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 dat politics 
there are 6 titles featuring datashock in stock.
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$8.82

back in stock as of
december 16th, 2010

first in stock on
march 20th, 2009


threads:
modern-psych
minimalism-drones

chocolate monk (uk) #choc.183 cd

datashockacidulle” compact disc-recordable

  • frühling im mumintal (2:59)
  • orangina rouge & vodka (5:24)
  • hui bui fährt geisterkarussel (6:51)
  • kraki wandert aus (11:34)
... further float-on tactics from this “german freedom band” ...
chocolate monk press release...

datashock - acidulle cdr
choc.183

more deep hippy listening with the german freedom band. contains 2 psych jams from the vol iv session, a trio track from 2007 and an old folk intro from 2006. trundels along the immense stumbling road of fine german drug music and makes you believe that some ufos might be made of wood and mud. edition of 100, so its time to put down that pipe my friend, and listen to the little man inside your skull "go get it, numbnuts."

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$15.96

back in stock as of
february 8th, 2012

first in stock on
july 5th, 2011


threads:
analogue-synth
concert-recordings
machine-music
live-electronic
site-specific

dekorder (germany) #dekorder 54 lp

keith fullerton whitman / alien radio101105 b/w text adventures” long playing record

  • keith fullerton whitman - 101105

  • alien radio - text adventures
  • alien radio - magnete
  • alien radio - die wendt-hülle
  • alien radio - vhs phantome
  • alien radio - der runde
june 2011 release ; fourth in the “split series” of live synthesizer pieces, featuring a fairly manic rising even / odd-harmonic ripper (recorded last year at public assembly in brooklyn during one of the “bunker” nights on a bill with geoff mullen & robertlichenslowe) backed with a stellar set of modular jams from aosuke / datashock’s ulf schütte under his alien radio guise ...

... the typically miracle-oriented d&m cut does an outstanding job of allowing for the re-creation of the bunker’s bass bin brown-out in your domicile (if you can’t hear anything for the first few minutes you need new speakers !!!) ; a modal phase-lock sawtooth canon is sent through a slowly-opening diode ladder that, pausing only temporarily to vibrate a smaller & smaller set of un-bolted-down appointments in public assembly’s bar-space, climbs through the spectral strata until a pair of upper & lower-octave clones swarm in & complete the equation ... i can only say that i was going for a “power electronicscross-breed of heldon & tom cameron (i may have actually succeeded ; time will tell) ; the straight-meter throughout my only concession to the (albeit, extremely open-minded) dance-oriented crowd ...

... on the flip, ulf really nails down a quintet of hi-fi buchla-inspired pieces ; all vactrol bongos & slyly fm’ed sweeps that’s a perfect simulacrum of cecil leuter’s library-music work ... the whole things housed in a honey of a trompe-l’oeil sleeve (it’s not die-cut ; it’s just an illusion) that deals a perfect visual analogue to the variably fried sonics enclosed within ...
dekorder press release...
[054]
keith fullerton whitman / alien radio
s/t
lp

we are stoked and honoured to release this deutsch-amerikanische meeting of two meisters of the modular electronic music system (originally invented by don buchla in 1963 for the likes of morton subotnick, ramon sender, terry riley et al at the san francisco tape music center). both are presenting very distinct approaches displaying the vast possibilities of the machine yet maintaining similar klang aesthetics (and maximum quality).

kfw is a renowned master of the modular, especially in live situations. "101105" is whitman captured at his most symphonic. recorded last year at one of the semi-monthly "the bunker" parties in brooklyn opening for members of ectomorph he sent the audience (all high on lsd) straight into sawtooth arpeggio heaven. "101105" is a condensed edit of these recordings, cut on 45rpm for maximum fidelity.

kfw has released records on a myriad of labels, most notably on kranky and planet µ (under his hrvatski pseudonym). last year's (vinyl-only) album "disingenuity b/w disingenuousness" on pan made it into many year-end top 10 lists, including the wire and boomkat. this year whitman has been commissioned a residency at grm studios to work on a piece for françois bayle's original 80-channel acousmonium!

alien radio is one of many aliases of northern germany's ulf schütte, a (part-time) member of datashock, black to comm, aosuke, phantom horse, etc. and founder of the tape tektoniks cassette label. his recent modular system explorations showcase a more basic, sketchy and song-based approach, reminding of jan jelinek's ursula bogner recordings and having been compared to the likes of conny planck, delia derbyshire and dick raaijmakers. his debut release was a split 7" on the belgian kraak label with köhn, ducktails and peaking lights.

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$20.58

back in stock as of
february 8th, 2012

first in stock on
july 5th, 2011


threads:
modern-psych
minimalism-drones
free-improvisation
guitar-themed
electro-acoustic-improvisation
electro-acoustic-composition

dekorder (germany) #dekorder 52 lp

datashockpyramiden von gießen” double long playing record set

  • intro
  • lasagne phalanx
  • chiahonania leder boots

  • die pyramiden von gießen
  • kanal telemedial energieausgleich
  • das märchen vom zauberbergi

  • datashock, the mothership reactivated, flying
  • der fröbelturm

  • schlupp vom grünen stern
  • outro
april 2011 release ; ... sprawling, double-lp (burnt) offering from these german snake-handlers, now with ulf schütte, pascal hector, christian berghoff, jan stütz, jan werner (different jan werner than mouse on mars’ / lithopsjan werner), sebastien haas, ronnie oliveras, martina ripplinger, and ruth-maria adam all numbering with/in the ranks ...

... aside from being one of the contemporary era’s finest proponents of “commune psych(stoned, lilting international / harvester / träd gräd och stenär moves for days) the more “quiet storm” -lineage materials really show their arrival as a cohesive unit, breaking away from the group-mind excess(es) of their peers & yields a fine hour-plus of mature, super-chill contemporary psychedelic rock, rich with texture & timbral depth belying their short time-on-earth ...
dekorder press release...

[052]
datashock
pyramiden von gießen
2lp

datashock is a south-german collective of young punks pretending to be old hippies. they have released albums on qbico, textile, chocolate monk and their own meudiademorte label, and have collaborated with family battle snake, aidan baker and black to comm. pyramiden von gießen is their most psychedelic, mature, song-oriented and krautrock-infused outing so far (think kosmische kuriere, ash ra tempel et al). it's a vinyl-only double-lp in a gorgeous fold-out cover with liner notes by seminal german cut-up poet and novelist jürgen ploog (see below). mastered by pete swanson (yellow swans) and cut at dubplates & mastering.

nomadic sounds

sounds, what are they? where do they come from, where do they go to? they come from the space of nomadic sounds which surrounds the planet. they can dissolve without being heard, or they can temporarily fuse into bodies of sound and fly through the layers of the stratossphere, dancing like chimeras. they can rotate or make their rounds and penetrate heads and bodies. like shadows, falling down on invisible images. attempts to render sounds visible remain in vain. they avoid noise.

sounds densify to drafts and sketches pervading space. he who listens closely can use them for orientation. whereto? he wonders, in an effort to follow them, their image being too seductive. sometimes they betray him and he gets lost in an infinity beyond our grasp, where the soundless western lands are, the destiny of caravans of musicians, wise men and priests and where there are no road signs...where human creatures dissolve in the flickering of bells and sail out to the land of the dead.

the tonal outlines gradually fade and the gaze of the sphinx loses itself. the horizon is a line of shadows above which, glimmering in the backlight, pyramides of sound rise again and again, like fata morganas. behind all this, the desert turns into a land of shadows. a hint of silence glides across endless dunes. the traveller rides on waves of sound, while losing his last pieces of baggage, experience and the identity familiar to him.

he senses that perception becomes a vehicle by which he travels. he starts to live in it and with it enabling him to leave his body behind and to move in time. in this phase, his memories start to fade until they are extinguished and he dissolves in sounds and colours. he has entered the space of simultanities.

more and more mummies, enroute by package tour to the western land stay behind. some believe they could make it to space on their bicycles. they are called fellaheen of the future. they simply left the highway of monotony and loneliness, which they thought too cumbersome, in order to make it to the land of dreams.

flesh, the only weapon the traveller has left, becomes blunter and blunter with every step. it becomes annoying, like the smell of carrion floating around his thighs. in the sucking emptiness above the sand he can smell the fear. it is paraphrased by a hieroglyph for final solitude, which like a beast of prey can turn into a curse of malignance and desperation and, chase the hiker into the hopeless salt hills of the sekbha.

gradually the caravan of courtiers, musicians and artists stays behind. demons disguised as prophets or members to the cult of osiris. they travel with an astonishing armory of portable burial chambers and foldable pyramides, which they set up in no time when pilgrims turn up. sensually deprived are secretly offered pin-ups of alamut women, who are famous for their erotic aura and impatient to be brought to life by the biting smell of ozone of hassan i sabbah, while succubi and incubi from persia and india are chanting encouraging songs.

a man paints the tail of a comet into the sky. he knows that the comet, like halley, will miss the planet. “come with me, stranger, i will take you on a rocket trip.” in a dark valley the candidate is scanned with a radiometer by a virginal dragonfly. no written word is allowed on the trip. what is paper, after all? it is nothing but mutilated memory, says someone, who claims to be a pilot of dreams. he insists that he can leave his body with the help of sounds. with a click of the tongue, they take off into space, where the gaze fades away in a tepid trickle...

a current of air carries them onto the silent sea and into the solitude of sounds.

- jürgen ploog

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$15.96

back in stock as of
february 8th, 2012

first in stock on
october 9th, 2008


threads:
electro-acoustic-composition
minimalism-drones

dekorder (germany) #dekorder 27 lp

black to commfractal hair geometry” long playing record

  • negative volumes (7:08)
  • orange record (7:58)
  • play eggchess 3 (5:48)
  • leigh bowery (6:34)
  • m.b. memorial building (7:34)
  • 666909 (3:50)
  • air salon (5:31)
october 2008 release ; solo work from dekorder’s marc richter, with guests ranging from kuupuu & guido möbius to members of aosuke & datashock ...

a pervasive electronic gating effect dominates throughout ; i can’t help but be reminded of countrymen (actually, marc’s fellow hamburgers) faust (think : the pulsing noises that comprise “krautrock” before the drum lift-off) - always a good sign ...
dekorder press release...

[027] black to comm "fractal hair geometry" lp


black to comm is the solo venture of dekorder label boss marc richter. having released two and a half albums on his own label he is slowly establishing himself as one of the more prolific drone artists out there with a forthcoming album on the american digitalis label, a collaborative cd with datashock on ikuisuus, a 7" on the irish trensmat label and a collaboration with xela in the works

"fractal hair geometry“ is richter's most refined and original work to date, picking up where the electrifying drone works of his monumental double-lp left off. like the last records this album is centered around recordings of a variety of vintage organs. while "wir können leider..." often featured pure harmonium sounds and spacious recordings of chuch organ and mellotron, the new album opts for a more electronic, effects-laden sound, sending an old farfisa compact deluxe and casio sk-5 through an armada of analogue & digital effects pedals. the results are massive one-chord drones layered into dense & ecstatic, flickering & pulsating clusters of psychedelic electronic sound. additional wordless vocal effects, hyperventilating & sizzling drum machines and hypnotic violin and guitar noises make for a hyperactive sound that never stands still even though most of the music is pure drones (sometimes consisting of more than 50 recording layers). decidedly simple but gorgeous melodies shine through the mist from time to time, making a black to comm record always much more accessible than your average drone album.

there's even a heavy 4/4 bass drum smuggled into a track dedicated to the late leigh bowery, one of the most enigmatic creative figures of the mid-80's uk club scene (and singer of minty).

guests include jonna karanka (aka kuupuu) on piano, guido möbius on trumpet and current black to comm (live) band members renate nikolaus on violin and ulf schütte (of datashock, aosuke, etc.) adding electronic sounds.

along the lines of the music, seminal german artist oliver ross has created a massive multi-layered neon-coloured collage artwork which is printed on special ultra-heavy cardboard stock.

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$6.72

new to stock as of
june 21st, 2010


threads:
modern-psych
minimalism-drones
free-improvisation

peasant magik (usa) #pm 035 cs

uuhuustringfigures for flynt” c20 cassette

  • wuhan string figure

  • xian string figure
2008 release ; ... scraping string figures (apropos, assuming the titular flynt is henry) from datashock’s marcel türkowsky & andrew cvar ...
peasant magik press release...

uuhuu
stringfigures for flynt
c20 edition of 100
pm35

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$13.34

new to stock as of
february 25th, 2009


threads:
guitar-themed
modern-psych
minimalism-drones

textile (france) #txt 11 lp

datashock / shiversvol. iv” long playing record

  • untitled (1)

  • untitled (2)
february 2008 release ; pair of collaborative burners by a 6-headed lineup featuring members of datashock & brother/sister-act shivers ...

i’ve heard a bunch of things by these guys over the last few years (mostly c/o member pascal hector’s meudiademorte imprint) but nothing this fully realized ; starting with cycling electronics, bongos, & distant flute straight out of an early popol vuh / amon düül i set, we (collectively) progress through a huge wall of distant voices / tones & sparse guitar (listen to the sound-sample) ... really nice !!!
textile press release...
datashock - "vol iv"

 there is no constant line-up, as the group is joined by new members every now and then.their music is defined almost entirely by psychedelic multidimensional live-improvisations stemming from 70ies kraut-rock influenced by contemporary electronic music and psychotic dronescapes. as a result we find complex layers of sultry muffled vibrations met by heavy waves of electronic sound experiments and strangely disfigured images. here and there reality-distorting bits of whispers and cut-up voices are woven into the texture of these alien patterns of sound. every step here is like nervously stumbling through the swampy ground of a jungle. here every look is like a secret glimpse at a hidden ghost-train world.

if, however, you would want to use other bands from past and present as a reference, names like tangerine dream or sunburned might come to mind. datashock’s music has a similarly warm and organic feel to it. labels like ‘spooky psychedelic-post-krautfolk’ are at the same time graphic description as well as missing the point altogether.

previous artist:
 dat politics 
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next artist:
 yannick dauby 
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... this page was last updated on tuesday, may 22nd, 2012 @ 4:50 pm