ...
new world press release...
gordon mumma: music for solo piano (1960- 2001)
80686 (2 cds)daan vandewalle, piano

gordon mumma (b. 1935) is best known for his pioneering role in the development and evolution of electronic and live-electronic music. the piano has played a significant if underestimated role in his career. with a few notable exceptions, this collection by pianist daan vandewalle marks the first commercial recordings of mumma’s music for solo piano composed over more than forty years. it provides an important new perspective on his work as a composer.

the spare textures, irregular rhythms, and pungent dissonances of bartók’s mikrokosmos echo in mumma’s piano music. the keyboard music of bacH and haydn, of schoenberg, webern, ives, ernst krenek, carl ruggles, and ruth crawford also shaped his early piano ideal, as did the experience of superb recitalists in detroit and ann arbor, including walter gieseking, dame myra hess, and glenn gould. the works of the early 1960s were written for the concert hall, but much of the later piano music is more personal—the solitary dreams of a long musical life. and like dreams it filters memories—of music of the distant and recent past, of artistic friendships and loved ones living or dead—to create a uniquely contemporary approach to the piano.

in contrast to mumma’s epic electronic works, his keyboard music is predominantly poetic in its brevity, concentration, and psychological depth. it is music of high specific gravity, each piece a microcosm of finely etched ideas that unfold without literal repetition. for daan vandewalle, it is also “music of dialogue” that communicates—both with the listener and within itself—through its deep concern with sound, phrasing, color, dynamic range, and rhetorical nuance. 

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$14.62

back in stock as of
december 22nd, 2010

first in stock on
september 12th, 2006

threads:
live-electronic
modern-composition
concert-recordings
circuit-bending

 best of 2006 !!! 
new world (usa) #nw 80651 cd

david tudor / gordon mumma “gordon mumma & david tudor” compact disc

  • david tudor rainforest (1968) 20:10
  • gordon mumma very small size mograph (1962) 0:26
  • gordon mumma small size mograph (1964) 2:09
  • gordon mumma gestures ii section x (1961) 0:23
  • gordon mumma gestures ii section 7 (1960) 0:53
  • gordon mumma medium size mograph (1964) 6:04
  • gordon mumma very small size mograph (1963) 0:15
  • gordon mumma very small size mograph (1962) 0:27
  • david tudor rainforest (1969) 41:35
  • gordon mumma song without words (1996) 3:06
one of the last missing corner-pieces of the historical live-electronic-music / circuit-bending puzzle has long been the recording of david tudor’s “rainforest i” - thankfully new world have reissued here not one but two different performances of the piece (one in rio de janeiro, 1968, the other at cornell, 1969.)

any sentient soul interested in the roots of contemporary electronic squawk/chirrup will see the release of this disc as a blessed event. highest recommendation.
new world press release...
david tudor: rainforest

gordon mumma: 4 mographs, 2 sections from gestures ii, and song without words

david tudor and gordon mumma, keyboards and electronics

this historic recording features the first-ever release of the two earliest surviving recordings of david tudor’s seminal work, rainforest. sandwiched in between are six keyboard works by gordon mumma in recordings featuring the composer and his close collaborator, tudor. together, these works constitute a fascinating and historically important document of the 1960s avant-garde in america.

in early 1968, merce cunningham created a new dance whose apparent impetus was colin turnbull’s the forest people, with its account of life among the mbuti pygmies of the ituri forest in zaire. for the music, cunningham turned to tudor and for the first time asked him for an original work. when he learned that the dance was to be called rainforest, tudor said, “oh, then i’ll put a lot of raindrops in it.” raindrops were just the beginning: using audio transducers originally designed by the navy for hearing under and above water simultaneously—eight small objects programmed with signals from sound generators, phonograph cartridges, and two sets of speakers—tudor created a world of sound in perpetual but unpredictable motion, a steady state at once abstract and evocative. the first recording, made from the teatro novo orchestra pit on july 30, is an excellent document of the sound character of tudor’s rainforest work when it was performed with the cunningham dance company in those early years.

the second recording documents the first concert performance of rainforest, in march 1969, several months after the rio de janeiro dance performance. the venue was a large conference space at cornell university, ithaca, new york. the equipment was set on tables in the center of the space, with the audience seated around the performers. four separate channels of sound were used and widely spaced, with two in the foreground and two in the background. the sound sources had also expanded from the earlier cunningham performances, with tudor now adding recordings of small sounds from insects and birds, in conjunction with the previous electronic sounds, all modified by his acoustical resonant devices. the interactive circuitry was fundamentally the same as previously, but expanded with new devices and interactive connections.

gordon mumma’s gestures ii and the mographs are two sets of pieces for two pianists, composed between 1958 and 1964. during the 1960s robert ashley and gordon mumma toured with their concerts of new music for two pianos, including parts of gestures ii and some of the mographs. later, some of these two works were performed in recording experiments by mumma and david tudor. two sections from the mumma and tudor recordings, x and 7, are presented on this cd. each of the eleven completed mographs includes the year of composition in its title. the first two words of each title indicate the general length of that particular composition, ranging from very small size mograph 1962 to the only solo piece, large size mograph 1962. the structure and activities of each mograph were derived from seismographic recorded p-waves and s-waves of earthquakes and underground nuclear explosions. these seismograph patterns were part of 1960s cold-war research that attempted to verify the differences between their seismic disturbance sources.

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$14.62

back in stock as of
december 22nd, 2010

first in stock on
august 24th, 2006

threads:
live-electronic
electro-acoustic-composition
experimental-instruments
sound-art
plunder-phonic
1970s-electronic
1980s-electronic

 best of 2006 !!! 
new world (usa) #nw 80632 cd

gordon mumma “electronic music of theatre and public activity” compact disc

  • megaton for wm.burroughs (22:34) 1963
  • conspiracy 8 (18:13) 1970
  • cybersonic cantilevers (19:16) 1973
  • cirqualz (5:43) 1980
... four of mumma’s all-time classic live-electronic works, together in one handy reference-pack ...
new world press release...
electronic music for theatre and public activity

gordon mumma with the once group

gordon mumma (b. 1935) has played a pioneering role in the development and evolution of “live-electronic” music. “live-electronics” as a concept and practice appears to have originated in the united states in the late 1950s, outside the few institutional electronic studios and often in the context of innovative theatre activity. from its inception, it frequently involved two processes: (1) live performance with accompanying or interacting sound materials on magnetic tape; and (2) the use of electronic circuitry as sound-modifying and sound-producing instruments.

beginning with his classic megaton for wm. burroughs of 1963, mumma’s live-electronic and cybersonic works of the 1960s and 1970s, especially medium size mograph (1963) and hornpipe (1967), display his resourceful use of both live-electronic processes. cybersonic cantilevers (1973) extends them to include the active participation of audience members, many of them children and teenagers who were quick to grasp the artistic potential of cybersonic technology, while conspiracy 8 (1969–70) is an early example of live interaction between performers and computer. a major addition to the contemporary music discography, this is essential listening for anyone interested in the history of electronic music.

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$144.48

back in stock as of
march 22nd, 2011

first in stock on
december 21st, 2010

threads:
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
electro-acoustic-composition
electro-acoustic-improvisation
experimental-instruments
live-electronic
machine-music
sound-art
site-specific
concert-recordings
circuit-bending
analogue-synth
digital-musics

 best of 2010 !!! 
new world (usa) #nw 80712 cd

“music for merce (1952-2009)” decuple compact disc set

  • christian wolff - for magnetic tape (1952) [pt. 1 of 4] (5:24)
  • christian wolff - for piano i (1952) (5:19)
  • john cage - music for piano 1–20 (1954) (16:13)
  • earle brown - indices (1955) [excerpt] (20:51)
  • bo nilsson - quantitäten (1958) (12:31)

  • morton feldman - ixion (1958) (20:21)
  • john cage - variations v (1965) [excerpt] (13:41)
  • gordon mumma - mesa (1966) (19:38)
  • toshi ichiyanagi - activities for orchestra (1962) (24:09)

  • david behrman - … for nearly an hour… (1968) [excerpt] (3:23)
  • pauline oliveros - in memoriam: nikola tesla, cosmic engineer (1969) [excerpt] (9:44)
  • christian wolff - for 1, 2, or 3 people (1964) [excerpt] (12:07)
  • christian wolff - burdocks (1971) [excerpt] (16:59)
  • john cage, gordon mumma, david tudor - /3 (1972) [excerpt] (16:39)
  • gordon mumma - telepos (1972) (18:27)

  • david tudor - toneburst (1975) (17:45)
  • takehisa kosugi - s.e. wave/e.w. song (1976) [excerpt] (13:03)
  • maryanne amacher - remainder (1976) [excerpt] (14:55)
  • jon gibson - equal distribution (1977) [excerpt] (12:14)
  • john cage - inlets (1977) [excerpt] (10:17)

  • david tudor - weatherings (1978) [excerpt] (14:54)
  • yasunao tone - geography and music (1979) [excerpt] (21:18)
  • david tudor - phonemes (1981) [excerpt] (14:00)
  • david tudor - sextet for seven (1982) (18:15)

  • takehisa kosugi - spacings (1984) (23:52)
  • john king - gliss in sighs (1985) (16:19)
  • john cage - voiceless essay (1986) [excerpt] (10:58)
  • david tudor - webwork (1987) [excerpt] (10:46)
  • michael pugliese - peace talks (1989) [excerpt] (11:44)

  • takehisa kosugi - spectra (1989) (20:29)
  • john cage - sculptures musicales (1989) [excerpt] (12:14)
  • david tudor - virtual focus (1990) [excerpt] (15:15)
  • john cage - four3 (1991) [excerpt] (15:24)
  • david tudor - neural network plus (1992) [excerpt] (13:28)

  • john king - blues ’99 (1993) [excerpt] (19:10)
  • stuart dempster - underground overlays (1995) [excerpt] (15:22)
  • john cage - four6 (1992) [excerpt] (11:17)
  • takehisa kosugi - wave code a–z (1997) [excerpt] (14:42)
  • christian wolff - or 4 people (1994) [excerpt] (6:16)

  • john cage - and one8 (1991) [excerpt] (14:18)
  • john king - longtermparking (2002) [excerpt] (15:31)
  • david behrman - long throw (2007) [excerpt] (18:25)
  • annea lockwood - jitterbug (2007) [excerpt] (20:19)

  • event - february 16, 1993, red wing, minnesota (5:58)
  • event - september 14, 1996, annemasse, france (5:53)
  • event - june 5, 1997, frankfurt (7:30)
  • event - september 12, 1998, minneapolis (5:22)
  • event - september 29, 2002, oslo (4:12)
  • event - october 30, 2002, munich (6:51)
  • event - december 14, 2004, new york city (3:54)
  • event - december 15, 2004, new york city (6:56)
  • event - december 18, 2004, new york city (6:35)
  • event - june 14, 2005, london (5:21)
  • event - june 17, 2005, london (8:44)
december 2010 release ; just incredible ...

inside this mammoth, 10-disc behemoth lies a veritable king’s ransom of largely otherwise un-issued pieces, all composed for merce cunningham’s dance company, performed by a who’s who of 20th century experimental & electronic music ...

... before you balk at the price, let me point out just some of the contents ::

an absolute treasure-trove of archival david tudor material(s), ranging from his premiere of christian wolff’s “for piano i” in 1952 & his performance of piano pieces by earle brown, bo nilsson, & morton feldman ... through his “jerry-rigged” electronic work with john cage, gordon mumma, malcolm goldstein, max neuhaus, toshi ichiyanagi, pauline oliveros ... and finally his 80’s & 90’s solo live electronic pieces ...

an otherwise never-released recording of takehisa kosugi playing a “catch-wave” lineage piece in 1976, plus three other unreleased live-electronic pieces from the 80’s & 90’s, all of which are insane (listen to the sound-sample for one of the 80’s one ; an “automated” bleep-out par excellence) ...

unheard 70’s & 80’s compositions by maryanne amacher, jon gibson, yasunao tone, john king, michael pugliese, and annea lockwood ... along with several ensemble pieces from the 90’s with jim o’rourke & folks like stuart dempster, kosugi, paul de marinis, and company ... and a disc of “events” featuring folks like christian marclay, ikue mori, george lewis, steve lacy ... and oddly, led zeppelin’s john paul jones & radiohead drummer phil selway ...

... comes as a nice, matte cd-box (similar form-factor as the “music from the once festival” set) with a pull-ribbon, all ten discs (housed in five single-wide double-cases) & a 120-page book offering a succinct history of the cunningham company’s involvement with all of this essential stuff, plus tons of key photos of the happenings & dance-events documented herein ...

easily my single favorite release of 2010 ; highest conceivable recommendation !!!
new world press release...

composer(s): christian wolff, john cage, earle brown, bo nilsson, morton feldman, gordon mumma, toshi ichiyanagi, david behrman, pauline oliveros, david tudor, takehisa kosugi, maryanne amacher, jon gibson, yasunao tone, john king, michael pugliese, stuart dempster, annea lockwood
album title: music for merce (1952-2009) 
cat. no.: 80712 (10 cds)
genre: classical / contemporary
release date: 12/2010

 the late merce cunningham was renowned for his legendary collaborations with the most significant experimental musicians of the late 20th century. particularly notable is his association with john cage, who served as the founding musical director of the merce cunningham dance company until cage’s death in 1992.

spanning six decades from the early 1950s onward, these recordings capture the breadth of the cunningham repertory and the rich diversity of cunningham’s musical collaborations. composers whose work features prominently in this collection include seminal figures of late-20th-century experimental music such as john cage, david tudor, gordon mumma, christian wolff, and takehisa kosugi, among others.

for the most part, these compositions have not been recorded elsewhere and are making their first appearance on cd. this is a document of enormous historical import that will be a revelation to both listeners and scholars interested in the evolution of american experimental music over the past five decades. also included is a 124-page booklet featuring a 15,000-word essay by amy beal, one of the foremost scholars of contemporary american music. 


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$34.01

new to stock as of
june 29th, 2011

threads:
electro-acoustic-composition
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
harsh-noise
musique-concrète
sound-art
1940s-electronic

 best of 2011 !!! 
sub rosa (belgium) #sr 190 lp

“an anthology of noise & electronic music • first a-chronology 1921-2001” triple long playing record set

  • luigi and antonio russolo - corale (1:57) 1921
  • walter ruttman - wochende (11:17) 1930
  • pierre schaeffer - cinq etudes de bruits: etude violette (3:18) 1948
  • henri pousseur - scambi (6:27) 1957

  • gordon mumma - the dresden interleaf 13 february 1945 (12:43) 1965
  • angus maclise tony conrad and john cale - trance #2 (5:07) 1965
  • philip jeck otomo yoshihide and martin tetreault - untitled #1 (6:06) 2000

  • konrad boehmer - aspekt (15:13) 1966
  • einsturzende neubauten - ragout: küchen rezpt von einsturzende neubauten (4:08) 1998

  • nam june paik - hommage a john cage (4:13) 1958-59
  • john cage - rozart mix (7:18) 1965
  • sonic youth - audience (6:00) 1983
  • survival research laboratories - october 24 1992 graz austria (6:11) 1992

  • edgard varèse - poeme electronique (4:40) 1957-58
  • iannis xenakis - concret ph (2:44) 1958
  • ryoji ikeda - one minute (1:00) 1997
  • paul d. miller aka dj spooky that subliminal kid - ftp > bundle / conduit 23 (8:07) 2001

  • pauline oliveros - a little noise in the system (moog system) (30:16) 1966
june 2009 release ; vinyl version, in a deluxe triple-gatefold, which reprints the epic liner notes of the cd edition in full ... needless to say, but it’s pretty great to have such canonic pieces as the russolo’s “chorale”, ruttman’s “wochende”, pousseur’s “scambi”, mumma’s “dresden interleaf”, boehmer’s “aspekt” (listen to the sound-sample for the opening blast ; just bonkers) on “god’s format” ...

normally i’m not one for conceptualized compilations bridging the old with the new (especially ones involving dj spooky), although i have to make something of an exception here as this was curated with a degree of loving care that discounts my own petty concepts of right & wrong...

no excerpts, just a few hours of seminal early electronic transmissions coupled with a few contemporary-era odes to those magmatic magnetic aktions. a really nice overview: futurism to ‘cinema pour l’oreille’ to musique concrète to live electronics ... all over the first 5 tracks alone.

some of this material is available elsewhere but ... so what. it flows nicely, providing a listening experience akin to a finely executed dj mix. one of the better avenues to get your kid brother hooked on experimental electronic music’s many flowering pastures ...
sub rosa press release...

an anthology of noise & electronic music #1
first a-chronology 1921-2001

srv190
3xlp

the first volume of seven published from 2001 to 2011, curated, noted and edited by guy marc hinant.

an unpublished history

this is the great beginning of a vast anthology of "noise and electronic music" that we plan for the following years in 7 double volumes. this volume begins in the 1920s, with the russolo brothers, and looks at each decade in turn - varèse, cage, schaeffer, xenakis, the great pioneers - the first traces of a music that was necessarily revolutionary: electronic music, created from nothing (and hence to be entirely invented). some pieces on these cds are certainly classics, but there are others, which, though old, were distributed informally or never even released. our more contemporary pieces are, wherever possible, previously unreleased. in fact, more than the half of what we listen here is unreleased and unpublished.

...

the gathering of eclectic noise makers

whereas composers like stockhausen, berio or pousseur had come from serialism and began making electronic music as a continuation of their work with traditional instruments, others such as boehmer or oliveros composed right away on electronic bases; there were those who invented new methods, like schaeffer and concrete music, others were outsiders, revolutionaries or visionaries like xenakis or cage, without forgetting the branch of sound derived from dada, the complex forms of free jazz, john coltrane, the acoustic and electronic improvisation scene, rock of the alternative, psychedelic and industrial varieties, the german wave of the 1970s, the last generation of electronic musicians from the beginning or middle of the 1990s, dj, reinventors of drones, painters or sculptors using sound, and process or software creators. the noise goes on ...

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$18.01

back in stock as of
june 13th, 2011

first in stock on
july 14th, 2003

threads:
electro-acoustic-composition
1940s-electronic
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
harsh-noise
musique-concrète
sound-art

sub rosa (belgium) #sr 190 cd

“an anthology of noise & electronic music • first a-chronology 1921-2001” double compact disc set

  • luigi and antonio russolo - corale (1921) 1:57
  • walter ruttman - wochende (1930) 11:17
  • pierre schaeffer - cinq etudes de bruits: etude violette (1948) 3:18
  • henri pousseur - scambi (1957) 6:27
  • gordon mumma - the dresden interleaf 13 february 1945 (1965) 12:43
  • angus maclise tony conrad and john cale - trance #2 (1965) 5:07
  • philip jeck otomo yoshihide and martin tetreault - untitled #1 (2000) 6:06
  • survival research laboratories - october 24 1992 graz austria (1992) 6:11
  • einsturzende neubauten - ragout: küchen rezpt von einsturzende neubauten (1998) 4:08
  • konrad boehmer - aspekt (1966) 15:13
  • nam june paik - hommage a john cage (1958-59) 4:13
  • john cage - rozart mix (1965) 7:18
  • sonic youth - audience (1983) 6:00
  • edgard varèse - poeme electronique (1957-58) 4:40
  • paul d. miller aka dj spooky that subliminal kid - ftp > bundle / conduit 23 (2001) 8:07
  • pauline oliveros - a little noise in the system (moog system) (1966) 30:16
  • ryoji ikeda - one minute (1997) 1:00
... normally i’m not one for conceptualized compilations bridging the old with the new (especially ones involving dj spooky). have to make something of an exception here as this was curated with a degree of loving care that discounts my petty concepts of right & wrong. no excerpts, just a few hours of seminal early electronic transmissions coupled with a few contemporary-era odes to those magmatic magnetic aktions. a really nice overview: futurism to ‘cinema pour l’oreille’ to musique concrète to live electronics ... all over the first 5 tracks alone.

some of this material is available elsewhere but ... so what. it flows nicely, providing a listening experience akin to a finely executed dj mix. one of the better avenues to get your kid brother hooked on experimental electronic music’s many flowering pastures ...
sub rosa press release...
an anthology of noise & electronic music #1first a-chronology 1921-2001srv190 3xlp / out of stocksr190 2xcd digipack + 52 pages booklet / availablesr190 / 14,00€the first volume of seven published from 2001 to 2011, curated, noted and edited by guy marc hinant.an unpublished historythis is the great beginning of a vast anthology of "noise and electronic music" that we plan for the following years in 7 double volumes. this volume begins in the 1920s, with the russolo brothers, and looks at each decade in turn - varèse, cage, schaeffer, xenakis, the great pioneers - the first traces of a music that was necessarily revolutionary: electronic music, created from nothing (and hence to be entirely invented). some pieces on these cds are certainly classics, but there are others, which, though old, were distributed informally or never even released. our more contemporary pieces are, wherever possible, previously unreleased. our more contemporary pieces are, wherever possible, previously unreleased. in fact, more than the half of what we listen here is unreleased and unpublished.the gathering of eclectic noise makerswhereas composers like stockhausen, berio or pousseur had come from serialism and began making electronic music as a continuation of their work with traditional instruments, others such as boehmer or oliveros composed right away on electronic bases; there were those who invented new methods, like schaeffer and concrete music, others were outsiders, revolutionaries or visionaries like xenakis or cage, without forgetting the branch of sound derived from dada, the complex forms of free jazz, john coltrane, the acoustic and electronic improvisation scene, rock of the alternative, psychedelic and industrial varieties, the german wave of the 1970s, the last generation of electronic musicians from the beginning or middle of the 1990s, dj, reinventors of drones, painters or sculptors using sound, and process or software creators. the noise goes on...luigi russolo & antonio russolofeaturesluigi & antonio russolojohn cagesonic youtheinsturzende neubautenwalter ruttmannpierre schaefferiannis xenakispaul d miller/dj spookygordon mummaangus maclise/tony conrad/john calephilip jeck/otomo yoshihide/martin tetraultsurvival research laboratories/mark paulinekonrad boehmernam june paikhenri pousseuredgard varesepauline oliverosryoji ikedatrack listing 2cd - 3lp / 18 tracks01 luigi russolo & antonio russolo corale 1:57 / 192102 walter ruttmann wochende 11:17 / 193003 pierre schaeffer cinq études de bruits: étude violette 3:18 / 194804 henri pousseur scambi 6:27 / 195705 gordon mumma the dresden interleaf 13 february 1945 12:43 / 196506 angus maclise, tony conrad & john cale trance #2 5:07 / 196507 philip jeck, otomo yoshihide & martin tétreault untitled #1 6:06 / 200008 survival research laboratories october 24, 1992 graz, austria 6:11 / 199209 einstürzende neubauten ragout: küchen rezept von einstürzende neubauten 4:08 / 199810 konrad boehmer aspekt 15:13 / 196611 nam june paik hommage à john cage 4:13 / 195812 john cage rozart mix 7:18 / 196513 sonic youth audience 6:00 / 198314 edgard varèse poème électronique 8:00 / 195815 iannis xenakis concret ph 4:40 / 195816 dj spooky that subliminal kid ftp > bundle / conduit 23 8:07 / 200117 pauline oliveros a little noise in the system (moog system) 30:16 / 196618 ryoji ikeda one minute 1:00 / 1997

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