.home..artists..labels..new..restocks..best..faq.
.soon.
previous artist:
 doddodo 
there are 3 titles featuring charles dodge in stock.
they are listed below.
next artist:
 dog lady 
click the image above to
add this item to your
shopping cart
$14.62

back in stock as of
march 22nd, 2011

first in stock on
december 21st, 2010


threads:
1970s-electronic
digital-musics
electro-acoustic-composition
modern-composition

new world (usa) #nw 80701 cd

charles dodgea retrospective” compact disc

  • cascando (32:47) 1977
  • fades, dissolves, fizzles (14:07) 1995
  • violin variations: i. (1:46) 2009
  • violin variations: ii. (1:41) 2009
  • violin variations: iii. (1:27) 2009
  • violin variations: iv. (3:30 2009)
june 2010 release ; ... the centerpiece of this disc, dodge’s 1977 setting of beckett’s 1963 radio playcascando” for stereo-heavy computer vocoding, speech synthesis & re-synthesis algorithms is one of his crowning achievements ; very glad to have it on disc & readily accessible ...
new world press release...
composer(s): charles dodge
album title: a retrospective 
cat. no.: 80701
genre: classical / electronic
release date: 06/2010

baird dodge, violin

the music on this disc was written over a period of more than thirty years. over the course of those years, so much has changed in technology, in music, in life in general.  but throughout the work represented here one can recognize the remarkable, entirely original voice of charles dodge (b. 1942).  he is truly a composer who writes music that does not sound like anybody else's.  he has never been part of any “ism” or movement; he is his own category. and although his stylistic approach and his interests have changed over the course of the years, that voice retains the same unique, focused nature, a restrained expressivity, and an unapologetic economy of means.

this voice is supported by a technique so flawless that it recedes entirely into the background, drawing no attention to itself while allowing the music to speak with exceptional clarity. dodge has always been a true musician, an artist for whom the computer is only a means to an end, not an end in itself. and we as listeners are fortunate to have the opportunity to experience that artistry here, in three works that showcase it in all its nuanced simplicity, its variety, its similarity, and its surprising beauty

click the image above to
add this item to your
shopping cart
$16.21

back in stock as of
january 17th, 2008

first in stock on
august 23rd, 2007


threads:
modern-composition
electro-acoustic-composition
digital-musics

centaur (usa) #crc 2213 cd
cdcm computer music series (united states) #cdcm 18 cd

cdcm vol.18: the composer in the computer age - iii” compact disc

  • paul lansky - stroll (14:27) 1988
  • cindy mctee - “m” music (15:00) 1991-92
  • charles dodge - in celebration (8:21) 1975
  • j.b. floyd - tribute (8:49) 1991
  • allen strange - sleeping beauty (21:40) 1988-1992
centaur press release...
crc 2213: cdcm computer music series, volume 18:
the composer in the computer age iii

works by charles dodge, j.b. floyd, paul lansky, cindy mc tee, and allen strange

click the image above to
add this item to your
shopping cart
$14.62

back in stock as of
march 22nd, 2011

first in stock on
january 30th, 2003


threads:
1960s-electronic
1970s-electronic
electro-acoustic-composition
musique-concrète

new world (usa) #nw 80521 cd

columbia-princeton electronic music center 1961-1973” compact disc

  • bülent arel - postlude from “music for a sacred service” (3:56) 1961
  • charles dodge - earth’s magnetic field (14:01) 1971
  • ilhan mimaroglu - prelude no. 8 (to the memory of edgard varese) (3:54) 1966
  • bülent arel & daria semegen - out of into (16:32) 1972
  • ingram marshall - cortez (8:30) 1973
  • daria semegen - electronic composition no. 1 (5:47) 1971
  • alice shields - dance piece no. 3 (5:46) 1969
  • alice shields - study for voice and tape (5:17) 1968
another gem from new world; here offering a splendid overview of goings-on at the columbia-princeton electronic music center during the 60s & (early) 70s...

stand-out work from daria semegn (whose “electronic composition no. 1” it only outshined by her extended collaboration with bülent arel, “out of into” ... also arel’s solo “postlude” is fantastic...) and alice shields (both pieces here are absolutely bubbling with psychedelic-era modular synth grankle...) - the charles dodge piece is fun in a kind of plink-plonky way... but the mimaroglu piece is nowhere near as interesting as his finnadar-label output...
new world press release...
works by bülent arel, charles dodge, ingram marshall, ilhan mimaroglu, daria semegen, alice shields. the columbia-princeton electronic music center was the first electronic music center to be established in the united states. from 1959 to the late 1970s, it was one of the premiere sound facilities in the world. the vast majority of pieces composed at the center—approximately three hundred—were composed during this period. some have become classics of music history. this selection, drawn from those seminal years, is an excellent overview of the wide variations in musical style and aesthetic that was encouraged by the center’s guiding spirit, vladimir ussachevsky. charles dodge’s earth’s magnetic field is a relaxed, expressive piece in which he captures a sense of radiance. the new york times called it one of the “ten most significant works of the 1970s.” ingram marshall’s cortez manipulates a speaker’s voice to create a brooding meditation on an apocalyptic poem by poet-friend snee mccaig. alice shields was a young member of the center’s initial team. musique concrète sound sources and the composer’s prerecorded voice form the basis for dance piece no. 3 (1969) and study for voice and tape (1968). bülent arel was also a member of the center’s initial staff. his brightly colored postlude from “music for a sacred service” builds from a stately beginning to a virtuosic conclusion. ilhan mimaroglu’s prelude no. 8 (to the memory of edgard varèse) was inspired by a presentiment of his friend’s death and is expectedly somber in mood. daria semegen studied with lutoslawski and arel. electronic composition no. 1 was a winner of the 1975 international society for contemporary music prize. both it and out of into, a collaboration with arel, are prime examples of her muscular, dramatic style, full of timbral and dynamic contrasts that gives her music the breadth and the seriousness of orchestral drama.

previous artist:
 doddodo 
...and that's everything in stock featuring charles dodge.
(why not take a look at the previous and next artists?)
next artist:
 dog lady 
.home..artists..labels..new..restocks..best..faq.
.soon.
... this page was last updated on wednesday, may 16th, 2012 @ 4:47 pm