gol / charlemagne palestine “pandamoniahbleeummm!!!!” long playing record

• pandamoniahbleeummm!!!! • pt. 1 (17:54)
  
  
• pandamoniahbleeummm!!!! • pt. 2 (14:12)

alga marghen press release...

g o l  /  c h a r l e m a g n e   p a l e s t i n e "pandamoniahbleeummm!!!!" (cat no. planam golpal) lp record entering their twentieth year of existence, the gol orchestra, together with the label planam, celebrates and starts a new program of collaborations: the gollaboration series. volume 2, "pandamoniahbleeummm!!!!" marks the encounter with charlemagne palestine, pionneer of strumming music and piano maximalism, in the st. eustache church in paris, known for its world famous church organ. the following battle, in form of a long incantatory improvisation, charlemagne palestine playing the church organ and gol doing the electronics, bass, guitar, and the flutes part, combines many attributes of a pagan ritual. gol was formed in 1988 in paris by jean-marcel busson, frédéric rebotier, ravi sharda and samon takahashi. the quartet embodies, within a post-dada spirit, a lost rural tradition. gol plays flute, horns, guitar, violin, toys, selfmanufactured instruments, tapes, turntables, voices, various percussion instruments and electronics, an appropriateness of both traditional string instrument and handmade low fi equipment. gol's first lp (gol lp 01), issued in 1993, compiles their first items (88-92) based on vinyl- record's scratching, tape's cut-ups and acoustic instruments. the issuing of this lp was followed by a 9 years long hibernation. since 2002, the band is back together to pursue its common research and play together of instinct and invention. their music, electroacoustic oriented, is partially improvised and partly tense. at the time of a collaboration with roumanian composer iancu dumitrescu, gol developped a score system knowned as « layer's leaf ». through this system, they could elaborate an hybrid music, between orchestral conduct and free interpretation of movements. edition limited to 300 copies, also including a large insert with liner notes great graphics by jean-marcel busson who also design the front and back cover.

gol / iancu dumitrescu / ana-maria avram “musique directe” long playing record

• musique directe ii (5:37)
  
• musique directe i (6:50)
  
• musique directe iii (5:09)
  
  
• etude granulaire (7:00)
  
• musique directe iv (9:20)

alga marghen press release...

g o l  /  d u m i t r e s c u  /  a v r a m "musique directe" (cat no. planam golda) lp record entering their twentieth year of existence, the gol orchestra, together with the label planam, celebrates and starts a new program of collaborations: the gollaboration series. volume 1, hence the title "musique directe", shows the band facing the leaders of roumenian spectralism ana-maria avaram and iancu dumitrescu. electric and intense spontaneous experiments, on the edge of electroacoustic music and primitive avant-garde. live recordings in marseille and paris with the participation of ansamblul hyperion members petru and matei teodorescu on one track. gol was formed in 1988 in paris by jean-marcel busson, frédéric rebotier, ravi sharda and samon takahashi. the quartet embodies, within a post-dada spirit, a lost rural tradition. gol plays flute, horns, guitar, violin, toys, selfmanufactured instruments, tapes, turntables, voices, various percussion instruments and electronics, an appropriateness of both traditional string instrument and handmade low fi equipment. gol's first lp (gol lp 01), issued in 1993, compiles their first items (88-92) based on vinyl- record's scratching, tape's cut-ups and acoustic instruments. the issuing of this lp was followed by a 9 years long hibernation. since 2002, the band is back together to pursue its common research and play together of instinct and invention. their music, electroacoustic oriented, is partially improvised and partly tense. at the time of a collaboration with roumanian composer iancu dumitrescu, gol developped a score system knowned as « layer's leaf ». through this system, they could elaborate an hybrid music, between orchestral conduct and free interpretation of movements. edition limited to 300 copies, also including the graphic score of "musique directe iv".