| $11.76
back in stock as of september 13th, 2010
first in stock on march 15th, 2010
threads: harsh-noise free-improvisation lo-fi
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| | | siltbreeze (usa) #sb 060 cd harry pussy “what was music? • 1992-1995” compact disc - (untitled) (3:55)
- (untitled) (3:03)
- hp superstar (0:53)
- (untitled) (0:59)
- (untitled) (1:59)
- (untitled) (1:14)
- (untitled) (5:00)
- (untitled) (0:27)
- (untitled) (1:08)
- (untitled) (0:43)
- (untitled) (1:03)
- (untitled) (2:00)
- (untitled) (2:21)
- (untitled) (1:53)
- please don't come back from the moon (3:04)
- nazi u.s.a. (2:38)
- youth problem (1:59)
- 1986 (0:30)
- pussy control (2:11)
- riot riot (2:00)
- i fought the police (0:51)
- fuckology (2:40)
- dream driver (2:10)
- i don't care about sleep anymore (4:33)
- showroom dummies (3:32)
- the white improviser (2:20)
- black ghost (1:37)
- zero for conduct (3:38)
- where's the dj? (3:45)
- lost my e (3:06)
- (untitled) (1:05)
- (untitled) (3:41)
| 1996 release ; catch-(almost)-all collection of singles-material(s) & between-the-cracks jank from this legendary three-piece (adris hoyos, bill orcutt, and at this stage still mark feehan) invective-scatter outfit, with whom my awful but actually kind-of-great art-punk band (el-ron) shared a few bills in more than one trans-vestite/sexual bar back in those lurid mid-late 90s ...
contains their kraftwerk cover along with a selection of pieces originally dropped like marshmallows on some foggy mountain path via a slew of 7” singles back in “the era” ; this was their best (recorded) work & sounds remarkably great right now actually, esp. given bill’s recent step back into the limelight ...
psyched this is still available for future-generation/time-capsule applications ; seminal stuff !!! |
| | siltbreeze press release... |
| harry pussy / what was music? siltbreeze sb 60cd
the clattering, shrieking din that was harry pussy spent much of the '90s as one of the most acclaimed sounds in the extreme noise underground, stamped with a seal of approval from the likes of thurston moore and lou barlow. their brief, spastic, atonal freak-outs sat somewhere in between noise rock and free jazz, though they were actually much more planned out than improvised, to the disbelief of many who heard them. for much of their existence, they rarely played outside their native miami, but word of their volatile, sometimes literally assaultive shows spread, leading to tours with sebadoh and the dead c.
formed in 1992, harry pussy was essentially the product of husband and wife bill orcutt (guitar) and adris hoyos (drums, vocals). orcutt had previously played in the local miami punk band the trash monkeys before teaming up with hoyos, whose primal, screeching vocals and on-stage aggression quickly made her the focal point. joined by second guitarist mark feehan (orcutt's onetime trash monkeys bandmate), harry pussy debuted on record in 1993 with a pair of singles -- "nose ring" and "girl holding frog" -- for local noise maven frank "rat bastard" falestra's esync label. their first lp arrived on the philly-based siltbreeze label in 1994 ; commonly known simply as harry pussy, it also sported the evocative alternate title of a: in an emergency you can shit on a puerto rican whore, which pointed up the band's confrontational attitude and off-color sense of humor.
a stream of singles followed on into 1995: "please don't come back from the moon" on blackjack, the double 7" "zero de conduite" on audible hiss, "miami flavor" on planet, a split release with noggin on chocolate monk, a cover of lightnin' hopkins' "black ghost" on siltbreeze. much of this material was collected on siltbreeze's 1996 cd compilation what was music?, which also reissued the contents of their first lp. |
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