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there are 4 titles featuring ami yoshida in stock.
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$13.44

back in stock as of
november 15th, 2011

first in stock on
november 20th, 2010


threads:
electro-acoustic-improvisation
experimental-instruments

erstwhile (usa) #erstwhile 056 cd

ami yoshida / toshimaru nakamurasoba to bara” compact disc

  • soba to bara (47:59)
april 2009 release ; a pair of discretely recorded solo pieces from vocalist ami yoshida & “no input mixing board” performer toshimaru nakamura, “folded” on top of each other, then issued here as a single “happy accident” style collaborative work ...
erstwhile press release...

ami yoshida / toshimaru nakamura soba to bara

erstwhile 056
total time: 47:59

ami yoshida voice
toshimaru nakamura no-input mixing board

free improvisation has rarely seen significant new movements as influential as the small group of tokyo musicians once labeled as "onkyo", who have now been a primary driving force in contemporary improvisation for a full decade. over that decade, these musicians have been responsible for some of the strongest and most radical work on erstwhile, and soba to bara sits firmly in that lineage.

ami yoshida strives to create a pure sound, abstracting her voice until it becomes almost completely unrecognizable. she created her unique style with no conventional training, initially inspired by meredith monk. cosmos (with sachiko m) and astro twin (with utah kawasaki) are her two longest-running projects, and their split release won the 2003 ars electronica award. outside of japan, yoshida is solely known for her vocal work, but within japan, she is a highly regarded writer, poet and comic book critic, with one novel and countless magazine articles to her credit. this is her third release for erstwhile, following cosmos-tears and a s o (with christof kurzmann).

toshimaru nakamura is one of the most distinguished and original voices in the world of electroacoustic improvisation, with a vast body of work built up over the past decade. since 1998, nakamura has been exploring the possibilities of his no-input mixing board in contexts ranging from solo to collaborations with keith rowe, sachiko m, sean meehan, klaus filip, axel d๖rner and annette krebs. nakamura was a prominent presence throughout the amplify 2002 box set, appearing on five of the seven cds, and has previously released ten other projects on erstwhile including good morning good night, erstlive 005 and 4g-cloud, as well as 2008's well-received one day, with the duo english. currently in preparation is an erstlive release of his duo with keith rowe at the amplify 2008: light festival in tokyo, as well as an erstsolo release.

despite knowing each other for over a decade, yoshida and nakamura had never performed as a duo when they were asked to make a cd and perform a set in the amplify 2008 festival. they discussed how best to approach this, and their idea was to record solo tracks separately, overdub them 'blindly' without hearing the other, and then spend time listening to the results before performing the concert. however, they were so satisfied with how powerful and seemingly synchronized the overlapped solos were that they decided that they wanted that to be the release. the traditional japanese feel of the digipak was created by the very talented tokyo designer yasuo totsuka, built around the kanji characters for 'soba to bara'. and the package also contains japanese-only liner notes by yoshida and nakamura.

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$13.44

back in stock as of
november 15th, 2011

first in stock on
october 18th, 2006


threads:
electro-acoustic-improvisation
digital-musics

erstwhile (usa) #erstwhile 047 cd

ami yoshida / christof kurzmanna s o” compact disc

  • a s o (1) (4:12)
  • a s o (2) (5:16)
  • a s o (3) (3:52)
  • a s o (4) (4:39)
  • a s o (5) (8:09)
  • a s o (6) (2:07)
  • a s o (7) (7:52)
  • a s o (8) (14:00)
erstwhile press release...
ami yoshida voice, microphone
christof kurzmann lloopp, clarinet

ami yoshida and christof kurzmann are both well-respected artists within the international community, each performing in a wide range of contexts from abstract to pure pop. both are best known for their long-running duos, yoshida for cosmos (with sachiko m) and kurzmann for schnee (with burkhard stangl). this project finds them in far less comfortable territory, and a s o is the outcome of two years of hard work.

ami yoshida strives to create a pure sound, abstracting her voice until it becomes almost completely unrecognizable. she created her unique style with no conventional training, initially inspired by meredith monk. cosmos and astro twin (with utah kawasaki) are her two longest-running projects, and their split release won the 2003 ars electronica award. she has also recorded as a solo artist, most notably tiger thrush (imj), a kaleidoscopic catalog of 99 fragments. her small catalog almost exclusively finds her working with other tokyo-based musicians; a s o is one of her first releases to break that formula.

kurzmann has been a prominent part of both the vienna and (more recently) the berlin scenes over the past decade. as an organizer, he cofounded the phonotaktik festival, helped begin the prominent rhiz club in vienna, and runs the prestigious charhizma label. since moving to berlin in 2001, he has organized countless shows, including the berlin half of amplify 2004: addition. kurzmann has been an essential part of many erstwhile-related live events, in tokyo, berlin and the just concluded erstquake 3 in nyc, and was the first to work at amann studios for an erstwhile release, beginning a crucial relationship for the label.

a s o contains recordings from the first meeting of yoshida and kurzmann in march 2004. the collaboration was a difficult one, partly because of their wildly different backgrounds and partly because of the communication issues due to their language differences. four translators helped the project along over the course of the two years it took to make this record (taku unami, toshimaru nakamura, yuko zama and kae uchihashi). although it was a long and complicated journey, the end result is very organic and accomplished. a s o contains an extremely broad range of abstract approaches from both artists, resulting in a wildly different soundworld from any of their previous recordings, and has been beautifully captured as always by recording engineer christoph amann. the impeccably minimal yet lush cd design is by hirozumi takeda, utilizing images provided by asuna.

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$13.44

back in stock as of
november 15th, 2011

first in stock on
december 18th, 2003


threads:
electro-acoustic-improvisation
digital-musics

erstwhile (usa) #erstwhile 024 cd

cosmostears” compact disc

  • i (24:29)
  • ii (18:09)
  • iii (12:09)
erstwhile press release...
sachiko m: sinewaves (1, 3), contact microphone on objects (2)
ami yoshida: voice


sachiko m and ami yoshida, both from tokyo, met in 1997 and formed the duo of cosmos the following year.

sachiko m has developed a unique style utilizing a memory-free sampler, creating pure, piercing sine waves with the device's built-in test tones and noise. she has also recently begun exploring the use of contact microphones, as documented on the second track of tears. sachiko has worked extensively as a solo artist, in groups such as filament, i.s.o., and hoahio, and in duo with toshimaru nakamura, as captured on do (erstwhile). she also founded and runs the superb amoebic label.

ami yoshida strives to create a pure sound, abstracting her voice until it becomes almost completely unrecognizable. in 1997, she released a duo cd, spiritual voice (1040), with tamaru on electronics. cosmos is the first project since then to feature her prominently, although she appears on otomo yoshihide's cathode and ensemble cathode projects, and her solo pieces are a highlight of the 10-cd japan improv box set.

though both women reside in tokyo, cosmos only perform together occasionally, so each meeting is very special. tears is taken from two of those rare encounters, in september 2001 and february 2002. sachiko and ami incrementally build an atmosphere of fragile, yet deeply focused, intensity, forging a symbiotic fusion between human and electronic expression.

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$11.76

back in stock as of
september 27th, 2007

first in stock on
september 27th, 2006


threads:
electro-acoustic-improvisation

a bruit secret (france) #abs 201 cd

from_to” compact disc

  • utah kawasaki (synthetiser) / jean-philippe gross (electric conductor)
  • yoichiro shin (percussions / laptop) / olivier brisson (percussions / electronics)
  • masafumi ezaki (trumpet) / hugo roussel (self-input mixing board)
  • yasuo totsuka (mixing board) / quentin dubost (guitar)
  • masahiko okura (bass tube) / sharif shenaoui (guitar)
  • ami yoshida (voice) / alfredo costa monteiro (accordion)
  • taku unami (banjo) / david n.mayer (prepared guitar)
  • kazushige kinoshita (violin) / fabrice eglin (guitar / amp)
interesting cultural-exchange disc, with the cream of the japanese hibari scene going toe to toe with a selection of artists from the a bruit secret & vert pituite rosters...
a bruit secret press release...
various artists
from_to
[cd]
abs201

(a coproduction by hibarimusic, fragment, pricilia, vertpituite & a bruit secret)

depicted on record is an a-topics meeting in music in the open space between two scenes.the 8 duets open on experimental proposals: 8 improvised musical meetings in the suspended time of mail exchanges. east to the west, japan & france.1+1 = 3. the musical arithmetic differs from what we were taught at school.each duet creates a sonic hybrid with a third element born out of the encounter of the musical identities.

hibari / abruitsecret / fragment / pricilia / vertpituite : from_to found its source in the will of 5 labels to gather young musicians from lebanon, france and japan playing in the fields of electroacoustic and improvised music. to renew them.

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... this page was last updated on saturday, february 11th, 2012 @ 6:17 pm