| $12.96
back in stock as of december 4th, 2007
first in stock on may 22nd, 2003
threads: harsh-noise digital-musics beat-research electro-acoustic-composition
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| | | important (usa) #imprec 016 cd “ikebana: merzbow’s amlux rebuilt, reused and recycled” double compact disc set - dj spooky - takemitsu (4:37)
- dj /rupture - in and out of institutions (4:05)
- plug - untitled (3:39)
- alec empire - digital hardcore (5:44)
- kim hiorthoy* - cow cow (sheep sheep) (5:13)
- nau-zee-aun - testosterphone (4:35)
- bola - klunk (7:01)
- kurt weisman - spicy water (4:06)
- atom™ - merzwaltz (5:32)
- custom drummer - luxus (2:26)
- raub roy - untitled (3:36)
- abstinence - freq (5:38)
- instavoid - cho nama yo! (2:45)
- masami akita - looping jane (8:31)
- negativland - an actual attack (4:49)
- hrvatski - toru pup (4:16)
- mouse on mars - superstar (4:01)
- cornelius - untitled (5:41)
- jack dangers - available memory (8:21)
- freiband - merzmix (3:10)
- e.a.r. / sonic boom (2) - takemitsu (7:00)
- kk null* - decomposition (3:09)
- staalplaat sound system - a golden cow on the bridge (2:38)
- kawabata makoto - revolved jane (9:10)
- nobukazu takemura - assembler mix (8:48)
- lasse marhaug - takemitsu unholy (4:39)
- kim cascone - black gun red (2:59)
- john wiese - untitled (2:39)
- zipperspy - with cb (1:55)
| | click the play button to hear an excerpt of "toru pup" |
| | may 2003 double dream date with a good chunk of the more ‘relevant’ akts in contempo-tronica taking on one of mr. akita’s better ‘digital age’ efforts. frighteningly high signal-to-noise-to-signal ratio when pitted against other recent all-star remix efforts. very odd lineup given the source material (bola?) but a substantial work transcending mere remix-compilation status... |
| | important press release... |
| | artists were asked to use merzbow's album amlux (imprec-02) as an instrument in an original composition, rather than to perform the conventional remix. we hoped that this would allow the artist to flourish with greater creative freedom and a less restrictive context. we didn't want to fit this project into any sub-genre of music. we wanted it to simply exist. perhaps the beat oriented tracks, record scratching and vocals will annoy some noise purists, and perhaps the noisy sound collages will irritate others, but hopefully this collection of tracks from some of the best electronic artists working today will enlighten the listener. music is sound and sound is everywhere, regardless of classification. |
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