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there are 4 titles featuring alireza mashayekhi in stock.
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$25.21

back in stock as of
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first in stock on
february 17th, 2009


threads:
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isounderscore (usa) #iso 07 lp

alireza mashayekhi / ata ebtekar / the iranian orchestra for new musicornamental” double long playing record set

  • ornamental
  • little tales 3

  • pearly gates
  • little tales 4
  • broken silence
  • little tales 1

  • meta xy

  • phonata
  • little tales 2
  • tonus
click the play button to hear an excerpt of "ornamental"
january 2009 release ; striking double-lp set, covering a collaboration between venerable iranian electro-acoustic composer alireza mashayekhi & his iranian orchestra for new music and younger computer musician atasoteebtekar (the two were previously paired-up on sub rosa’s excellent “persian electronic music: yesterday and today 1966-2006” set) ...

... and by striking, i’m referring both to ata’s transformations of the acoustic sound-materials, and the cover’s intense aperiodic geometric tessellations ::


echoing much of the “live electronic” work that dots the 60s / 70s compositional landscape, the raw acoustic timbres of mashayekhi’s writing are rarely heard herein ; ebtekar’s unfettered electronic processes (including much use of classic modes such as ring modulation, along with contemporary granular & spectral reductions) render the sparse writing a constantly mutating stew of gained squawks and fizzing, gauzy drones ...

it’s rare to hear such a project come from anything other than the academic label-system these days ; even rarer that we’re treated to such a deluxe double-lp edition ... highly recommended !!!
isounderscore press release...

[iso_07] ata ebtekar & the iranian orchestra for new music performing works of alireza mashayekhi "ornamental" 2xlp.

release date: january 20th, 2009
artist location: berkeley, california u.s.a.
total running length: 51:11

an ambitious, extremely complex, and sonically rich project that gives us an immense pleasure to release. an incredible collaboration between ebtekar and alireza mashayekhi's iranian orchestra for new music in tehran, iran involving dozens of trained musicians. ebtekar has recently returned to the bay area from his three year stay in iran where he closely worked with legendary composer alireza mashayekhi. the album spans 50 minutes crystallizing acoustic instruments and electronic music composition with ten tracks fully realized by ebtekar and mashayekhi's orchestra.

ata ebtekar (b. 1972, hamburg germany) aka sote is an iranian-american electronic composer and sound artist. his compositions are sonic tales synchronously decoding and regenerating customary patterns of thought in nature; aural designs of crisis and harmony where contempo meets folklore, orchestrating an artificial saga with a variety of illuminations and analysis. presented here is a full-length album involving dozens of trained musicians performing works written by legendary iranian classical and electronic music composer alireza mashayekhi in which ebtekar was granted freedom by mashayekhi himself to arrange and transform these compositions into fully realized pieces using his techniques of synthesis and electronic manipulation.

"ornamental" continues to explore even further than that which was presented in sub rosa's 2007 anthology, "persian electronic music (yesterday and today 1966-2006)". the album also continues the radical experimental departure from his early electronic music work as sote in the 12"'s published by dielectric and warp records. ebtekar's work continues to be painfully singular and shines bright in its ability to eliminate barriers the world over between noise, silence and modern electronic music composition.

all music recorded in tehran, iran. limited to 500 copies on black vinyl on full color spot-varnish matte jackets. mastered by thomas dimuzio at gench studios in san francisco, ca. artwork and design by brandon nickell.

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new to stock as of
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threads:
modern-composition
electro-acoustic-composition
digital-musics
live-electronic

sub rosa (belgium) #sr 284 cd

alireza mashayekhi / ata ebtekar / the iranian orchestra for new musicornamentalism” compact disc

  • pearly gates (5:38) 1999
  • little tales 4point5 (2:03) 1993
  • ornamental (9:51) 1995
  • little tales 3 (3:17) 1993
  • broken silence cmpd (3:20) 2002
  • turquoise gas in ice (3:35) 
  • aural blue (0:24)
  •  phonata opus 11 remod. (6:35) 1999
  • little tales 2 (2:02) 1993
  • meta xy (12:58) 2001
  • pattern logic (0:21)
  • little tales 1 (2:25) 1993
  • tonus (3:02) 2006
click the play button to hear an excerpt of "broken silence cmpd"
april 2009 release ; cd version of the recent isounderscore lp, covering a collaboration between venerable iranian electro-acoustic composer alireza mashayekhi & his iranian orchestra for new music and younger computer musician atasoteebtekar (the two were previously paired-up on sub rosa’s excellent “persian electronic music: yesterday and today 1966-2006” set) ...

echoing much of the “live electronic” work that dots the 60s / 70s compositional landscape, the raw acoustic timbres of mashayekhi’s writing are rarely heard herein ; ebtekar’s unfettered electronic processes (including much use of classic modes such as ring modulation, along with contemporary granular & spectral reductions) render the sparse writing a constantly mutating stew of gained squawks and fizzing, gauzy drones ...

it’s rare to hear such a project come from anything other than the academic label-system these days ; highly recommended !!!
sub rosa press release...

ornamentalism
ata ebtekar & the iranian orchestra for new musicperforming works of alireza mashayekhi    
sr284

 an organic electrocution

perfect follow-up to the highly acclaimed persian electronic music (sr277), this new persian music album involves a cast of seasoned musicians performing works written by legendary iranian composer alireza mashayekhi ; in which ata ebtekar (aka sote) was granted complete creative freedom by mashayekhi himself to transform these compositions into fully realized pieces using his techniques of synthesis and electronic manipulation.it's an organic electrocution without sacrificing the beauty of the performance. these sound sources and compositions were metamorphosed via electronic processing, rearranged and decomposed using sound generators, effect boxes, modular synthesizers and samplers. finally, ebtekar programs synthetic sounds and adds new electronic harmonies, melodies and soundscapes to the sonic palette of western classical music and persian instrumentation for a unique musical experience. sote unites the grace and symmetry of noise and silence inside the magic circle of electronic music composition.

the tehran contemporary music group

cofounded in 1993 by farimah ghavensadri and alireza mashayekhi. in 1995 mashayekhi established the iranian orchestra for new music as a performing entity. the tehran contemporary music group's main goal is the presentation of new music in order to promote young composers and performers. the group has also helped to establish the biannual for composing and performing of contemporary music in iran.

alireza mashayekhi: a short biography

alireza mashayekhi was born in 1940 in tehran, iran. he is one of the pioneers of modern music in iran. mashayekhi's works have been performed in iran and abroad for more than 35 years. mashayekhi believes that contemporary composers should create music in wide range of styles. his own compositions have tended towards three major direction: pieces that are directly inspired by iranian music (e.g. symphony no. 5, persian suite and shahrzad) and compositions that are not directly related to iranian music (e.g. symphony no. 6, concerto for violin and orchestra,sonata for piano) and multicultural compositions (e.g. symphony no. 8 and the electronic composition east-west).

at the time of stalin in the ussr, many pieces were composed with predetermined identities in honor of marxism and leninism by the request of the governmental authorities or by the artist's own whishes. among these pieces those with artistic rightfulness remained and they were honored in both east and west, but the political weight of the other ones did not succeed to help them survive.

alireza mashayekhi

alireza mashayekhi is regarded as a pioneer iranian avant-garde composer whose ideas and works, which have been performed in iran and abroad for more than 35 years, have greatly influenced the contemporary music in iran..

hooman asadi of the university of tehran, iran

ata ebtekar aka sote: a short biography

aka sote is an iranian-american electronic composer and sound artist. he was bornin germany to iranian parents, spent the first eleven years of his life in iran and the next six years in germany. at the age of seventeen he moved to the united states and lived inthe bay area for fifteen years. he has spent the last few years living in tehran and workingon several projects. one of these projects was released in 2007 as a double disc set called 'persian electronic music - yesterday and today' (sub rosa sr277) for which he compiled early electronic music from alireza mashayekhi who had created these compositions forty years ago. disc two features ebtekar's own electronic compositions to present a timeline in modern iranian music history. sote's compositions are sonic tales synchronously decoding and regenerating customary patterns of thought in nature; aural designs of crisis and harmony where contempo meets folklore, orchestrating an artificial saga with a variety of illuminations and analysis. he believes that music is a cultural habit of sound and anti-sound (silence). therefore, he generates music without a specific culture, which he believes to be 'the other sound'.

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$16.58

back in stock as of
may 4th, 2009

first in stock on
october 1st, 2007


threads:
electro-acoustic-composition
1960s-electronic
1970s-electronic
modern-composition
musique-concrète
digital-musics

sub rosa (belgium) #sr 277 cd

alireza mashayekhi / ata ebtekar / sotepersian electronic music: yesterday and today 1966-2006” double compact disc set

  • alireza mashayekhi - shur, op.15 (1966)
  • alireza mashayekhi - mithra,  op.90 (1982)
  • alireza mashayekhi - development 2, op.24 (1970)
  • alireza mashayekhi - east-west, op.45 (1973)
  • alireza mashayekhi - chahargah 1, op.75 (1979)
  • alireza mashayekhi - panoptikum 70, op.27 (1970)
  • alireza mashayekhi - stratosphaere 1, op.46 (1973)
  • alireza mashayekhi - yaad, op.66 (1970)

  • ata ebtekar / sote - miniature tone
  • ata ebtekar / sote - nashid
  • ata ebtekar / sote - saint homayun
  • ata ebtekar / sote - synthetic overture (satan's lullaby)
  • ata ebtekar / sote - micro tuning
  • ata ebtekar / sote - breadth digit (glass lung)
  • ata ebtekar / sote - robot radif
  • ata ebtekar / sote - tahrir (love-birds drowned in sorrow)
  • ata ebtekar / sote - picture of a whisper
  • ata ebtekar / sote - cry
  • ata ebtekar / sote - lovaz
  • ata ebtekar / sote - niaaz
  • ata ebtekar / sote - plainsong
click the play button to hear an excerpt of "development 2, op.24"
december 2007: repressed & back in stock !!!

killer collection of classic tape-music from the persian composer alireza mashayekhi; whose “shur(the first track here) is prob. my single favorite piece on the titanic “electronic panorama” box on philips prospective 21e siècle (arguably the most coveted set of early electronic music...)

it’s remarkable that there’s never been a survey of masayekhi’s work until now as, in my opinion, it successfully bridges traditional persian/iranian modes (already a fascinating area of music) with the 60s/70s electronic music vocabulary (of which i’m quite enamored...) - much massed tar/sehtar playing run through ring-modulation and other electronic treatments, much full-gain synthesizer hysteresis; all masterfully assembled into dense, edit-heavy etudes...

the mashayehki set is here augmented by a bonus disc of contemporary music by ata ebtekar (known to some of you for his single on warp under the name sote) - very much indebted to mashayekhi’s melding of persian instrumentation/tunings and electronic manipulation/synthesis a few decades prior... while i’m on record for not being the biggest supporter of “old meets new” collections (especially when they deal in the work of two completely different composers), ebtekar’s music is inarguably good; very abstract (i.e. non-beat-oriented) digital cutups using similar source material, and, for the most part, quite noisy/overloaded...

this feels like the historical electronic music reissue of the year; just so much insanely detail-oriented synth/tape work that it’s almost impossible to take it all in over one sitting... highest recommendation.
sub rosa press release...
persian electronic music : yesterday and today 1966-2006
alireza mashayekhi - ata ebtekar/sote
sr277

 from alireza mashayekhi to ata ebtekar/sote, the quantum leap of the very unknown electronic music composed in iran from the sixties till today. two iranian music masters who work (mainly) on ancestral structures to create something radically new, who travel around the world to finally live and work in their country - two vivid creators through the hazards of history.

alireza mashayekhi : a short biography

alireza mashayekhi was born in 1940 in tehran, iran. he is one of the pioneers of modern music in iran. mashayekhi's works have been performed in iran and abroad for more than 35 years. mashayekhi believes that contemporary composers should create music in wide range of styles. his own compositions have tended towards three major direction: pieces that are directly inspired by iranian music (e.g. symphony no. 5, persian suite and shahrzad) and compositions that are not directly related to iranian music (e.g. symphony no. 6, concerto for violin and orchestra, sonata for piano) and multicultural compositions (e.g. symphony no. 8 and the electronic composition east-west). at the time of stalin in the ussr, many pieces were composed with predetermined identities in honor of marxism and leninism by the request of the governmental authorities or by the artist's own wishes. among these pieces those with artistic rightfulness remained and they were honored in both east and west, but the political weight of the other ones did not succeed to help them survive. - alireza mashayekhi

alireza mashayekhi is regarded as a pioneer iranian avant-garde composer whose ideas and works, which have been performed in iran and abroad for more than 35 years, have greatly influenced the contemporary music in iran.. - hooman asadi of the university of tehran, iran

ata ebtekar aka sote : a short biography

ata ebtekar aka sote is an electronic composer, sound artist and recording engineer who was born on september 2nd, 1972. his goal is to create unique and timeless pieces of music that are not available anywhere except in his mind. sote is interested in keeping the tuning of persian classical scales (radif) and melodies from old persian folk songs within a new electronic framework. since he has a firm conviction that rules and formulas have to be deconstructed and rethought, he alters some of these modal systems from their original tonality and rhythm (tradition). he has released several cds and vinyls on dielectric/rlr, spundae and especially on warp.

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$18.91

back in stock as of
may 4th, 2009

first in stock on
january 25th, 2008


threads:
1950s-electronic
1960s-electronic
1970s-electronic
electro-acoustic-composition
musique-concrète
digital-musics
sound-art
sound-poetry

sub rosa (belgium) #sr 270 cd

anthology of noise & electronic music / fifth a-chronology 1920-2007” double compact disc set

  • rogelio sosa - vinylika (7:02) 2003
  • christian galaretta - maranon (part vi) (10:27) 2004
  • li chin sung aka dickson dee - shame (4:57) 1994-2007
  • francois-bernard mache - prelude (5:28) 1959
  • richard maxfield - pastoral symphony (4:01) 1960
  • wolf vostell - elektronicher de-colagge. happening raum. (3:00) 1968
  • charlemagne palestine - seven organism study (7:53) 1968
  • andre boucourechilev - texte 2 (4:36) 1959
  • helmut lachenmann - scenario (12:30) 1965
  • alireza mashayekhi - shur, op.15 (6:28) 1966
  • claude ballif - points, mouvements (10:14) 1962

  • mauricio kagel - antithese (9:21) 1962
  • vladimir mayakovsky - and would you? (0:32) 1920
  • raoul hausmann - fmsbw (recorded by henri chopin) (0:45) 1918
  • gil joseph wolman - megapneumies, mars 1963 (4:54) 1963
  • leo kupper - electro-poeme (5:54) 1963-1970
  • josef anton riedl - leonce und lena (2:17) 1963
  • sten hanson + henri chopin - tete a tete (5:08) 1973
  • dajuin yao - satisfaction of oscillation (9:27) 1997
  • pere ubu - sentimental journey (7:01) 1978
  • ground zero - live 1992 (1:01) 1992
  • masonna / yamazaki "maso" takushi - spectrum ripper (part i-ii-iii) (3:32) 1996-1997
  • sutcliffe jugend - blind ignorance (5:39) 2007
  • club moral - l'enfer est intime (6:32) 1985
  • dub taylor - lumiere (part i) (17:11) 1972
click the play button to hear an excerpt of "francois-bernard mache - prelude"
january 2008 release ; the fifth volume of this ongoing series of double-disc compilations collecting newly unearthed/discovered/licensed gems from the assorted back alleyways of early electronic music with contemporary offerings from a current crop of like-minded electronic music practitioners ...

for this volume the (many) highlights include françois-bernard mâche’s “prélude,” wolf vostell’s “elektronicher dé-collage,” helmut lachenmann’s “scenario,” and from the more recent end of the spectrum a particularly nice blast from maso yamazaki & a bit of gristle from legendary early uk noise act sutcliffe jügend ...

given the purview of mms; these compilations are becoming something of a yearly festival - much in here to be excited about, thanks to the hard work of sub rosa’s guy-marc hinant. highly recommended, of course; and not just this most recent volume (the prior four all contain a veritable king’s ransom in early electronic music gold...)
sub rosa press release...
an anthology of noise & electronic music vol. 5 - fifth a-chronology 1920-2007

charlemagne palestine, père ubu, sutcliffe jügend, li chin sung aka dickson dee, alireza mashayekhi, rogelio sosa, christian galaretta, françois-bernard mâche, richard maxfield, wolf vostell, andré boucourechliev, helmut lachenmann, claude ballif, mauricio kagel, vladimir mayakovsky, raoul hausmann, gil joseph wolman, léo kupper, josef anton riedl, sten hanson + henri chopin, dajuin yao, ground zero, masonna, club moral, dub taylor

digipack 2 cd + 50 pages booklet
sr270

here i am, for the fifth time, facing this impossible task no one has asked me to do. how can one bring together the history of electronic and concrete music to the history of noise music? for this volume, i want to highlight pieces illustrating a technique (claude ballif's points,mouvements), a country (shur, op. 15 by alireza mashayekhi), a studio (helmut lachenmann at the ipem), there are also historic (françois bernard mâche's prélude), and radical (spectrum ripper by masonna) works that have ripped apart ancient definitions. all this organized with internationalism in mind and, for once, a focus on the voice - not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music).

previous artist:
 maserati 
...and that's everything in stock featuring alireza mashayekhi.
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... this page was last updated on tuesday, june 30th, 2009 @ 7:57 pm