| $14.96
back in stock as of
october 1st, 2007
first in stock on
august 9th, 2007
threads:
modern-psych
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| | | staubgold (germany) #staub 067 cd the no-neck blues band / embryo “embryonnck” compact disc - wieder das erste mal (9:28)
- five grams of the widow (2:39)
- after marja´s cats (5:03)
- frank cologne (1:42)
- die farbe aus dem all (5:32)
- zweiter sommer (6:54)
- das erste mal (13:20)
| | staubgold press release... |
| staubgold 67 - no-neck blues band and embryo - "embryonnck" cd/lp
the cd version includes a 24-pages booklet with photos and linernotes, the limited vinyl edition comes in heavy cardboard sleeve with poster and inserts.
"the greatest band ever in the history of the universe." (sonic youth on the no-neck blues band)
new york mavericks no-neck blues band and munich-based krautrock band embryo explore the indigenous urban music phenomenon on this, their debut collaborative release. the no-neck blues band are one of the most enigmatic, mysterious, and defiantly anti-commercial groups to emerge from the new york loft scene during the '90s. the collective was formed in 1992 around a core of multi-instrumentalists who have stubbornly and admirably insisted on individual anonymity. incorporating elements of folk, drone, psychedelia, free jazz, noise, and just about everything else, nnck have nevertheless carved out a distinctive sound from complementary and disparate component elements.
one of the most original and innovative krautrock bands, embryo fused traditional ethnic music with their own jazzy space rock style. over their 30-year existence, during which christian burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over twenty records. melding their wildly diverse forays into experimental, blues, middle eastern, turkish and african music, these two groups have since become brothers in unparalleled improvisatory spirit, and embryonnck is the fruit of that merge.
to quote christian burchard, "the nnck players were flying... little melodies we never had heard, different moods, rhythmic interplays, and in between the musicmaking it was like we had been together all the time." |
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