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there are 2 titles featuring c-schulz in stock.
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$14.98

back in stock as of
september 23rd, 2008

first in stock on
september 29th, 2005


threads:
minimalism-drones
modern-composition
electro-acoustic-composition

sonig (germany) #sonig 42 cd

c-schulz5. flicker tunes” compact disc

  • zwizzeron (7:22)
  • swelan (5:05)
  • flicker (9:45)
  • flimm i (7:24)
  • flimm ii (2:25)
  • gistemon (5:48)
  • tarnan (7:57)
  • weilland (6:25)

  • video - sweland (5:06)
completely underrated set of köln-lineage abstract electronic drone-compositions (albeit sourced to acoustic / electric instrumentation) calling to mind everything from moebius & roedelius’ kluster / harmonia era works to the slowly shifting / mutating late 70s work of françois bayle ...
sonig press release...
c-schulz - electronics, vocoder, percussion, concrete sounds, accordeon, organ, bass, tubes, oboe

andreas gogol - guitar on 1, 2, 4, 6, 7, 8
harald “sack” ziegler - horn on 1, 4, 5, 6
kornelia bittman - violin on 1, 5, 8
jan st. werner - drums on 3
andi toma - guitar on 3
alessandro bosetti - saxophone on 2

c-schulz's new solo-outing 5. flicker tunes is on a par with c-schulz & hajsch as far as economy of means and musical depth are concerned. the cologne-based composer grants himself as well as his listeners the luxury of taking one's time to embark on a journey through his "concrete" sounds and expansive sonic planes. this music plays with varying grades of depth - sometimes it feels really close to the body, then again it submerges in the far corner of its musical environment. its listeners are witnesses of three-dimensional effects.

fluttering modulations in diverse tempi play havoc with our inbred patterns of hearing. layers of sound are heaped upon one another meticulously and then moved in the slightest of nuances. thus microtonal shiftings come into being, which now form an enormous soundscape and then weave themselves into the densest of soundtextures. seemingly without effort, c-schulz annuls our concept of time in popmusic, declaring it a conventional burden of which he rids himself as well as his listeners.

the result is that no matter how often you listen to 5. flicker tunes, it will never sound the same, nor will it ever wear out. a magical work, no less.

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$9.75

back in stock as of
september 23rd, 2008

first in stock on
september 29th, 2005


threads:
minimalism-drones
electro-acoustic-composition
field-recordings
musique-concrète
modern-psych

sonig (germany) #sonig 13 cd

c-schulz / hajschc-schulz & hajsch” compact disc

  • untitled (1) (4:49)
  • untitled (2) (9:42)
  • untitled (3) (8:22)
  • untitled (4) (2:18)
  • untitled (5) (4:35)
  • untitled (6) (5:53)
  • untitled (7) (2:39)
  • untitled (8) (1:45)
  • untitled (9) (2:49)
i went through a great deal of effort in order to acquire the entire discography of the köln-based quiet artworks label. active from the late 80s through the early 90s, qa relelased, imohowiqv, some of the finer sub-conscious listening platters of the era (and beyond). most records consist of side-long tonal drones with just the slightest nuance-shifting imaginable, really quite sublime.

carsten schulz & mr. hajsch (real identity?) were of course the brains behind said braun. and here is the last item they laid claim to (publicly, at least), a beautiful collection of slow-motion studies for diverse instrumentation ...
sonig press release...


hajsch: organ, synthesizers, guitars, field-recordings, feedback, window shades, percussion, concrete sounds, melodica, vocoder.
c-schulz: harmonium, accordion, piano, clarinet, window shades, radio, percussion, concrete sounds.

monika westphal: field-recording on 1 and 9, fire on 6.
jeph jerman: field-recording on 5.
daisuke suzuki: field-recording on 4, bricks on 6.
andrä klaukien: window shades on 9.
hein bruehl: recording of voices on 8.

c-schulz and hajsch are no strangers to the international experimental music scene, having spent the last ten years developing "the cologne sound." this their latest recording is one of depth and daring with clearly structured arrangements, clever instrumentation and striking dynamics. in the vein of zoviet france, coil and nurse with wound. acoustic instruments, field recordings, concrete sounds. surprisingly deep music.

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... this page was last updated on wednesday, may 16th, 2012 @ 4:40 pm