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there are 6 titles featuring chris watson in stock.
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back in stock as of
november 8th, 2011

first in stock on
october 31st, 2007


threads:
field-recordings

touch (uk) #ts 02 ep
touch sevens (uk) #ts 02 ep

chris watsonoceanus pacificus” seven inch single record

  • 3m

  • 10m
touch press release...
chris watson
oceanus pacificus

touch # ts02
7" vinyl only - not available for digital download
limited edition of 1000

locked grooves on both sides...

artwork & photography by jon wozencroft | cut by jason @ transition

the voices and rhythms of the humboldt current around the galapagos islands recorded april 2006 using a pair of dolphin ear pro hydrophones onto a nagra ares-pll digital audio recorder.

chris watson, originally from sheffield but now resident in newcastle, england, is the world's leading wildlife sound recordist. after co-founding cabaret voltaire with richard kirk and stephen mallinder, he left in 1981 to work for tyne tees television and he also joined the hafler trio. he then left to become the sound archivist for the royal society for protection of birds. he is now working full time as a freelance sound recordist.

chris watson has released 3 solo albums for touch and 2 collaborations with swedish sound artist bjnilsen.

with bjnilsen:

storm [touch # tone 27, 2006]
wind [ash # ash 6.5, 2001]

solo:

weather report [touch # to:47, 2003]
outside the circle of fire [touch # to:37, 1998]
stepping into the dark [touch # to:27, 1996]

others:

kk null / chris watson / z'ev - number one [touch # tone 24, 2005]
star switch on - chris watson with aer / biosphere / fennesz / hazard / philip jeck / mika vainio [touch # tone 18, 2002]

touch sevens series of 7" vinyl

7" vinyl was the quintessential format for popular music. today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost to a time of musical authenticity and a "healthy" popular culture. it might seem like another retrograde step to launch a vinyl series just as the download format threatens to dominate, and indeed there is an element of "the rear view mirror" ... the generation of touch artists who grew up with vinyl [and cassette] still feeling a strong emotional attachment to it. this series is more than that ... an overtly critical, non-digital statement is supported by treatments of audio work which cannot be applied to digital formats - the sonic texture, the use of a locked groove, the a & the b and the additional dimension of the visual counterpoint. as for the aspect of audience participation, we choose not to specify the rpm on the label, encouraging the listener to experiment with playback options and personal preferences. an attempt to make music that works at both speeds. the front cover might actually be the back cover ...

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$15.59

back in stock as of
november 8th, 2011

first in stock on
november 22nd, 2006


threads:
electro-acoustic-composition
field-recordings
free-improvisation

touch (uk) #tone 24 cd
touch tone (uk) #tone 24 cd

k.k. null / chris watson / z’evnumber one” compact disc

  • invocation - kami, (the celestial) jupiter sight wood east spring dawn (8:20)
  • introduction - man, (the warrior) mars speech fire south summer morning (9:44)
  • development - woman, (the balance) saturn taste earth center late summer noon (12:03)
  • climax - madness, (the trickster / fool) venus smell metal autumn dusk / sunset (9:40)
  • conclusion - demon, (the super-natural) mercury hearing water north winter twilight (8:28)
touch press release...
kk.null/chris watson/z'ev
number one
cd - 5 tracks - 48:15
touch # tone 24
artwork & photography: jon wozencroft

z'ev writes: "in march of 2003 seeing my friends stephen & josephine in los angeles they suggested that i get in touch with japanese composer/performer kk.null. there followed a string of weird email occurrences which delayed our communicating until, as it turned out, we eventually met in paris on 18 november.after his performance we were talking about a possible collaboration and during his set a possibility had occurred to me. i ran the idea by him and we agreed to proceed with it. the idea had 3 elements:

1 - to use the structure of the noh theatre cycle as the basis for the composition.
2 – to consider the initial sound development in terms of developing ‘characters’ which would then interact with one another through the specific “scene” [which is a fairly non-traditional way to work with sound elements] and
3 – to place the ‘character interactions’ as the 'figure' inside of particular sound-scapes as the ‘ground'.

so in january 2004 i returned to london and began to work on my initial character developments. coincidentally at this time i received a copy of a cd compilation i had a piece on which was released by touch, which also had a piece by chris watson. so i got on the phone to touch who put me in touch with chris who has joined in on the project.

sometime after i had completed mixing the 5 pieces, i sent a copy to my friend boyd rice. he emailed me back: "this is the first avant-garde piece i have heard in years that is truly avant-garde."

in the production process, z'ev framed his and kk.null's electro-acoustic musics inside chris watson's field recordings from east africa. a dynamic dialogue and inside-outside mirroring of natural and synthetic sound is the result: where the click and rhythm of an insect merges with kk.null's drumming; where the calls of the elephants combine with the electronic bass frequencies; where bird and frog song and z'ev's harmonic structures produces surprising counterpoints.

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back in stock as of
january 24th, 2012

first in stock on
march 30th, 2007


threads:
field-recordings

touch (uk) #to:47 cd

chris watsonweather report” compact disc

  • ol-olool-o (18:06)
  • the lapiach (18:06)
  • vatnajökull (18:00)
touch press release...

touch # to:47
cd - 50:08
3 tracks

the weather has created and shaped all our habitats. clearly it also has a profound and dynamic effect upon our lives and that of other animals. the three locations featured here all have moods and characters which are made tangible by the elements, and these periodic events are represented within by a form of time compression.

this is chris's first foray into composition using his location recordings of wildlife and habitats - previously he has been concerned with describing and revealing the special atmosphere of a place by site specific, untreated location recordings. for the first time here he constructs collages of sounds, which evolve from a series of recordings made at the specific locations over varying periods of time.

tracklisting:

ol-olool-o -18' 00"
a fourteen hour drama in kenya's masai mara from 0500h - 1900h on thursday 17th oct. 2002

the lapaich -18' 00"
the music of a scottish highland glen through autumn and into winter during the four months of september to december

vatnajkull -17' 55"
the 10,000 year climatic journey of ice formed deep within this icelandic glacier and it's lingering flow into the norwegian sea.

chris has released two previous solo albums for touch, outside the circle of fire [1998] and stepping into the dark [1996], as well as contributions for samplers and compilations for ash international. his work was also used as source material for the compilation star switch on [202], with contributions from aer, biosphere, fennesz, hazard, philip jeck & mika vainio, as well as two tracks from chris himself.

chris is possibly best known for his sound recordings for bbc tv, particularly the "life of..." series written and hosted by sir david attenborough. but his preferred media are cd's and the radio. he has presented several programmes; "a small slice of tranquillity", "nighttime is the right time", "sound advice" and "tyneside dawn", all broadcast on bbc radio 4.

chris was previously a member of the popular beat trio cabaret voltaire.

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back in stock as of
january 24th, 2012

first in stock on
november 8th, 2011


threads:
field-recordings
electro-acoustic-composition
musique-concrète
beat-research

 best of 2011 !!! 
touch (uk) #to:42 cd

chris watsonel tren fantasma” compact disc

  • la anunciante (4:00)
  • los mochis (6:29)
  • sierra tarahumara (5:24)
  • el divisadero (5:34)
  • crucero la joya (4:58)
  • chihuahua (4:34)
  • aguascalientes (3:26)
  • mexico d.f. (9:14)
  • el tajin (10:16)
  • veracruz (5:45)
november 2011 release ; ... it’s been 8 years since the last chris watson full-length, so many of us have been waiting with baited breath ...

... presented more as a “composition” than a series of raw field recordings (listen to the sound-sample for a clearer indication of what i mean ; there’s tons of editing & “programming” afoot)el tren fantasma (aka “the ghost train”) paints a narrative picture of the landscape & mechanics of the last days of mexico’s storied ferrocarriles nacionales de méxico railway ...

incredible work, as expected ...
touch press release...

"el tren fantasma"
cd album - 10 tracks - 65 minutes

artwork: jon wozencroft
cd mastered by denis blackham

take the ghost train from los mochis to veracruz and travel cross country, coast to coast, pacific to atlantic. ride the rhythm of the rails on board the ferrocarriles nacionales de méxico (fnm) and the music of a journey that has now passed into history.

el tren fantasma, (the ghost train), is chris watson's 4th solo album for touch, and his first since weather report in 2003, which was named as one of the albums you should hear before you die in the guardian.

a radio programme was broadcast on bbc radio 4 on saturday 30 oct, 2010, produced by sarah blunt, and described as “a thrilling acoustic journey across the heart of mexico from pacific to atlantic coast using archive recordings to recreate a rail passenger service which no longer exists.” it’s now more than a decade since fnm operated its last continuous passenger service across country. chris watson spent a month on board the train with some of the last passengers to travel this route. as sound recordist he was part of the film crew working on a programme in the bbc tv series great railways journeys. now, in this album, the journey of the ‘ghost train’ is recreated, evoking memories of a recent past, capturing the atmosphere, rhythms and sounds of human life, wildlife and the journey itself along the tracks of one of mexico’s greatest engineering projects.

chris watson is one of the world's leading recorders of wildlife and natural phenomena, and for touch he edits his field recordings into a filmic narrative. for example. the unearthly groaning of ice in an icelandic glacier is a classic example of, in watson's words, putting a microphone where you can't put your ears. he was born in sheffield where he attended rowlinson school and stannington college (now part of sheffield college). in 1971 he was a founding member of the influential sheffield-based experimental music group cabaret voltaire. his sound recording career began in 1981 when he joined tyne tees television. since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. as a freelance recordist for film, tv & radio, chris watson specialises in natural history and documentary location sound together with track assembly and sound design in post production.

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back in stock as of
january 24th, 2012

first in stock on
november 6th, 2003


threads:
field-recordings

touch (uk) #to:27 cd

chris watsonstepping into the dark” compact disc

  • low pressure (3:46)
  • embleton rookery (4:24)
  • the crossroads (5:02)
  • river mara at dawn (6:27)
  • river mara at night (4:59)
  • a passing view (1:51)
  • bosque seco (9:03)
  • sunsets (5:02)
  • the blue men of the minch (4:51)
  • high pressure (5:13)
  • gahlitzerstrom (4:05)
  • the forest path (4:52)
chris watson’s first solo disc from 1996. along with douglas quin & toshiya tsunoda, watson signifies the height of field-recording as an art-form (far beyond pure documentation) by presenting naturally occurring sound-events, devoid of any sort of post-processing, in a conceptual sequence.

technically brilliant and well out of this world (despite being, specifically, within it.) awesome.
touch press release...

comes with a a 24-page booklet filled with photography and text.

the tracks are the atmospheres of "special places", recorded with the use of camouflaged microphones.
low pressure glen cannich, inverness-shire, scotland
(57.21°n 04.57°w) 0810h 6 october 1994
embleton rookery embleton, northumberland, england
(55.30°n 01.38°w) 0600h 7 may 1983
the crossroads kiedler forest, northumberland, england
(55.09°n 02.27°w) 0620h 27 march 1994
river mara at dawn river mara, maasai mara, kenya
(01.25°s 35.07°e) 0615h 16 september 1994
a passing view los olivitos, lake maracaibo, venezuela
(10.46°n 71.02°w) 2350h 3 april 1991
bosque seco santa rosa national park, costa rica
(10.49°n 85.39°w) 0540h 6 april 1995
sunsets breachacha, island of coll, scotland
(56.36°n 06.37°w) 2230h 16 may 1994
the blue men of the minch moray firth, scotland
(57.30°n 04.15°w) 1400h 30 july 1995
high pressure ravenstonedale, cumbria, england
(54.25°n 02.24°w) 0550h 25 february 1994
gahlitzerstrom ummanz, rügen islands, germany
(54.32°n 13.11°e) 1740h 5 october 1993
the forest path meallan na ceardaich, glen affric, scotland
(57.19°n 04.52°w) 0625h 7 october 1994

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back in stock as of
december 3rd, 2008

first in stock on
may 27th, 2006


threads:
field-recordings
electro-acoustic-composition
site-specific

room40 (australia) #edrm405 cd

incidental amplifications” compact disc

  • chris watson - runway o2e
  • domenico sciajno - twc
  • le grand jeu - middle class guilt
  • camilla hannan - part 3 (edit)
  • terre thaemlitz - millennial muzak
  • joe musgrove - broken in search
  • brandon labelle - off site
  • aaron ximm - sales_pitch_phase
  • dzo - untitled
  • m.rösner - may0105
  • daniel blinkhorn - resource14
  • mathieu ruhlmann - rest
  • blake stickland - brecker (for curd duca)
  • thembi soddell - watching
compilation of variations on themes of preserving/capturing/processing “subliminal” environmental sound... we’re not talking about yr average acoustic ecology exercise here but more the hidden nature sounds in city-locations otherwise rife with the sounds of commerce, transportation, etc... the clarion call of watson’s opening piece (a bird squawks away in defiance as a boeing fades from the background to the fore in the right channel, takes off, then disappears in the left, seemingly having no affect on our fine feathered friend whatsoever...)

includes contributions from heavies chris watson and brandon labelle alongside excellent work from m.rösner, domenico sciajno, aaron ximm and others. a veritable phonographer’s delight...
room40 press release...
for most of us, our every waking moment (and even those where we are unconscious) is surrounded by sound. from the obnoxiously pitched alarm tone that raises us from slumber to the muted sounds of night-time traffic that merge with natural nocturnal transmissions; there is always sound.

as a society we have increasingly sought to augment and indeed control the environments around us. all manner of tools have been utilised in this ongoing war against the unfamiliar, the unexpected and the "undesirable". as well as a variety of visuals cues, sound is progressively used to colour our surroundings with a variety of aural hues.

the twentieth century brought with it an unparalleled use of artificial sound in the form of george squier's muzak - a creation designed to enhance (and perhaps determine) amongst other things our "urban/social/shopping" experience. for decades, no mall or place of substantial commerce was complete without the dulcet tones of muzak. to many it would seem that there is a world of difference between the bleating high frequency sounds of an indian marketplace and multiple channels of mid-tempo instrumental music filling our shopping malls; however the ability for sound to draw and focus our attention is universal and well documented.

but what of the remaining sounds? the incidental sounds that muzak tries (and often fails) to mask. it's within these sound fields that curators lawrence english + lloyd barrett sought to collect artists who were working with and celebrating these incidental aspects of our sound world.

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next artist:
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... this page was last updated on saturday, february 11th, 2012 @ 6:15 pm