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there are 4 titles featuring autechre in stock.
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$7.98

new to stock as of
december 18th, 2005


file under:
guitar-themed
sound-research
lap-top
electro-acoustic
 best of 2005 !!! 
polyfusia (uk) #fus 002 cd

seefeel / autechreautechre rmx spangle” compact disc

  • spangle (12:12)
seefeel, in my book, simply don’t get enough credit. in the wake of “popular” guitar/electronic experimentalism that began in the late 90s and continues to this day, they were the architects, laying down the groundwork via a series of brilliant eps and albums for too pure, and later for warp and rephlex, all of which are for some tragic reason currently out of print.

the appearance of this, several years after the last seefeel statement, is something of a miracle, despite consisting of a single side-length piece, itself a remix by autechre of the band’s contribution to the 1994 “artificial intelligence” compilation on warp.

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$14.51

new to stock as of
december 15th, 2011


threads:
beat-research
digital-musics

skam (uk) #ska 001 cd

lego feetlego feet” compact disc

  • part 1 (19:42)
  • part 2 (17:20)
  • part 3 (21:46)
  • part 4 (15:03)
december 2011 release ; ok, here we go ...

... considering all that has transpired over the last few years wrt “popularelectronic music (an across-the-board dumbing-down of production, concept, technique, and virtue ; a cessation of forward motion of any kind) i’d like to, now, remind you all that ... idm happened (whether you’re comfortable with the branding or not, it happened) ...

... that i’m personally considerably more excited about the contemporary-era issue of this, in many ways the original year-zero idmclassic(quotes, both “air” and “actual” as of course none of us actually heard this at the time) speaks volumes ... re-assessing this music both as pure nostalgia (which, i admit, i have a great deal of for the particular decade-in-time following this record’s initial release) & in the terms of contemporary, jammy, pot-ash stained “side length(choose your weapon ; tape, vinyl, hard / ss drive) exploratory, sequencer-based electronic music (for example :: any number of releases on digitalis limited) & you’ll realize that ... at this exact point in time (20 years later) we have come full circle ...

two of the four jammy, un-edited transcriptions of stoned, bedroom-studio music-making on this disc did actually get “issued” in 1991 ; they’re a merciless crunching-together of distantly-influenced miami electro, staten island hip hop, detroit techno, queens rave, etc ... that could only have been made in “greater manchester” in the waxing days of the early 90’s ... the other two are being issued here for the first time & are just as great ...

... people often ask me, “keith, why are you so down on dance music ???” ; in truth, i love dance music. i just really dislike current dance music ; most of it isn’t very good. this is actually pretty good. very good, even. it takes risks (at the expenses of coherence & “functionality”, sure, but honestly who wants to listen to “functional” music) - but then again this is all subjective ; it’s impossible to separate one’s sensibilities from their own nostalgia(s) & inclination(s). but i’m getting even more of out this music now, with the last 2 decades of growth & development, than i did at the time ...
skam press release...

legofeet - ska001cd

as part of our unofficial 0.2 century celebrations

full length cd

digi-pak sleeve 

skam reissues recordings by the mythical lego feet, otherwise known as legendary electronic duo autechre. this four track cd contains over 70 minutes of classic, mind-bending, futuristic electronic-acid-industrial-cut-up fuckery that, at the time of its release in 1991, was virtually uncategorizable.

legendary electronic duo autechre went on to advance the most seismic paradigm shifts in the sound of the late 20th century, and their seminal early release is presented here with two tracks of material that have never been heard before. all tracks have been re-recorded from the original master tapes.

1991 was an eventful year in human history -- the dow jones topped 13,000 for the first time; boris yeltsin got elected; freddie mercury died -- but among mankind's greatest accomplishments was the creation of the skam label. at the time, hardly any record store bought the label's first 12". it wasn't until much later, after autechre had established themselves as a pioneering experimental electronic group and some genius coined the term "idm" to classify this baffling type of music, that the original lego feet release would become one of the true holy grail records.

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$15.13

new to stock as of
august 22nd, 2008


threads:
modern-psych
digital-musics
harsh-noise
beat-research
machine-music

atp/recordings (uk) #atpr 004 cd

all tomorrow’s parties 3.0 • autechre curated” compact disc

  • public enemy - gotta give the peeps what they need (3:32)
  • masters of illusion - the bay-bronx bridge (bhongra remix) (3:49)
  • gescom - mag (ae remix) (5:43)
  • push button objects - the atp track (3:52)
  • jim o'rourke - call up on your sisters (5:46)
  • o.s.t. - dfde (5:00)
  • made - type tactical (4:43)
  • dr. dooom - leave me alone (peanut butter wolf remix) (6:00)
  • stasis - artifax (7:58)

  • anthony 'shake' shakir - ghetto futures (go figure) (5:56)
  • disjecta - tiny elements (5:47)
  • mark broom - translucid (3:05)
  • baby ford - serpentine tale (5:59)
  • pita - atipfin (3:15)
  • autechre - /]{- /](||) excerpt (6:30)
  • earth - dissolution iii (oversaturated intervallic collisions) (10:03)
  • bola - magnasushi (7:14)
  • hecker - stocha acid, additional tables, set 2 modi mix (3:49)
2003 release ; fourth comp from atp, covering artists appearing at the autechre-curated all tomorrow’s parties festival ... nice, soft jams from jim o’rourke, gescom, earth, hecker, pita, disjecta, o.s.t., etc ...
atp/recordings press release...
originally released in 2003, this is the fourth installment in the all tomorrow's parties festival series, representing the autechre-curated festival in the uk of that same year.

in an astounding mix of big-bassed hip-hop, whirring electro, orchestral idm, atmospheric doom, along with breakbeats and acid lines, this 2cd package is considered one of the best atp comps in the series. all the tracks on this release are exclusive and unreleased featuring the artists: public enemy, masters of illusion, gescom, push button objects, jim o'rourke, o.s.t., made, dr. dooom, stasis, anthony "shake" shakir, disjecta, mark broom, baby ford, pita, autechre, earth, bola and hecker.

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$34.01

new to stock as of
june 13th, 2011


threads:
1950s-electronic
1960s-electronic
1970s-electronic
1980s-electronic
electro-acoustic-composition
musique-concrète
digital-musics

 best of 2011 !!! 
sub rosa (belgium) #sr 200 lp

an anthology of noise & electronic music • second a-chronology 1936-2003” triple long playing record set

  • vladimir ussachevsky + otto luening - incantation for tape (2:39) 1963
  • luc ferrari - visage v (10:36) 1958-59
  • tod dockstader - aerial > song (12:56) 2002

  • johanna m. beyer - music of the spheres (6:01) 1938
  • morton subotnick - mandolin (7:02) 1962
  • daphne oram - four aspects (8:10) 1960

  • alan r. splet - space travel w/changing choral textures (4:02) 1983
  • robin rimbaud / scanner - emily (4:49) 2003
  • hugh davies / gentle fire - quintet (12:10) 1967-68
  • kim cascone - zephirum scan (4:50) 2002

  • meira asher + guy harries - torture - bodyparts (3:42) 2001
  • lasse steen / choose - purzuit of noize (5:37) 1994
  • woody mcbride - pulp (6:07) 1993
  • spk - slogun (6:15) 1979

  • yoshihiro hanno / multiphonic ensemble - on/off edit (9:12) 2001
  • sean booth + rob young / autechre - bronchus one.1 (6:04) 1991
  • david lee myers / arcane device - lathe (5:54) 1988

  • sun ra - black myth (8:32) 1970
  • don van vliet / captain beefheart - she’s too much for my mirror/ my human gets me blues (5:22) 1969
  • laibach - industrial ambients (9:57) 1980-82
  • percy grainger - free music #1 (for four theremins) (2:04) 1936
may 2010 release ; vinyl version of the second anthology (only this & the first volume have gotten the treatment thusfar ; the others remain cd-only) ...

it’s becoming apparent that this selection is intended as more of a personality-driven mix-cd (bearing the imprint of its compiler ; sub rosa’s guy-marc hinant) than an authoritative overview of electronic music trends over the last 70 odd years ... so we can relax and just enjoy, stop scratching our heads at the inclusion of otherwise questionable content (captain beefheart???) ... still a heroic act as many of the pieces included herein have yet to be converted to digital for mass-appreciation ...

very nicely done triple-gatefold with all of the credits printed in full on the four internal panels ...
sub rosa press release...

an anthology of noise & electronic music #2
second a-chronology 1936-2003

3xlp triple gatefold
srv200

the second volume of seven published from 2001 to 2011, curated, noted and edited by guy marc hinant.

...

slow explorations of the past and the present ...

given the present system of production there are reasons, some of them identifiable, why only a few names emerge in each period. there may also be a preference for concentrating information rather than letting it pile up in disordered fashion. over the past 40 years the same ten electronic music composers get mentioned again and again (including in music dictionaries and histories). yet behind them are many other names. who are they? second-raters? not necessarily. for we then need to define the concept of top-rate (rated by who, and on what criteria?) and second-rate or minor artist.

great pleasure can be derived from the works of minor artists. the case of tod dockstader is instructive: when "for lack of academic qualifications" he was denied access to the electronic music facilities he needed, was there not great beauty in the pieces he nevertheless created and in his determination to make music without those facilities? his name was never seen on the labels of top record companies. but he influenced quite a few people - richard james quoted him, and others then referred to his work. some of his records were reissued, and what one could call the rehabilitation process continues. the same applies to many other composers. all such stories spell a passion for music, and weave myth.

these historical axes

at the turn of the century there were efforts to find new sources of sound - a number of machines were exhibited, including thaddeus cahiel's telharmonium in 1887 and the dynamophone presented to the new york public in 1906 ; they generally played well-known romantic or post-romantic pieces. after a few flamboyant skirmishes described in the previous volume, the postwar period saw the arrival in 1951, of vladimir ussachevsky and otto luening in new york's columbia-princeton electronic music center. when audiences of the 50's and 60's first heard varèse, pousseur, stockhausen, berio, ussachevsky, yuasa, dockstader and mumma, what did they feel? perhaps a sort of break, an epistemological break, like it must have been for the first audience of monteverdi's orfeo (in mantua, italy on 24 february 1607). they left the auditorium completely stunned, because they had never heard anything like it.

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 larry austin 
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 autistic daughters 
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... this page was last updated on saturday, february 11th, 2012 @ 5:15 pm