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there are 2 titles featuring alireza mashayekhi in stock.
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$15.51

back in stock as of
june 13th, 2011

first in stock on
may 4th, 2009


threads:
modern-composition
electro-acoustic-composition
digital-musics
live-electronic

sub rosa (belgium) #sr 284 cd

alireza mashayekhi / ata ebtekar / the iranian orchestra for new musicornamentalism” compact disc

  • pearly gates (5:38) 1999
  • little tales 4point5 (2:03) 1993
  • ornamental (9:51) 1995
  • little tales 3 (3:17) 1993
  • broken silence cmpd (3:20) 2002
  • turquoise gas in ice (3:35) 
  • aural blue (0:24)
  •  phonata opus 11 remod. (6:35) 1999
  • little tales 2 (2:02) 1993
  • meta xy (12:58) 2001
  • pattern logic (0:21)
  • little tales 1 (2:25) 1993
  • tonus (3:02) 2006
april 2009 release ; cd version of the recent isounderscore lp, covering a collaboration between venerable iranian electro-acoustic composer alireza mashayekhi & his iranian orchestra for new music and younger computer musician atasoteebtekar (the two were previously paired-up on sub rosa’s excellent “persian electronic music: yesterday and today 1966-2006” set) ...

echoing much of the “live electronic” work that dots the 60s / 70s compositional landscape, the raw acoustic timbres of mashayekhi’s writing are rarely heard herein ; ebtekar’s unfettered electronic processes (including much use of classic modes such as ring modulation, along with contemporary granular & spectral reductions) render the sparse writing a constantly mutating stew of gained squawks and fizzing, gauzy drones ...

it’s rare to hear such a project come from anything other than the academic label-system these days ; highly recommended !!!
sub rosa press release...

ornamentalism
ata ebtekar & the iranian orchestra for new musicperforming works of alireza mashayekhi    
sr284

 an organic electrocution

perfect follow-up to the highly acclaimed persian electronic music (sr277), this new persian music album involves a cast of seasoned musicians performing works written by legendary iranian composer alireza mashayekhi ; in which ata ebtekar (aka sote) was granted complete creative freedom by mashayekhi himself to transform these compositions into fully realized pieces using his techniques of synthesis and electronic manipulation.it's an organic electrocution without sacrificing the beauty of the performance. these sound sources and compositions were metamorphosed via electronic processing, rearranged and decomposed using sound generators, effect boxes, modular synthesizers and samplers. finally, ebtekar programs synthetic sounds and adds new electronic harmonies, melodies and soundscapes to the sonic palette of western classical music and persian instrumentation for a unique musical experience. sote unites the grace and symmetry of noise and silence inside the magic circle of electronic music composition.

the tehran contemporary music group

cofounded in 1993 by farimah ghavensadri and alireza mashayekhi. in 1995 mashayekhi established the iranian orchestra for new music as a performing entity. the tehran contemporary music group's main goal is the presentation of new music in order to promote young composers and performers. the group has also helped to establish the biannual for composing and performing of contemporary music in iran.

alireza mashayekhi: a short biography

alireza mashayekhi was born in 1940 in tehran, iran. he is one of the pioneers of modern music in iran. mashayekhi's works have been performed in iran and abroad for more than 35 years. mashayekhi believes that contemporary composers should create music in wide range of styles. his own compositions have tended towards three major direction: pieces that are directly inspired by iranian music (e.g. symphony no. 5, persian suite and shahrzad) and compositions that are not directly related to iranian music (e.g. symphony no. 6, concerto for violin and orchestra,sonata for piano) and multicultural compositions (e.g. symphony no. 8 and the electronic composition east-west).

at the time of stalin in the ussr, many pieces were composed with predetermined identities in honor of marxism and leninism by the request of the governmental authorities or by the artist's own whishes. among these pieces those with artistic rightfulness remained and they were honored in both east and west, but the political weight of the other ones did not succeed to help them survive.

alireza mashayekhi

alireza mashayekhi is regarded as a pioneer iranian avant-garde composer whose ideas and works, which have been performed in iran and abroad for more than 35 years, have greatly influenced the contemporary music in iran..

hooman asadi of the university of tehran, iran

ata ebtekar aka sote: a short biography

aka sote is an iranian-american electronic composer and sound artist. he was bornin germany to iranian parents, spent the first eleven years of his life in iran and the next six years in germany. at the age of seventeen he moved to the united states and lived inthe bay area for fifteen years. he has spent the last few years living in tehran and workingon several projects. one of these projects was released in 2007 as a double disc set called 'persian electronic music - yesterday and today' (sub rosa sr277) for which he compiled early electronic music from alireza mashayekhi who had created these compositions forty years ago. disc two features ebtekar's own electronic compositions to present a timeline in modern iranian music history. sote's compositions are sonic tales synchronously decoding and regenerating customary patterns of thought in nature; aural designs of crisis and harmony where contempo meets folklore, orchestrating an artificial saga with a variety of illuminations and analysis. he believes that music is a cultural habit of sound and anti-sound (silence). therefore, he generates music without a specific culture, which he believes to be 'the other sound'.

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back in stock as of
june 13th, 2011

first in stock on
january 25th, 2008


threads:
1950s-electronic
1960s-electronic
1970s-electronic
electro-acoustic-composition
musique-concrète
digital-musics
sound-art
sound-poetry

 best of 2008 !!! 
sub rosa (belgium) #sr 270 cd

anthology of noise & electronic music / fifth a-chronology 1920-2007” double compact disc set

  • rogelio sosa - vinylika (7:02) 2003
  • christian galaretta - maranon (part vi) (10:27) 2004
  • li chin sung aka dickson dee - shame (4:57) 1994-2007
  • francois-bernard mache - prelude (5:28) 1959
  • richard maxfield - pastoral symphony (4:01) 1960
  • wolf vostell - elektronicher de-colagge. happening raum. (3:00) 1968
  • charlemagne palestine - seven organism study (7:53) 1968
  • andre boucourechilev - texte 2 (4:36) 1959
  • helmut lachenmann - scenario (12:30) 1965
  • alireza mashayekhi - shur, op.15 (6:28) 1966
  • claude ballif - points, mouvements (10:14) 1962

  • mauricio kagel - antithese (9:21) 1962
  • vladimir mayakovsky - and would you? (0:32) 1920
  • raoul hausmann - fmsbw (recorded by henri chopin) (0:45) 1918
  • gil joseph wolman - megapneumies, mars 1963 (4:54) 1963
  • leo kupper - electro-poeme (5:54) 1963-1970
  • josef anton riedl - leonce und lena (2:17) 1963
  • sten hanson + henri chopin - tete a tete (5:08) 1973
  • dajuin yao - satisfaction of oscillation (9:27) 1997
  • pere ubu - sentimental journey (7:01) 1978
  • ground zero - live 1992 (1:01) 1992
  • masonna / yamazaki "maso" takushi - spectrum ripper (part i-ii-iii) (3:32) 1996-1997
  • sutcliffe jugend - blind ignorance (5:39) 2007
  • club moral - l'enfer est intime (6:32) 1985
  • dub taylor - lumiere (part i) (17:11) 1972
january 2008 release ; the fifth volume of this ongoing series of double-disc compilations collecting newly unearthed/discovered/licensed gems from the assorted back alleyways of early electronic music with contemporary offerings from a current crop of like-minded electronic music practitioners ...

for this volume the (many) highlights include françois-bernard mâche’s “prélude,” wolf vostell’s “elektronicher dé-collage,” helmut lachenmann’s “scenario,” and from the more recent end of the spectrum a particularly nice blast from maso yamazaki & a bit of gristle from legendary early uk noise act sutcliffe jügend ...

given the purview of mms; these compilations are becoming something of a yearly festival - much in here to be excited about, thanks to the hard work of sub rosa’s guy-marc hinant. highly recommended, of course; and not just this most recent volume (the prior four all contain a veritable king’s ransom in early electronic music gold...)
sub rosa press release...
an anthology of noise & electronic music vol. 5 - fifth a-chronology 1920-2007

charlemagne palestine, père ubu, sutcliffe jügend, li chin sung aka dickson dee, alireza mashayekhi, rogelio sosa, christian galaretta, françois-bernard mâche, richard maxfield, wolf vostell, andré boucourechliev, helmut lachenmann, claude ballif, mauricio kagel, vladimir mayakovsky, raoul hausmann, gil joseph wolman, léo kupper, josef anton riedl, sten hanson + henri chopin, dajuin yao, ground zero, masonna, club moral, dub taylor

digipack 2 cd + 50 pages booklet
sr270

here i am, for the fifth time, facing this impossible task no one has asked me to do. how can one bring together the history of electronic and concrete music to the history of noise music? for this volume, i want to highlight pieces illustrating a technique (claude ballif's points,mouvements), a country (shur, op. 15 by alireza mashayekhi), a studio (helmut lachenmann at the ipem), there are also historic (françois bernard mâche's prélude), and radical (spectrum ripper by masonna) works that have ripped apart ancient definitions. all this organized with internationalism in mind and, for once, a focus on the voice - not as sung words, their traditional facet in music (from pop songs to lieder and operas), but as the word itself, recited, distorted, rendered abstract or disaggregated and screamed (the incantation so often a part of rock and noise music).

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 j. mascis 
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