bill orcutt “how the thing sings” long playing record

• no true vine (1:12)
  
• the visible bosom (6:03)
  
• lost they book (2:39)
  
• how the thing sings (4:13)
  
• till i get satisfied (3:30)
  
  
• heaven is closed to me now (3:30)
  
• a line from ol'man river (13:45)

september 2011 release ; ... i’m glad bill stayed with emego ; despite the apparent disconnect between his work & that of ... pretty much everyone else on the label, there’s an undeniable irreverence that somehow ties in ... whatever it is that he does with the general “personality” of peter’s whole universe ... to wit :: ... anyways ; much like the “way down south” set (of which, i’m told, we have the last extant copies ; pick one up for your teenage nephew as a graduation present - he won’t mind at all) this begins as a conversation already-in-progress, continues unabated (with only scant breaks for catching-of-breath, etc) for entire side-lengths in a manner that is both exhilarating and quite impressive from a stamina-perspective ... in particular, “a line from ol'man river” builds from a grain of sand into a continent-spanning desert utilizing only that most basic building block :: the great idea, singularly executed ... this music will be playing in my heaven, whether i’m deathless or not ... highly recommended !!!

editions mego press release...

emego 128v / bill orcutt how the thing sings lp recorded spring 2011 in the liviing room, san francisco. cut at 45 rpm at d+m, berlin, august 2011 yet another essential cracking new set of songs from bill orcutt, showcasing a further development of his unique visceral acoustic style. the language that orcutt uses looks familiar at first glance, but cut deeper and its myriad of twisted audio thats both full on and drenched in melancholy, usually in the same gasping breath. while a lot of it is the classic face melting style, some quieter segments counter balance on the title track as well the epic closet ‘a line from ol’man river’ and ‘heaven is closed to me now’

bill orcutt “how the thing sings” compact disc

• no true vine (1:12)
  
• the visible bosom (6:03)
  
• lost they book (2:39)
  
• how the thing sings (4:13)
  
• till i get satisfied (3:29)
  
• heaven is closed to me now (3:30)
  
• a line from ol'man river (13:45)

september 2011 release ; cd version ... i’m glad bill stayed with emego ; despite the apparent disconnect between his work & that of ... pretty much everyone else on the label, there’s an undeniable irreverence that somehow ties in ... whatever it is that he does with the general “personality” of peter’s whole universe ... to wit :: ... anyways ; much like the “way down south” set (of which, i’m told, we have the last extant copies ; pick one up for your teenage nephew as a graduation present - he won’t mind at all) this begins as a conversation already-in-progress, continues unabated (with only scant breaks for catching-of-breath, etc) for entire side-lengths in a manner that is both exhilarating and quite impressive from a stamina-perspective ... in particular, “a line from ol'man river” builds from a grain of sand into a continent-spanning desert utilizing only that most basic building block :: the great idea, singularly executed ... this music will be playing in my heaven, whether i’m deathless or not ... highly recommended !!!

editions mego press release...

emego 128 / bill orcutt how the thing sings cd recorded spring 2011 in the liviing room, san francisco. cut at 45 rpm at d+m, berlin, august 2011 yet another essential cracking new set of songs from bill orcutt, showcasing a further development of his unique visceral acoustic style. the language that orcutt uses looks familiar at first glance, but cut deeper and its myriad of twisted audio thats both full on and drenched in melancholy, usually in the same gasping breath. while a lot of it is the classic face melting style, some quieter segments counter balance on the title track as well the epic closet ‘a line from ol’man river’ and ‘heaven is closed to me now’

bill orcutt “a new way to pay old debts” compact disc

• lip rich (4:46)
  
• sad news from korea (l. hopkins) (2:50)
  
• pocket underground (1:40)
  
• too late to fly (6:49)
  
• my reckless parts (3:34)
  
• street peaches (2:11)
  
• a new way to pay old debts (6:11)
  
• cold ground (4:36)
  
  
• high waisted (3:23)
  
• big ass nails (3:07)
  
  
• all the creatures of the ocean are alive (2:42)
  
• more salt (3:29)
  
• chicken wing (4:22)
  
• poor black math (1:25)

editions mego press release...

emego 119 / bill orcutt a new way to pay old debts cd tracks 1-8 were originally released as a 12” lp record ‘a new way to pay old debts’ (pal-002. 2009) tracks 9 & 10 appeared on a 7” single (pal.001, 2009). tracks 11-14 are previously unissued. everything recorded may & june 2009 at 24th & york, san francisco. bill orcutt: 4 string kay, voice total running time 51:35 and now for something completley different ..... editions mego is suitably chuffed to announce a cd reissue of bill orcutt’s acoustic hardcore blues stormer ‘a new way to pay old debts’, previously released on palilalia in 2009. for many one of the highlights of recent years with its unique visionary take of solo guitar playing. at the heart of orcutt’s sound is a vintage acoustic kay guitar equipped with a dearmond pickup. after the neck was broken and subsequently repaired, the guitar was downtuned so as to withstand the tension of the strings, and played with the a and d strings removed. this all lends itsellf to an intense set of raw, blues-influenced songs that sound heavier than most of the guitar records in your collection put together !! in addition to the orginal album this cd reissue contain 2 tracks from the high waisted 7” (also previously released on palialia), as well as 4 unreleassed tracks.

bill orcutt “way down south” one-sided long playing record

• way down south (1) (3:48)
  
• way down south (2) (2:55)
  
• way down south (3) (0:50)
  
• way down south (4) (3:51)
  
• way down south (5) (2:55)

palilalia press release...

pal-003 bill orcutt 12” one-sided lp “way down south” edition of 300 tour only release

harry pussy “what was music? • 1992-1995” compact disc

• (untitled) (3:55)
  
• (untitled) (3:03)
  
• hp superstar (0:53)
  
• (untitled) (0:59)
  
• (untitled) (1:59)
  
• (untitled) (1:14)
  
• (untitled) (5:00)
  
• (untitled) (0:27)
  
• (untitled) (1:08)
  
• (untitled) (0:43)
  
• (untitled) (1:03)
  
• (untitled) (2:00)
  
• (untitled) (2:21)
  
• (untitled) (1:53)
  
• please don't come back from the moon (3:04)
  
• nazi u.s.a. (2:38)
  
• youth problem (1:59)
  
• 1986 (0:30)
  
• pussy control (2:11)
  
• riot riot (2:00)
  
• i fought the police (0:51)
  
• fuckology (2:40)
  
• dream driver (2:10)
  
• i don't care about sleep anymore (4:33)
  
• showroom dummies (3:32)
  
• the white improviser (2:20)
  
• black ghost (1:37)
  
• zero for conduct (3:38)
  
• where's the dj? (3:45)
  
• lost my e (3:06)
  
• (untitled) (1:05)
  
• (untitled) (3:41)

siltbreeze press release...

harry pussy / what was music? siltbreeze sb 60cd the clattering, shrieking din that was harry pussy spent much of the '90s as one of the most acclaimed sounds in the extreme noise underground, stamped with a seal of approval from the likes of thurston moore and lou barlow. their brief, spastic, atonal freak-outs sat somewhere in between noise rock and free jazz, though they were actually much more planned out than improvised, to the disbelief of many who heard them. for much of their existence, they rarely played outside their native miami, but word of their volatile, sometimes literally assaultive shows spread, leading to tours with sebadoh and the dead c. formed in 1992, harry pussy was essentially the product of husband and wife bill orcutt (guitar) and adris hoyos (drums, vocals). orcutt had previously played in the local miami punk band the trash monkeys before teaming up with hoyos, whose primal, screeching vocals and on-stage aggression quickly made her the focal point. joined by second guitarist mark feehan (orcutt's onetime trash monkeys bandmate), harry pussy debuted on record in 1993 with a pair of singles -- "nose ring" and "girl holding frog" -- for local noise maven frank "rat bastard" falestra's esync label. their first lp arrived on the philly-based siltbreeze label in 1994 ; commonly known simply as harry pussy, it also sported the evocative alternate title of a: in an emergency you can shit on a puerto rican whore, which pointed up the band's confrontational attitude and off-color sense of humor. a stream of singles followed on into 1995: "please don't come back from the moon" on blackjack, the double 7" "zero de conduite" on audible hiss, "miami flavor" on planet, a split release with noggin on chocolate monk, a cover of lightnin' hopkins' "black ghost" on siltbreeze. much of this material was collected on siltbreeze's 1996 cd compilation what was music?, which also reissued the contents of their first lp.

harry pussy “ride a dove” compact disc

• i started fraud
  
• self expression
  
• man in the mirror
  
• ride a dove
  
• free pussy
  
• man in the mirror (part. 2)

siltbreeze press release...

harry pussy / ride a dove siltbreeze sb 50cd ... that was followed not long after by a full album of new material titled ride a dove, also on siltbreeze. toward the end of 1996, feehan left his position as auxiliary guitarist, and was replaced by dan hosker. hosker debuted on a self-released live album, tour (alternate title: fuck you), in 1997. that year saw the band's final concert performances ; more singles followed in 1998, including split eps with frosty and pelt, but by the release of their final album on black bean & placenta, they had already called it quits. that album, let's build a pussy, consisted of a brief snippet of hoyos yelling, which orcutt then stretched out for an hour using computer software. following harry pussy's demise, hoyos briefly moved to chicago, then worked with transmission and monostat 3. orcutt had already released a solo album in 1997.