| $38.51
new to stock as of
january 10th, 2012
threads:
modern-composition
experimental-instruments
minimalism-drones
free-improvisation
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| | | edition rz (germany) #rz 01023-24 cd christian wolff “kompositionen • 1950-1972” double compact disc set - duo for violinist and pianist (15:54) 1961
- for prepared piano (6:01) 1951
- for pianist (10:43) 1959
- edges (13:05) 1968
- duo for violins (6:25) 1950
- for piano i (7:57) 1952
- stones (5:45) 1968
- lines (7:04) 1972
- for pianist (5:24) 1959 version 2
- suite (i) (7:00) 1954
- for 1, 2, or 3 people (14:15) 1964
- for pianist i (10:11) 1959
- for 1, 2, or 3 people (9:43) 1964
- for piano i (5:53) 1952
- suite (i) (7:27) 1954
- edges (9:20) 1968
- drinks (7:46) 1969
| | september 2011 release ; ... superb overview of christian wolff’s early compositions ; features performances by keith rowe, david tudor, frederic rzewski, the “gentle fire” ensemble (hugh davies, graham hearn, michael robinson, richard benas, stuart jones) & many others ... |
| | edition rz press release... |
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ed. rz 1023-24 2cdchristian wolff: kompositionen 1950 - 1972
fresh release in september 2011: 2cd-set of compositions by christian wolff. most of the pieces collected for this portrait of christian wolff document the composer’s early activity and were mainly recorded around the time of their composition. each recording exemplifies the sound gestures from their time.
cover design: ott + stein, berlin
scan: christine berkenhoff
finally i realized that the kind of sound made in an indeterminate situation includes what could result in no other way; for example, the sound of a player making up his mind, or having to change it. in fact, the indeterminate notation i've used is, as far as i know, the only possible one for the kind of sound i should like. and don't forget, we also like to be surprised.
... and the rhythm produced by that situation is like no other rhythm. |
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