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to celebrate the release of the new failing lights "s/t" disc on intransitive, we are running a "4 for the price of 3" incentive on all in-stock intransitive cd releases !!! simply place an order for any 3 intransitive discs, making sure to mention in the comments field which title you want as your 4th and voila, we'll include it free of charge !!! act fast, as the incentive is limited to the inventory on hand ...

previous artist:
 john murphy 
there are 8 titles featuring brendan murray in stock.
they are listed below.
next artist:
 heather leigh murray 
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$13.44

back in stock as of
june 17th, 2009

first in stock on
april 23rd, 2008


threads:
electro-acoustic-composition
minimalism-drones
digital-musics

 best of 2008 !!! 
23five incorporated (usa) #23five 013 cd

brendan murraycommonwealth” compact disc

  • commonwealth (49:06)
click the play button to hear an excerpt of "commonwealth"
april 2008 release ; new music from mms perennial brendan murray (recently fêted in the wire - way to go brendan !!!) - a single monolothic piece of pure drone-ascension, constructed out of guitar & analogue synthesizer materials into an impeccable wall of rising sound ...

with this album it’s clear that brendan has hit his stride ; the psycho-acoustic interference resultant from his mathematically proportioned tone combinations (i’m sending a definite phill niblock influence ...) absolutely bubbles over ; listening to this @ a fair clip on the recently refurbished mms in-house sound system revealed layer after layer of interlocking beat-frequency-lineage motion, onion-skin style, entirely dependent on where i stood in the room (ala lamonte young’s “dream house” installation, only with two channels !!!) ...

in my mind, no one else is currently working anywhere near the level of care/control as brendan in long-form sound - this is simply a joy to behold & something that warrants repeat listening(s) ... highly recommended !!!
23five incorporated press release...

brendan murray
commonwealth

in recent years, brendan murray has become a central figure in boston’s sound art vanguard through a reputation of exceptional live performances and a growing catalogue of slow-shifting compositions for rarified drones. he sets himself apart from the conventional wisdom that drone-based music is an open-ended exercise into the “realm of the infinite.” murray specifically shapes his repetitions and sinewy tonalities within the rigors of compositional frameworks and temporal restraints. this process does not lend itself to speed, as previous albums required up to four years to complete and commonwealth endured over fifteen drafts before murray perfected the album.

a single crescendo terminating at the end of 49 minutes, commonwealth is an epic investigation into subtle harmonics and overtones expressed through layered slippages of pure sound. conceived through guitar, analog synthesis, and plenty of digital manipulation, commonwealth expresses a rare confidence in murray’s finely tuned detailing of sinewy tonalities and sculpted megalithic surfaces. murray himself has qualified this album as a “sincere bow to ‘classic’ minimalism,” and commonwealth is a worthy parallel to the work of phill niblock, eliane radigue, and iannis xenakis.

founded in 1993, 23five incorporated is a nonprofit organization dedicated to the development and increased awareness of sound works in the public arena, and to the support and education of artists working with and discussing the medium of sound. for the past 14 years, 23five incorporated has remained at the forefront in bringing the most adventurous elements of sound art to the san francisco bay area. 23five has served as an important benefactor to artists such as john duncan, christina kubisch, francisco lopez, achim wollscheid, matt heckert, zbigniew karkowski, atau tanaka, and many more.

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$13.44

back in stock as of
august 10th, 2010

first in stock on
december 15th, 2006


threads:
minimalism-drones
electro-acoustic-composition
digital-musics
harsh-noise

 best of 2006 !!! 
intransitive (usa) #int 027 cd

brendan murraywonders never cease” compact disc

  • hymn one (10:15)
  • seize (11:42)
  • hymn two (2:59)
  • seas (19:42)
  • hymn one (reprise) (4:34)
click the play button to hear an excerpt of "hymn one"
what a great way to kick off 2007 (or whatever year this currently happens to be) - with this, brendan murray’s epicwonders never cease” on intransitive, finally available after several print/press mishaps and my own delays in getting the master to the label after the great hd crash of 2006...

i put brendan up there amidst the grand pantheon of gradient-shift composers due to his meticulous nature and sharp, procedural sense. to call any one of these 5 pieces “static” would be missing a large part what makes this music so extraordinary; the small, almost imperceivable details lurking under the formal overlay - the bubbling upper-harmonic buildup at each piece’s crescendo - the cumulative nature of the individual sounds as they gain momentum throughout.

anyone with even a passing interest in the more horizontal planes of contemporary electronic composition will be bowled over by the sheer force of sound by record’s end. i give this one, to you, my highest recommendation.
intransitive press release...
int027 brendan murray wonders never cease cd

four years in the making, the music of brendan murray’s latest/greatest album of cinematic drone anthems, wonders never cease, was honed during live concerts around new york and new england. recorded in situ, each track was painstakingly (re)assembled and embellished back at murray’s studio. while it cannot accurately be called a ‘live album’, the adrenaline thrill of live performance is palpable as soon as the opening howl charges out from the speakers. from the laminal scorch of the opening track, through an electric fizz storm and a breathy hymn for what sounds like harmonica and folding chairs (?), the eyes-wide-open bliss of wonders is exhilarating. soulful, melodic and intimate, this is electro-acoustic music as gloriously life-affirming and natural as a sunrise.

brendan murray’s third album, following last year’s critically acclaimed resting places cd (sedimental, 2005).
• murray will headline a concert in boston on new year’s eve presented by the city of boston, and also featuring birchville cat motel, kapotte muziek, and keith fullerton whitman.
• european tour with tomas korber and mike shiflet in early 2007 with stops in the uk, france, switzerland, belgium, germany, the netherlands.
• for fans of william basiniski, greg davis, birchville cat motel, nobukazu takemura and andrew chalk.

intransitive recordings.

electronic music for people who like that sort of thing, est.1996

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$12.61

back in stock as of
june 5th, 2010

first in stock on
september 12th, 2007


threads:
electro-acoustic-composition
minimalism-drones
musique-concrète

sedimental (usa) #sed 049 cd

brendan murray / seth nehilsillage” compact disc

  • ebb/cess (3:07)
  • runs toward needles (3:29)
  • clothes tear (6:23)
  • underneath a portrait (4:38)
  • wake of scent (1) (2:48)
  • wake of scent (2) (3:17)
  • feet wrap around chair (9:59)
  • waving (9:11)
click the play button to hear an excerpt of "underneath a portrait"
superlative collaboration between brendan murray and seth nehil; combining their respective strengths as audio-conjurers into something that’s neither seth’s plaintive field-studies and concept-pieces nor brendan’s jet-plane roar/blissed-out drone...

...actually much of this feels closer to a radiophonic construct or “traditionalmusique concrète; seth’s source material(s) (atmospheric events, percussion) isn’t so much blurred-out by brendan’s elongation techniques as magnified... hidden events & detail become motifs, the slight dynamic shifts become the form.

i’ll be spending much, much more time with this recording over the coming weeks; i suggest you do the same.
sedimental press release...
sillage - s/t (sedcd049)

sillage is brendan murray and seth nehil in collaboration

certainly amongst our most challenging releases, sillage is the mind-blowing collaboration of brendan murray and seth nehil and is the result of a first meeting in a live setting from 2004, a performance that was loud, powerful, and very successful. this event combined with knowing these electronic sound artists previous work as generally maximalist and full makes sillage both curious and nearly shocking in this light, as here the material is continually turning inward, trying to push out but always being submerged. this document takes many, many listens and can remain baffling and impenetrable. yet with patience one does get underneath it, and once this happens the sonic rewards are otherworldly and deep. followers of either or both artists work should recognize his particular contributions but this venture has provoked new and uncharted territory from both.

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$6.72

new to stock as of
april 8th, 2010


threads:
electro-acoustic-composition
electro-acoustic-improvisation
minimalism-drones
digital-musics

semata productions (usa) #sem 013 cs
razors & medicine (usa) #r&m 30 cs

perispirit / brendan murrayuntitled” c22 cassette

  • compliant marsman

  • birch victim
click the play button to hear an excerpt of "birch victim"
april 2010 release ; two massive plates of shifting sound, jointly channeled from the south boston electric grid by the trio of brendan murray, luke moldof, and ricardo donoso ... initially released as “tour merch” for their brief april jaunt, we’ve got a few straggler copies on offer ...
semata productions press release...

sem-013 perispirit & brendan murray 'untitled' c22

hot on the heels of their split lp, here we have the accompanying collaboration cassette between perispirit & brendan murray. moving forwards with the exoskeleton imagery, this tape finds both parties in rare form.

the a side is a studio/mail collaboration between the artist's, resulting in a rising, enveloping drone. the b side is a live improvisation with no post processing or editing - less melodic than the a side, what where left with is a huge cloud of low end sub frequency rattle with piecing high end slowing creeping in and out of the mix. two takes on long form sound from these boston transplants, putting drone under the microscope for its ultimate dissection. co-released with razors & medicine

edition of 100 : pro-dubbed on tan type ii high bias cassettes with 2-panel jcard, silkscreened shells & shrink-wrapping. 

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$16.81

back in stock as of
april 8th, 2010

first in stock on
february 21st, 2010


threads:
electro-acoustic-composition
electro-acoustic-improvisation
minimalism-drones
guitar-themed
digital-musics
harsh-noise

semata productions (usa) #sem 010 lp
razors & medicine (usa) #r&m 25 lp

brendan murray / perispiritbirches and marksmen’s graves (voice and computer #1) b/w compliant victim” long playing record

  • brendan murray - birches and marksmen’s graves (voice and computer #1) (16:30)

  • perispirit - compliant victim (17:00)
click the play button to hear an excerpt of "compliant victim"
march 2010 release ; new music from two of the greater boston area’s finest ...

brendan’s side-length piece shows him branching off in a new direction ; constructed entirely from recordings of avant-vocalist noeill dorsey, “birches” recalls penderecki’s eerie/orgasmic glossolalia with the chromatic dissonance of ruggles’ “sun-trader” ... largely computer-smeared/granulated sounds with stray dottings of “dry” vocals at key dramatic moments ... super effective and seriously creepy !!!

on the flip, luke moldof & ricardo donoso’s perispirit take the reigns, offering up a single, crackle-heavy burst of rectified digitalia, harsh-noise blasting, and lulling guitar waves (and that’s just in the first 3 minutes !!! ) building into a twin-peak climax (listen to the sound-sample for the tail-end of #1) that’s both finely nuanced & quite powerful ...

lovely beige-cream vinyl, full-color labels & jacket ; one of the key releases of the year thusfar ... highly recommended !!!
semata productions press release...
brendan murray / perispirit split lp
semata productions (sem-010), razors & medicine (r&m25)

razors and medicine and semata productions are pleased to announce the first long playing record release of both brendan murray and perispirit. murray has been making waves around boston, the usa, and the world since 1999. perispirit, the collaborative project of ricardo donoso and luke moldof formed in late 2007, is known by their dynamic live performances and two cassette releases.brendan murray’s “birches and marksman’s graves (voice and computer #1)” is a clear summation of his interest in controlled drones and gestural improvisation with a step into the unknown. murray is always keen to transform and manipulate an instrument sound color to the point of non-recognition, utilizing a single source for this piece: the voice of noell dorsey.

the piece opens with dissonant clusters, moving up and down generating momentum, keeping the music physical while still highly controlled. vague hints of melody lie underneath the cracks trying to seep through but are swallowed up by the turbulence. it gradually gives way to extended technique vocalisms that call to mind sound poetry and at times even the sprechstimme of schoenberg. later the swirling tones return with a combination of both the higher and lower pitch clusters. it sounds like falling infinitely downward.

perispirit’s side offers a statement that is equally focused but bares little if any resemblance to murray’s piece. it can be described as more active than their previous material, utilizing quick sectional transitions, relying on three key components: harsh noise, delicate melodic work, and degraded lo-fi manipulations.

the piece begins with dynamic harsh cutups that pay attention to sound specialization and stereo field manipulations inspired by the likes of sickness and pain jerk. the momentum grows and is quickly brought down to almost nothing creating a feeling of aural blue balls. the process is resumed and then the piece breaks into looping guitar passages with a subtle electronic underpinning. the layers build than disappear. the noise returns building to a heightened peak of frustration until it drops off and we are left with the sound of life’s monotony. gradually a wall of drone begins to creep in and eventually overtakes all else.

edition of 250 pressed on 160 gram off white vinyl featuring full color lp jackets & labels; mastered by kris lapke. available march 1st 2010

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$8.41

back in stock as of
december 8th, 2009

first in stock on
april 20th, 2009


threads:
electro-acoustic-composition
digital-musics
minimalism-drones

sentient recognition archive (usa) #sra 020 cd

brendan murray / mike shifletsentimental gentlemen” compact disc recordable

  • early retirement (15:49)
  • how’s your late 90’s?” (18:21)
click the play button to hear an excerpt of "how’s your late 90’s?"
april 2009 release ; new version of this prior tour-only edition from brendan & mike, c/o nicholas szczepanik’s sentient recognition archive ... which is a great thing, as the original edition was something of a departure for both artists (rather than a straight bout of stark/grandiose minimalism, this works an almost mego-lineage vocabulary of computer-music noises, rife with dc-offset(s) and grinding wave-geometries, climaxing in the smooth metallic sheen heard in the sound-sample) , disappearing a bit too quickly from the mms catalogue for my tastes ; glad to have it available again !!!
sentient recognition archive press release...
brendan murray & mike shiftlet - sentimental gentlemen cdr
limited to 150 copies

originally released in a handmade quantity of 50 on cdr during murray & mike’s tour late last year, this has now gotten a proper reissue of 150 copies.  two lengthy tracks with murray and shiftlet merging sounds to create something wholly unique. it’s also great to see some sense of humor in the drone field (check out the titles).

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$15.12

back in stock as of
november 16th, 2009

first in stock on
march 10th, 2009


threads:
electro-acoustic-composition
analogue-synth
digital-musics
minimalism-drones
modern-composition
field-recordings
playback-music

unframed (usa) #uf 2 cd

richard garet / brendan murrayof distance” compact disc

  • in parallel (27:00)
  • the tyranny of the objects (19:39)
click the play button to hear an excerpt of "in parallel"
march 2009 release ; glad to finally see a release from the duo of mms perennial brendan murray & new york area composer richard garet ...

over the two long-form pieces herein, the pair incur a gaseous cloud of keening metallic timbres ... garet’s introduction of field-recorded events & telemetry-noise adds punctuation to the largely static, synthesized voids, giving the pieces more in the way of momentum .... but then again, much like brendan’s solo output, this is patient music ; you need to give it the attention & space to unfold in it’s own time ...

as with everything brendan’s involved with these days, this comes highly recommended !!!
unframed press release...

unframed ufcd2
richard garet and brendan murray
of distance

 debut collaboration of richard garet (who has recent releases on winds measure recordings, non-visual objects, and/oar), and brendan murray (23five, intransitive, sedimental among others).

garet and murray are both known for their carefully measured compositions, in which wide droning expanses are organized into articulated, endlessly engaging structures. next to the timbral complexity and fine detail that comes through their layering of textures, of distance also shows well the painstaking attention devoted to the unfolding of temporal dynamics.

presented here is the result of three years of exchange between the artists, who initially got together for a series of improvised sessions and later used the resulting recorded material to compose the two long pieces on this cd. their generative process encompasses analog synthesis and digital manipulation, as well as the use of field recordings as malleable sonic matter.

 the cd is packaged in a letterpress die-cut sleeve containing also an extra-long letterpress fold-out insert. composed and produced by richard garet and brendan murray in astoria, ny and medford, ma, between summer 2004 and summer 2007. designed by gill arnò and printed at middle press. hand-made edition of 400 numbered copies.

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new to stock as of
june 14th, 2010


threads:
analogue-synth
digital-musics
electro-acoustic-composition
electro-acoustic-improvisation
sound-poetry
minimalism-drones

uppercase (usa) #uc 006 cd
living myth (usa) #lm 002 cd

hell hoarseskull puddle” compact disc recordable

  • sku (7:36)
  • ll (15:08)
  • pud (17:09)
  • dle (7:42)
click the play button to hear an excerpt of "dle"
june 2010 release ; debut release from the duo of brendan murray & chuck bettis’s hell hoarse, a hybrid analog/digital performance-oriented duo dealing in real-time electronic processing of their own voices, synthesizers, and, hell, whatever comes their way ...

some fine zones of bleep-out oscillation cut with long pulsewidth drones, keening dc-offset computer skrank (listen to the sound-sample for just an example) and room-toned singing that displays a wide & at times dada-esque range ...
uppercase press release...
hell hoarse

chuck bettis, raised in the fertile hardcore soil, nourished within baltimore's enigmatic avant garde gatherings, blossoming in ny's downtown musical tribe. past projects include metamatics, all scars, trance and the arcade. he has also appeared on recordings with ikue mori, nautical almanac, yellow swans, measles mumps rubella, toshio kajiwara, carlos giffoni. has played live with john zorn, fred frith, jamie saft and afrirampo to name a few. current projects include brown wing overdrive (electronic duo of bettis and derek morton), mudang rouge (quintet with jerry lim, evan rapport, josh blair), period (quintent with mike pride, charlie looker, darius jones), chatterblip (laptop & voice duo with dafna naphtali) and hell hoarse (duo with brendan murray).

brendan murray is a self-taught musician living in somerville, ma. murray began playing music as a rock drummer, but has been working as a solo electronic-music composer since 1999. early compositions were made using little more than phrase samplers, but has since added analog synths, digital software, and (most recently) guitar to his vocabulary. murray regards his music as a balance between spontaneous sound making and compositional rigor, with an emphasis on drones and repetition.  he records and processes instruments and tapes until all traces of instrumentality are blurred, leaving only large blocks of pure sound. he is actively involved with long distance collaborations with musicians and sound artists such as seth nehil (as the duo sillage), richard garet and chuck bettis (as the duo hell hoarse). he is also a founding member of the group ouest, with longtime friends and collaborators jay sullivan and howard stelzer. other activities include playing drums and guitar in the rock band paper summer, composing music for ?lm and occasionally presenting a concert series in the boston area.

previous artist:
 john murphy 
...and that's everything in stock featuring brendan murray.
(why not take a look at the previous and next artists?)
next artist:
 heather leigh murray 
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... this page was last updated on wednesday, september 1st, 2010 @ 12:53 pm