| $13.41
back in stock as of
february 16th, 2009
first in stock on
january 16th, 2009
threads:
folk
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| | | yaala yaala (usa) #yy 003 cd daouda dembele “daouda dembele” compact disc | | may 2007 release ; 40 continous minutes of jelingoni & gourd-thumping from daouda dembele ... |
| | yaala yaala press release... |
| daouda dembele is a griot from a town near segou. he plays a jelingoni (griot stringed-instrument), which is quite different from both the kamelen and donso ngoni, but is still a spike lute. i saw a few different versions of the instrument; some have one string, others as many as three. one long story-song. dd is accompanied by someone thumping on a gourd.
trance music from the people who invented trance music.
in 1999 i moved with my wife and young son to bougouni, a town on the edge of mali’s culturally rich wassulu region. i’d listened to and enjoyed such malian musical imports oumou sangare, ali farka toure, salif keita, toumani diabite and habib koite while still living in the states and was excited to get to mali to learn more about these and other artists.
i learned very quickly that there was a huge gulf between what many people out in bougouni listened to and what was being exported to the west; many local malians made dismissive sounds with their mouths when i mentioned the above musicians. many of the cassette vendors i got to know stared blankly when i asked about certain artists.
i began to suspect that much of the music i’d heard back in the states was almost created for export rather than for local consumption, and whether or not this was objectively true did not matter. from my perspective it was true. out en brousse, in the bush, on radio banimotie and blaring forth from battery-driven boomboxes and handheld radios carried by any number of people wandering through southern mali, there existed an entirely different world of music and sound that i found infinitely more interesting and exciting than the slick pop music made in french, british or belgian studios.
much of this music was home-grown music performed locally for little else beyond an immediate audience’s enjoyment; it was traditional or folk music but in the hands of the endlessly inventive and dynamic local musicians it exemplified the best qualities of the do-it-yourself attitude that i’d grown up with back home.
the name yaala yaala was taken directly from what many a bougounian musician would answer when asked “ca va?” (how’s it going?); “yaala yaala,” they’d answer. just wandering.
yaala yaala records’ goal is to release this music, in addition to similar music from parts of the world, particularly mali and west africa, that you might hear if you were wandering yourself among the cassette stalls in bougouni, bamako, kolondieba, sikasso, segou, fez, marrakesh, cairo, dakar.
we’re releasing this music for no other reason than we like it!
— jack carneal
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